enough time for reflection. and restless pacing around relatively known spaces. looking out the window. reality. but the question of what to say on Tuesday evening. public lecture distracts me. structuring a finite period of time into what can be considered organized and clear information is something to be avoided? or just that regular nervousness about not engaging the audience, wasting their time, and that constant awareness of others’ — what they are producing (my critical stance towards the object is merely a translation of the jealousy of those who do create stunning cultural objects as a result of their artistic and other research).
Devi
A quick visit with Nils at the Media Academy in Köln yesterday, and happen to run into Irit Batsry who is running a video course there. I gush a little about the work of hers that I saw back in Montreal in 1995 — one of the single most powerful videos that I have ever seen. Walking between buildings, across Walter Peltzer Platz, Nils points out the two Golden Nica Award statues sitting in the window of the Knowbotic Research offices. later Volker and I go to a Kölsch brauerei for a bit of dinner.
Meet with Udo at dom.de to check into what he has been doing in the last three years. His current work explores relational data bases and how to construct complex navigational interfaces for interacting with the database — using it to construct a hyper-spatial narratives collaboratively. That is the key word — collaboratively — where the work evolves from a collective inter-dialogue which covers many aspects of everyone’s lives. A network constructed by a network! Along with some older experiments in data-basing of chats that are then reconfigured on the fly in further chat conversations between bots and humans. Very interesting stuff. The work produced for the equator project was one of the first tests. I hope to get him to provide such a space for neoscene occupation people to work in.
next five minutes 3 – tactical education
into the NextFiveMinutes conference. I have been burned out for much of the time for some reason, almost catching a cold yesterday evening, then this morning, spraining my back with the most minimal movement zipping up my suitcase, I wasn’t even bending over. scared the shit outta me. my panel presence (Tactical Education/Media Competence) was shortly after, and that went quite well, but by mid-afternoon I hobble back the the hotel, barely able to walk because of the sciatic pain. missed an appointment with Nan which I was quite looking forward to, not to mention several dialogues with new contacts. really don’t believe it, that I have done something serious. been stretching all afternoon and evening between bouts resting in bed. nothing else to do! Faugh! miss a dinner with an interesting artist. following are notes for the Tactical Education presentation (on the neoscenes occupation project):
sotto voce: introduction: start by restating my conviction that:
venues like this can, by their nature, only mirror or document what is happening “out there” — and although this precise venue here — me speaking to you is probably not anyone’s first choice of interaction — but I was eager to participate in this part of nextfiveminutes as an opportunity to open some dialogues on methodologies and experiences. I would wish that the expressions here will represent ideas so vital that there will be nothing to do after our brief time together but to ACT. but I suppose that the most one can hope for is that some of these thoughts would be on a level fundamental enough that some of you might share these dialogues at future times. or at least be entertained by my ignorant display of polarized generalizations.
put neoscenes occupation within a larger context of praxis, personal philosophy, and reality. more “next five minutes 3 – tactical education”
in Heaven
Land in Heaven after arriving in Maastricht. Rod meets me at the bus station. The ride over from Germany traverses a beautiful border region of rolling hills and farms, and bunkers … Rod tells me that the border around Maastricht—between Germany, Belgium, and Netherlands was determined by the landing points of cannonballs fired from the walls of the city. Heaven’s proprietor fires up a spliff right away, at 10:30 am, and we sit around jawing with John, another Maastricht/Brit friend of Rod’s, who has just come back from the sub-Continent. So it goes. Back at Rod’s, we catch up on five years of stuff. Tracking lots of audio works by Rod and other people. He has been very productive with his art work lately, making the jump from analog to digital production methods for one, and has been making CD’s that are always provocative and idiosyncratic in their conception.
God is stationary
Flintstones on the box. there are mirrors everywhere, open windows on the particular and legion manifestations of media. internally there is no will to filter. at least. there needs to be a noise flood. filler.
… are we about to lose our status as eyewitnesses of tangible reality once and for all, to the benefit of technical substitutes, prostheses for all seasons which will make of us the ‘visually challenged’, living off sight handouts, afflicted with a kind of paradoxical blindness due to overexposure of the visible and to the development of sightless vision machines, hooked up to the ‘indirect Light’ of optoelectronics that now completes the ‘direct optics’ of sunLight or electrocity? — Paul Virilio
God is stationary, we are in motion, and all at different speeds — the apocalypse is a simultaneous event, though it appears to each individual to be operating at a different time (the end closing in) it is a cumulative moment that comes for all as the same characterized and relative event (horizon). I can see it now. time folds, trajectories are supra-curvilinear, non-Cartesian, and they will all intersect, simultaneously, now or then.
l’aile d’olia
Sara is staying in one of the NIFCA ateliers now. funny to be neighbors for a week or so before I leave for Netherlands at the end of the month. brilliant day. I make a quick visit out to UIAH, see Pertti and Samu. and at MUU. aimless a bit, half-expecting to see a familiar face in any crowd I walk through, sad not to be able to make certain calls, and have languorous brunches at Café Soucis in the warmth of certain company. shifting habits. physicality, especially. shifts.
colder, darker
in the end, I backspace to correct mistakes, erasing up to 20 letters while I sit, surrounded by a group of Japanese tourists, men, maybe on some kind of promotional or business-related travel. they are animated. can I bridge the gap with them? what would be the point? like the drunk guy on the ferry (again) today. he comes to ask me something, but I freeze up. people look through him or away from him, ignoring his singing and talking all the way into Market Square. Niko got me to the ferry at the last minute — his car was stuck in the snow which was falling all day today, heavily. It is about 20C warmer now. but by the time I get the the north, it will be the same there as it was here yesterday. what is it when I sit in the airport, waiting for a flight to board, and just noodle around with this machine. positioning the self. not needing the language of modernity (a hyped-mix of pixellated images and cyber-texts. intervention. processing. wired.) ears popping now. above clouds. horizontal delineations of sky etched in red and blue-grey. leaving Light behind. it was getting bright in Helsinki this week, despite the intense cold. only one more month in, Finland before breaking from Scandinavia for seven weeks. it will be full-tilt springtime when I return. another winter going into the Light. still nothing conclusive with Sanna: the dance of personalities becomes. what. exhausting. no, it is conclusive. I should conclude it. period. yep. that’s it, in making art, I have consistently made the fundamental error of not applying a technique/tool in a research-oriented way. like using a particular medium — my photography as a way of digging into reality and spirituality. not following the classic way of art research.
-20C
Sanna misses the ferry. -20C today, with some wind and that special crystalline fog/snow blowing all around at ground level with the sky overhead a pale steel blue. the harbor is so packed with ice that the ferry grinds to a halt almost — stops processing the VR data projection that tells us we are traveling through a crowded harbor outside of the iced-over windows. already the telephone becomes a more active techno-tool in my life (can I remember when I started email?) getting calls, making calls. from wherever to wherever. how will this alter relation and presence? Café Soucis for lunch, walking around is a brisk event that holds a bit of seriousness in it — will I make it to the next warm point? checking into Finnish tax situations. filing in many countries this year, with MB’s help in Iceland.
milk coronet
Sunday. St. Olavs cathedral is over there. as I look out the sixth-floor windows of the Academy office. sunLight coming over the hills to the south illuminates the row of buildings along the fjord. the far side of the fjord is bright, too. mind is flat. with all the activities that churn and churn the mind. silence is broken by whining hard drives and other high-frequency beings. outside is behind glass. inside too.
AAAS (the American Association for the Advancement of Science) is undertaking its last meeting of the 20th Century. I recall going to one of those meetings in Boston when I was just 14, accompanying my father. photographing the Vice-President, Rockefeller, giving the opening keynote speech. later going to see Arthur Fiedler perform with the Boston Pops (he was sick, so had a replacement, could it have been Seiji Ozawa?). we ended up sitting next to Dr. Harold Edgerton, the famous physicist from MIT who developed the electronic stroboscope for making ultra-high-speed photographs. My father knew Edgerton from when he was working at the Radiation Laboratory at MIT. Harold gave me a signed copy of a postcard reproduction of his famous image of the milk drop frozen like a royal crown. Edgerton was one of the founders of EG&G, a major military-industrial corporation.
the skin of language
back in Norway after a period of several years away. finding out what is up. the school here is well-funded. oil is still flowing (at a reduced price than before). the North Sea. there is a creeping feeling of the country being hemmed-in, although active in the EFTA (European Free-Trade Area) and in the now-fractured Nordic Union, economically, Norway feels isolated. it is noticeable by the contents of shop-shelves which don’t reflect the same variety as those in, say, Finland or Sweden. aside from not being ego-centric, any foray into socio-political observations are based in vague and passing whim of mind, not soul.
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is “I desire you” and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. — Roland Barthes
New Years Day
yet another special dinner at Simmi and Hildur’s. this time their traditional New Years Eve meal of wild (gray) goose, two of them with an incredible sage stuffing. fabulous! driving home, through the city, past the harbor, huge fishing trawlers, port windows reveal green house-plants inside. strung with Christmas Lights (Light tubes are the most popular item this year, aside from the traditional candelabras in windows). fireworks still going off regularly, although nothing like the madness of midnight when the entire area erupts in a madness of explosions and Lights. emergency signal flares (expended often before expiration, just for the hell of it) slowly drift seaward in the Light breeze, creating drifting constellations that are punctuated by thousands of greater or lesser explosions.
Loki finally retreats into the house, and when I go back in some minutes later, after the boys have spent their collections of pyrotechnics, I find him crouched in the living room by the couch, sobbing. ever since his first New Years, he has been terrified by the noise. later that same day, I find myself looking at this website again, wondering just what to do with it. I find the older sections like the portrait works, and other documentation work to be just too dry. yet I don’t have an idea of what to do — either just scrap them or somehow integrate them with other areas of the site. it is just that the writing is too glib and amateurish to have much soul. something akin to how it is when Loki asks me to tell him stories each night (or during the day when there is a chance) — I make long ones up (sometimes based on stories that I have read, like the C.S. Lewis’ Narnia books) that span several days and feature some of his best friends as partners in adventure. but in the end, I don’t think I am much of a storyteller. although it is something that he connects with in me — I think mostly because the combination of my absence in his life, and the long series of audio tapes I have made for him of either reading stories or occasionally telling ones. he listens to the tapes, and apparently gets a bit obsessed by them at certain points, listening over and over to a particular one until he has it memorized. so when I read him something when I am visiting, he can mouth the words and now is beginning to pick out the written words on the page. I try to peer into him, to understand what the conditions of our relationship have imposed on his spirit, but I cannot see clearly. he is an Other. and the only way I can cope with the whole thing is to show him what little I have come to understand is something called love.
Café Ursula
cut. Spanish music, underground passage from rail station to the grocery store. cut. in Finnish. whispering, sitting on the edge of the bed. turned head, he understands only the energy of the situation and a few fragments. cut, breakfast table, garlic pasta omelet, belch. cut sitting in bed watching “Husbands and Wives” by Woody Allen. dialogue characters. spontaneous combustion, conflagration of words. energetic transmission of sentiment. cut. dolly shot, moving by a table in Café Ursula, below Kaivopuisto, they are sitting at the table, side-by-side, facing the low winter noontime sun which is coming and going behind fast-moving clouds over the coast and islands. the camera does not pause until it slowly comes to rest on the brilliant sunlit water out the window several tables away. cut.
bitter-sweets
Sanna sends a bar of white chocolate that Anna-Maija hand-delivers to my office. just as I am looking up the street address in Helsinki to send a card. synchronicity. it is snowing all day heavily. drifting, and I decide not to go swimming in the evening after making a circuit of town to the bank and grocery store. cold. I need a different kind of hat — a balaclava face-mask I think. I cringe against the wind as it whips around my eyes, turbulent flow that makes me cry. inside the wind makes a low-frequency sucking noise on the stove ventilator, but since most windows here are triple-glazed, outside noise pollution is minimal. if you hear the wind, that means it IS serious! the internal heating system which is some combination of radiative hot-water heaters under the windows, along with a forced-air duct system is the source of the greatest environmental noise.
burnin’ down the house
dreams of a house burning down. I am living in the basement, and really don’t notice what is going on, although there is significant infra-red radiation coming from the ceiling above, until Uncle Howard looks out and sees that, indeed, the upper floors are on fire. time is spent trying to access the things I have in the basement, organizing them to remove them through a broken window into the sloping back yard. it appears that this is Linda’s house in Arvada.
winter is here
Eero wakes us up early, as agreed if the storm is getting serious, the wind velocity threatens to rise to 20 meters/second or more (75 km/hour), and the boat is not safe for much over ten at all. we quickly gather our things, prepare the boat, and with a definite level of tension, head out towards the mainland. the ocean is extremely choppy, with wave-sets coming from several directions at once. the proliferation of islands and skerries seems to cause very complex wind and sea dynamics. Eero says that we will go back to the island if it gets too bad. it is cold. the sea is gray under the low clouds. we finally arrive after a rough ride of 40 minutes. Jussi, the keeper of the maritime station motions us through the window of the tower to come have coffee with him. I end up doing a portrait of him in the tower.
he is a sea-faring man, it is clear to me. he has the eyes of a sailor, eyes that are clear and that are focused on the horizon. he shows us that the wind speed indicator is showing only around 7.5 meters/second at the moment. we are lucky. while we are in the tower, it begins to snow. the first snow of the season. winter is here. no turning back. we say goodbye to Jussi and then to Eero, and drive towards Kemi, stopping in the forest by the sea to get a shot of the snow which Sanna has been waiting for. end up sitting talking for five or six hours, we haven’t anywhere to go, and it is comfortable and warm in the car.
finally, in the early evening, we drive into Kemi and sit in a pizza place for some dinner before Sanna drops me off at the train. when we leave the pizza place, it is snowing hard. I board the train, secure a bunk, and Sanna drives off to Tornio to do her editing.
40th
40th year comes on slow through the thin white curtains with blue Light skin and Lightening dreams. and the heating musk of bodies intertwined and motionless or so. the placid river running under two bridges and over one dam. not frozen, with the tannin color of a bitter root drink. horizontal clouds differentiated into cool and flat warm tones. above the Arctic Circle. and the day ends, blue as the beginning in a silent place on a lake, a sauna sweat, two or more fires. burning. white birch with crackling oily skin flares dry and makes fast yellow flames. silence, within another cosmic movement. a bright red toadstool grows in the yard all the white night — I look at it once, through the kitchen window, in the dimming Light, inside I stand naked and skincool, drinking a glass of water. I look again and eyes blur into standing sleep with warm arms wrapped around me and moist breath on my back.
sprained ankle
leading into the reality of an accident. watching the sky (an impending thunderstorm), I miss two steps at the Pagosa Springs thermal spa and viciously sprain my right ankle. quickly hobbling to the car, I get in and in a few moments, I pass out (vaso-vago shock response — see December last year when visiting Mary Ellen and getting some acupuncture treatments from her). Loki tells me my eyes don’t close, yet I cannot see nor hear him calling me until I pull myself out of it. so much for that. I am able to barely drive, shifting feet a bit, and double-footing with the left — a good coordination exercise. about ten miles down the road I stop to call Joe to tell him of my mishap and my estimated arrival time. I have to cut the call short as I almost pass out again. crawl back into the car and drive to Farmington — a two-hour drive. fortuitously, Holly, Joe’s wife is a nurse-practitioner and when I arrive they take good care of me — ice on the ankle, sit back and relax, entertain Loki, order a pizza for dinner. Joe and I figure it has been ten or twelve years since we last crossed paths either at Collin’s first wedding or at the cabin in Tincup. long long ago and far far away. but anyway, so many things are brewing for me in the next months that I am quite behind on email lately.
memories of Alda
Monday morning. means nothing to me except for the beginning of a quick and long week of dinners, lunches, and other friendly convocations. lunch with Sari. Loki is still sleeping in bed after a late evening with Holly, Natalie, Rick, and Sally. he goes to bed very unhappy, and I am not sure whether this is a factor of fatigue, accumulated lack of attention, or what. MB sends me a sad email saying that Alda of Hrísey has died. Going to the island will not be the same. I recall meeting her for the first time when I was visiting Jón and Helga at their summerhouse on the island situated in the mouth of Eyjafjördur with Stefan back in August 1989. Actually Hrísey is called the Pearl of Eyjafjördur by its situation in the fjord. Alda was into her 80’s although no one that I talked to knew her age exactly. she lived alone in a modest-sized home at the far east end of the village of around three hundred that sits at the southern, sheltered end of the island. likewise, on the south side of her house, there was a small greenhouse and a very tortured fir tree. during the summer months, in that little greenhouse she tended the most fabulous roses that I have ever seen. one summer MB and I stayed in the downstairs corner room in her house, and all through the bright night a thrush sang at least 15,000 of its 30,000-small repertoire of riffs. LOUD. sitting either on top of the greenhouse, or right below the window on that fir tree. the tortuous pangs of beauty.
What our age needs is communicative intellect. For intellect to be communicative, it must be active, practical, engaged. In a culture of the simulacrum, the site of communicative engagement is electronic media. In the mediatrix, praxis precedes theory, which always arrives too late. The communicative intellect forgets the theory of communicative praxis in order to create a practice of communication. … If your goal is to communicate, you must use whatever means you have at your disposal in a given situation. Communicative praxis must always be radically contextualized. … — Taylor and Saarinen, from Imagologies: Media Philosophy
irruptions
the unprecedented heatwave continues. again on hold with an airline company. it is a relief to have a house, Jeff and Leslee’s, to keep for a couple weeks. I can set up a daily routine of activities to mellow us both out after the chaos of this particular trip. can’t really distinguish one trip from another anyway (where am I?) anytime since I can’t remember when or so on. simply a sequence of locales that are fulfilled at the proper time by sitting in VR anti-movement devices. noticed my left ear-lobe was sagging. I haven’t been wearing an earring for a few weeks, not sure why, but the Zuni crow’s foot that I had came out, or I took it out, and it never made it back in. and that means something. like crouched on a rock covered with 15,000-year-old petroglyphs on a valley-side in the süd-Tirol, and that turquoise-and-mother-of-pearl tear-drop that Kimberly parted to me back in 1985 or ’86 came out. or around that moment, I guess it could have been later in the day as I sat motionless moving my eyes between two or three scenes, one, the sleeping baby in my arms, two, the roving rabble of elementary school students going home for lunch, and three, the life-cycles of the small café where I was stationed at the moment. losing something. quelque chose. like mostly things simply melt into the interstices, the discontinuities of being, that festoon living like the organic imperfections that are into the natural world. a reverse trickle-down of irruptions into which a few objects have fallen. a dark-blue suede cap that I used to wear with my Sgt. Pepper coat. somewhere out to see Altered States in that same year, in 1979 or so … thoughts end with Kyle and Loki’s antics outside. concentrated thoughts are no longer a possibility , maybe ever again within this life. it is enough to pass through a day, a week, a month. with whatever is needed for presenting the self to the world, but more than that, to find out what it is that one needs to DO. the aesthete, a mythological figure in the Western imagination is not that, it is an illusion. there is nothing but the vibrating, shifting, susserating, hammering dis-continuity of being that is continuous and unremitting.
open-x ideas
arrived. one of those up early things again, and a late night before. the alarm seems to go off at 0600 instead of 0700. strange. but the sun coming in the window is absolutely brilliant. the French artist who allegedly vacated the flat the day I got to Budapest left a lot of food in the fridge, although I didn’t discover the fridge itself until the last day. it was sitting on the balcony. it was curious to find the kitchen without a fridge, and I assumed it was something about Eastern monetary problems or something. duh. ate the boiled eggs and pastrami-like stick for breakfast before taking the key up to the C3 office and bus – to – Metro – to – EuroCity train Liszt Ferenc (taken that before!) to Linz. in a stupor of half-sleep. tram to Ars Electronica center, Christa is there and not feeling well, I encourage her to go home and rest before meeting Patrice, Ravi and I for dinner later. Ravi is doing a lecture this week as part of the Intertwinedness series, Patrice is in town working on the Festival for the fall. brief meeting with Gerfried about some possible ideas for the Open-X networking scene at the Ars Festival this year. wondering about different paradigms with networking, and in the midst, when asked about a possible proposal/idea, I realize that the concept of a student-based networking situation that brings students together in a variety of places would be a perfect compliment to the Open-X concept. at least the Open-X would be a good launching venue for the whole thing. could make use of the facilities, and the idea of bringing with me some hard-core students from Tornio, Lahti, and Kiel would be great!
intertwinedness
no sleep again. the full moon, the arriving solstice, and the stresses of movement. last night was a curious experience. in an arena where energies were so mis-spent, mis-directed, and un-perceived. experienced, but un-commented upon, imposed and not resisted, and on into the morning. missed train connection, so I will arrived later in Budapest than scheduled which will impinge on my abilities to prepare for tonight’s lecture at the Center for Creative Communications. I am so tired in the morning that I actually get on the wrong train, and head for Salzburg rather than Vienna. this shocks me a lot, and is totally unlike me, it reflects the state I am in. fortunately I am able to get off the train in Wels, only fifteen minutes from Linz, and board another train heading for Vienna. which should happen with considerable more grace than last night. there would have been… is the beginning of a retrospective on the event. or there could have been… energy and power was simply lost in the space that was NOT created. no intertwinedness happening. talk about the oppressive power of language. but it doesn’t really matter, what each individual experienced is simply that. an experience that they walk away with. no gleaming successes, but just a quiet continuation of the voice that is hard to hear in the crowd. no phantasm of world domination follows me.
sustained teaching
yet another workshop over. surprising, it crept up on me. done for this school year. ending with not a bang but a whimper. okay, I can deal. well, not a whimper, no need to be negative about it. actually it went okay, in the sense that my energy level is not diminished. I seem to have found, for the moment, a means. a mechanism to sustain teaching indefinitely through a careful cultivation of collaborative energies in the classroom situation. and the balanced positioning of my own ego-system within the milieu that evolves within the group. activating students to creative expression has the goal of nurturing the collective energies. thoughts keep racing forward to Linz and the performance on Wednesday evening, and the subsequent thing in Budapest which is even more unplanned. spontaneity is so bloody dangerous that I can’t even begin to express the stress it sets up in my head, although at this point, I have learned to deal with the physical effects by activating my own physical movement when things get underway. I know how to grab energies in the air, push ideas, concepts and other parameters around, physically. this, I have noted in previous events, has a lot of power on the Others involved. connection in Frankfurt. a throng of Japanese tourists sweep by heading for a flight to Rome. my neck tenses up, and it threatens to head toward a migraine. brain is not functioning in true travel-style. and this will continue for the next year again. I have committed to the movement, and two other schools have responded to my ad for workshops. so far Eindhoven, Arhus, Trondheim, Kiel, Tornio, Lahti will be part of the tour, and I suppose Reykjavík and Akureyri if I have the time. maybe next year I will have to do the same thing in the USA just to see what will happen. plans to deal with next summer with Loki in Europe are next on the agenda. trying to figure things out. clearly, however, texts like this are not worth writing here. already the beginning of this work is waiting for re-writing. into something better retrospecting on the surface of things. shaking meaning from the continuous stream of events that impinge on my body. or not even that, just ensuring that the future becomes what it is planned to be. stupid plan — to try and ensure what cannot be controlled. why try? avoiding the spontaneous negative, the spontaneous positive is destroyed simultaneously. energy. how to bind energy in to the text. to be released in TIME. to the proper receiver. no idea for the performance tomorrow evening. F.E. Rakushan is the partner in the evening, along with Maggi and Christa. What will this bring? (I need to have a recording of this event forwarded (and real-audio-ed). oh, and the lecture at Kiel tape copied, and… now here. exhausting day of travel, thankfully, Christa meets me at the small Linz airport. it is HOT, at least as measured by my recent experience, and the whole long winter.
organizing
the week is a blur of words as I edit 60 pages of texts for Susanna and Tapio. and a party for the graduating students. I dance for three hours without sitting down. most of the time with Sanna. it is a time and place. it is enjoyable, and the next day is sunglasses day around school — at least for those of us who had to get up and drag our asses into the Mediapalatsi (media palace) as the main College building is called — a rather beautiful old building that once served at a Nazi field hospital of all things. then, there is the retreat of students to this place near Kemi — where I come along to help motivate them to organize the student union. I have found myself in this position more and more, as I jump around teaching at all these schools. and I am thinking it is time to begin more serious organizing.
musings
I arrange my things in the room that Terhi just vacated, looking forward to six weeks of not too much movement and a fast Ethernet connection only a meter from the bed. ain’t no slackin’ gonna happen! not that it will affect my dreams, memories, but there is something of a fear that I will nerd out here. gotta remember to go out and dance with students some, even though they have hardcore patterns of sleep deprivation and such where bands don’t start ’til one in the morning and people party all night (thank god the nights are shrinking daily!). push-ups, recollections, replays of fragments of this and that memory, and I am not losing my hair except as it is SO long now, longer than it has EVER been, that it gets tangled, and for the past year I rake a handful of it out each couple days. still plenty. how is it at this AGE to have long hair. retro hippie that I never was because I wasn’t old enough to do those hippie things like Free love and stuff. more “musings”
sleep…
bad night of semi-sleep, sleep in rooms without windows is always problematic. back in engineering school there were a couple weeks in-between apartments or before the fall semester began where I lived in the college darkroom, sleeping in fear of the night-watchman or janitor coming in. talk about total darkness, it is disorienting to wake up with an alarm clock in complete blackness. three more hours on this train into Lapland. it would be my hope that I never take this train again. it is numbing, and not to mention bloody hot inside with the windows bolted shut. sun is out, low, away, and pale. snow. not too happy about this north movement. need a good night’s sleep. more food, stillness, and silence.
snow
There is snow. Hard pellets strike the flank of the X2000 train racing on slick steel ribbons across the land. NORTH NORTH NORTH. No chances now of spring in the near future. Almost horizontal, this wet frozen water. Snow on the ground. No chance. At all. And yet another 30 hours further north to go. This last stretch to Lapland will be bus, hydrofoil, train, bus, boat, train, train, bus. Past an unfrozen lake. Is this reason to Hope? Can it be read as a reviving, slipping from the dead to the green of living? Having been there before, alive, once, recently, and now moving negatively into backward time. Where trees are shorter. Flat Light, no snow now, land looking dried out and dusty, air Light blue, nascent pale. Birch trees cluster and cross trunks at low angles. Moving very fast at this second, and hours later, bus, and now the boat, I discover that one of the bars has Guinness. Good. I sit for one, joined at the table by the window by an elderly Finnish man who has two pins on his lapel, one with a silhouette of Kekkonen, the former Finnish president, and the other appearing to be an oak leaf cluster. I stare out of the window and REFLECT. It hits me, that the form of our imaginations at the moment we reflect are parallel to the universe of meaning and intention around us. As I am absorbed, watching out the window, watching the world, mediated by glass, my thoughts are fluid and in motion just as the scene playing by the window, rocky islands, wooden houses — we never have an open window, do we? Always our sensuality is mediated. Can we move through this condition in this presence? Or is it against the Spirit of the presence? Should I (in dreams) explore my presence? Does the mediation actually give us a small possibility, a small distance on the world that we can step back and SEE what we are (in Spirit) and … A call comes on the loudspeaker in the room in five languages if there is a Doctor on board, please contact the bursar’s desk as soon as possible…
thresh-kjeld
what is important. morning sun. friends. health. peace. and when these run out, and Job’s curses start to fill the head, there is always a way to go.
I loved the desert, dried orchards, faded shops and tepid drinks. I dragged myself through stinking alleys and, eyes closed, I gave myself to the sun, God of fire. “General, if on your ruined ramparts an old cannon remains, bombard us with lumps of mud. — On the mirrors of magnificent shops! in drawing-rooms! Make the city eat its dust. Oxidize the water-spouts. Fill boudoirs with the burning powder of rubies… — Rimbaud
Yeah, well, I couldn’t resist this tortured nail-scrape across the board, shivering me awake, but only for the time of reading it. all evaporated the moment the mulling of the words crossed the thresh-kjeld, leaving crushed corns for rising bread; mind-brain, this complex of meat behind the eye. it showed me that Words, for all they are, are nothing. would rather shout in tongues I have no dream about. carve a language that DOES SOME GOOD, rather than lead us closer to just another hell of being. nah. not so bad. life is good, no hell now. the plans the plans the plans. mapping the control of the future. we are falling forward into it anyway, just fall and feel the accelerating gravity rather than brake and feel only the velocity.
technology fails, dialogue doesn’t
public lecture tonight, one of two video projectors decides not to work, the one connected to my PowerBook. I can only then speak, speak through language, through the mediation. this situation places me in the crux of the entire issue, so I can speak from that point, that moment. the window metaphor comes into the Light, glass, amorphous silica, and the abundance of materiality around us, we are swimming in oxygen, standing on silicon. silicon dioxide. someone is videotaping the talk, another is photographing me. the image-makers I train my dis-awareness upon.
Ezekiel
The hand of the Lord came upon me and brought me out in the Spirit of the Lord, and set me down in the midst of the valley; and it was full of bones. Then He caused me to pass by them all around, and behold, there were very many in the open valley; and indeed they were very dry, and He said to me, “Son of man, can these bones live?” So I prophesied as I was commanded; and as I prophesied, there was a noise, and suddenly a rattling; and the bones came together, bone to bone. Indeed, as I looked, the sinews and the flesh came upon them, and the skin covered them over; but there was no breath in them. So I prophesied as I was commanded, and breath came into them, and they lived, and stood upon their feet, an exceedingly great army. Thus says the Lord God: “Behold, O My people, I will open your graves, and bring you into the land of Israel. Then you shall know that I am the Lord, when I have opened your graves, O My people, and brought you up from your graves. I will put My Spirit in you, and you shall live, and I will place you in your own land. Then you shall know that I, the Lord, have spoken it and performed it,” says the Lord.
Gary lays that one on me via email, in response to the web version of Joshua and the Wall, a photographic mural that I made on the occasion of the Berlin Wall falling. As spoken by the Prophet Ezekiel. whew, what a text. especially at this juncture of history. where are we headed? Friday afternoon, well, a Guinness would be one good direction to head in.
northward again
Moving again. North, away from spring. Fragments of the world do not add up to anything that is expressible. Tractors in the fields. Greening. The greening of the world is not fragmentary, but is pure (I want new words and ways of moving them to the page). Tired of the same places, I guess, but the same friends bring a special closure to all movements, the small circles that can be memorized, closed, and stored away for next retrieval. Kiel is not so large, and it is easy to find the Muthesius Hochschule where I meet Hubertus in the late afternoon. The flat where I will stay for the duration of the workshop is in a special building of the Christian-Albrechts Universität zu Kiel. It overlooks the harbor. Here I am , another seafaring situation, on the main harbor, and not far away, the Nordsee-Ostsee Kanal. Here is another history of the War, the U-boat, untersee boot. A large cruise ship moves by the window, heading for Gotebourg. A few people are clustered on the top decks while Irish farmers protest cuts in beef production and silent pictures from a tornado in Minnesota play on the feed line into the room. Suspended dis-animation, curious. Palestinians chant and throw stones on the West Bank. Israeli soldiers shoot them. When does this end? Is this only ignorance to think that these things can be overcome? Teevee.
We go to dinner, all the while discussing the critical issues of being. Hubertus started here two years ago as Director of the FORUM, an interdisciplinary program of lectures and workshops that runs parallel to the regular study program in Design, Fine Arts and so on. Something of a unique program where he is given almost complete autonomy to bring people in — the students don’t realize the luxury and possibility, especially given Hubertus’ massive personal and professional network and his own significant professional output. Paying for dinner, his credit card is rejected apparently because of a problem with the dates on the local dial-up machine and the central computer — it seems the central computer had not yet had its clock adjusted for DayLight Savings which went into effect last Sunday at 0200. Is this a foreshadowing of the Millineum Bug? It is easy to be pessimistic about all this. Technophobia aside, human nature fore-fronted; it is fallible, grotesquely so, not much thought needed to figure that. Has the world ever been in mass chaos? Perhaps in the Plague times, although that was very much a process with a discrete temporal vector pre-determined by a combination of transport speeds of the time and the latency period of the Plague itself. Now, given the immediacy of computing, and despite the fact that computer networks are not everywhere on the globe, they do control aspects of life that touch almost every human being through an instantaneous Butterfly Effect. If, for example, anything in the chain of production of wealth is disrupted, the entire chain reels from the effect … What is the minimum percentage needed to affect the whole chain? How sensitive is modernity? (Can we look at Yugoslavia as an example, or Somalia, Japan, elsewhere?) Is it a card house?
ice trains
Another early morning train, to München on to Frankfurt, then to Offenbach for the afternoon visiting the Hochschule für Gestaltung there, then on through Siegen to Rösrath to visit with Volker for a day. This movement. Last night vibrating inwardly, feelings electric again (there was a window there that opened regarding mortality versus immortality — walking behind Tom and Christa out in a village near Linz, heading for the country, I suddenly recalled that I had not been aware of my own being, I had forgotten to be, and then came a flooding roar that something could have happened in that state of not being within my own life, I could have had an accident!) But I did not. No use describing it. Salzburg. Another fragment of intensity, of energy, happened after the lecture yesterday, riding the strassenbahn back into town, I see the mountains far away, through the opposite window of the tram, they are small and though covered with snow, are pink from the industrial haze.
The vision leaps out at me. Recalling the instance that I have often recounted in class. Walking up to the bus stop one morning in Iceland, I have not really woken up, I am moving, but only the body is on motion, the mind is off, still, dull. Standing at the bus stop, it is at the top of a hill, there are some buildings around, but there is a rather unobstructed view plus-or-minus of the entire horizon which spans a long ridge of mountains on the Reykjanes peninsula, Mt. Esja sitting somberly to the north, and other low ranges and peaks scattered to the east and north, a few fragments of ocean are also visible. I am turning slowly, gaze traversing the critical intersection of these two rough half-spaces. The energy starts somewhere in the belly, at least that is where I first notice it, in the belly, maybe the solar plexus, it is rising in the body, and at the same time, the mind begins to fire. There is the immediate realization that the seeing, the apprehension, and absorption of Light energy through the eyes is charging my body with strong forces, fields of power. I become aware of living, being alive, being. As Rilke termed it, superabundant life began to trace each edge, each separation, while at the same time all things were fused into a unitary essence that circulated freely through all parts of my body. Yep. München. Snow here. Bright outside the windows of this ICE train. Moving again at high speeds.
info war
Made a lightning trip to Vienna, eating chocolate cake in a bag, Peter Brown called to say, you can make it okay, you can get married in Gibraltar near Spain, christ, you know it ain’t easy you know how hard it can be the way things are goin’ they’re gonna crucify me… — John Lennon
police recruits amble by the window looking very young. spend some time with Geert with others who are planning the next net-symposium for Ars Electronica, this one bearing the rather onerous theme of Info War which seems to be in the consciousness of many media theoreticians, pundits, and journalists.
the Orient Express
arise early, before the sun, stumble to the WestBahnhof here in Wien, and board a EuroCity, the Orient Express, which it isn’t really, as it is only running from Paris to Bucharest. nothing more. (has any murder happened on this train?) heading East in the former Bloc, nine years after. unknowing how things have changed for lack of reference points. velvet green fields, uniform hedge-grows. raptors abound. (death-from-above, as the 1st US Cavalry called themselves in Viet Nam, chopper-bound in Bell-Hueys and Loaches…) north wind is blowing. and I am acutely aware of the weakness of my English. that it does not burst or bind spells on any reader. where are we? I ask. I forget my English, I forget time. it’s the middle of March, she says, her forehead is almost touching my shoulder. I am aware of this. the middle of March, almost spring, well, it is spring this year. the weather is strange. It is the National Independence Day for Hungary today, an auspicious day to arrive in Budapest. Diana’s bus is late and I wander around the Keleti station for 30 minutes oscillating between a helpless feeling and a self-critical distance — seeing myself as being way too soft as a traveler. not able to cope with a simple foreign environment where I can not interact with the language nor rely on (m)any people speaking English. good thing I have bought some Hungarian forint (money) on the train from a guy who was wandering through the first class car. I changed 20 Deutsch marks and got 2100 Hungarian forint. I took the 100 forint piece and stuck it into a phone to call Diana, but it jammed in the slot. so much for knowing the local system. I couldn’t get a feel for the costs nor could I work up the nerve to get into a gesturing match in order to get smaller change. out of shape and soft, no doubt. (I have been suspicious of this as I ply familiar routes across Germany, England, Finland, Sweden, Denmark, Iceland and the other few countries that I bumble around in). what about China or India? but just as I hang up the phone (I bought a phone card), Diana walks up. we go back to her new flat, and then head out to meet a friend of hers, Margit, to take a walk and visit other friends, Atilla, Roza, and their daughter Anna.
Atilla excepted, we start out on a walk, but lose Roza and Anna on a detour to the playground which later is discovered no longer to exist. Diana, Margit, and I continue, at Margit’s urging, to the glider port, a huge open field that is defined, to me, primarily, by a strong cold wind blowing from the north to the south. there are a few hang-gliders coming off a nearby hill crest, and the wind is so strong that they have some difficulty flying into it. no thermals today. the three of us huddle on the grass for a time watching. we meet Roza and Anna later and all of us pile into their Lada and drive into town to Roza and Atilla’s flat. Roza has made a plate of snacks so we sit in the living room and talk. Anna begins to sing:
London Bridge is falling down, falling down, falling down, London Bridge is falling down, my fair Lady… Build it up and tear it down, tear it down, tear it down, Build it up and tear it down, my fair Lady…
she is astonished when I start to sing along with her, as I have not said anything to her that makes linguistic sense so far that day, she overcomes her natural shyness completely at this point.
Loki’s dreams
Leaving the flat in Lahti, after a relatively long stay of four weeks, I immediately experience the stress of movement-insecurity. And again, it plunges me into a state of ineffectiveness. Crisis point. Questions of how to proceed with this style of living. The vacillations I experience emphasize the fragility of building a presence of being on the ego. That is the source of the oscillations. These become the most uncomfortable and stressful times of life. Other times are filled with the in-your-face of teaching, where time flies by as I make the pronouncements of a teacher — or at least speak with the students. At the same moment, it seems that speaking introduces its own complex web of deception. That having to speak to the Other is a way of escape from the Self, as a rattling noise that supplants any need to look into the frightening swirl of internal energies. A diversion from the essential. Really looking for the way of Zen detachment from this. A stiff back is not the right way to be going. keep on keepin’ on is one way that the truculent San Franciscan flower child would put it, moving targets are safer. but stillness and silence are so difficult to bear. Although at times the floating body simply desires to come to a rest. Disturbances in mental functionality seems to no are different than of other ways can to forget filters of movements into the base of binary openings. Enough said? Who cares? Not me! Plow, Plow through Oxen! Little things. Undisclosed. Partial, fragmentary, immediate, extraordinary. transition. movement. for the moment, lost again. far from a home that is not mine, surrounded by homes and houses. cut loose. partners around, in various stages of being. Sun breaks through the high arched window over the tall buildings across the street. breaks through a multitude of meditations to give me Light. (Jah Rastafari!) but what tools are there in life and in the mind? move through this Light, no, remain stationary, Immobile. for a grasping thousand seconds. body locked in a known curl, legs crossed, and only the pen-hand in motion, mind following. But following at a distance, in low visibility where musings break few borders, and run aground often on size and placement. and time. following myself. sun heats up. and I am left feeling warm. sleepless. under lids that never close. with the storm of the ego, (it will pass) and I will go on. without remembering the real sensation of it all. only repetition will bring recall. lost in a storm. swimming pool, immersion, submersion, a small ache where cold water penetrates to the eardrum. decide not to flip-turn, but to stop for a moment. he is standing in the water. his nose is crooked and flattened. a fighter. long stringy hair. he turns to me and says something. (this dialogue to be finished)… I find a scrap of paper where I have scribbled, sometime last fall in Colorado when Loki was with me, a fragment of one of his dreams. In a previous life, before being born, he was a wolf with two names, one was Strong Jumper or Sterk Hoppur, the other Hungry Jumper or Svangur Hoppur. I make it through the day, not really very confident of anything, especially what I am doing. Incredulous that I can be so fragile. Wondering at what others do in this life. Each Other is focused on the way of going through the material jungle, looking for survival.
Lahti
Lahti is the sister city of Akureyri in Iceland, although it is several times larger in population. It sits on a lake (as do most (all?) cities, towns, and villages in Finland), and claims to be a Business Center in the country. It is also known for its ski jumping towers. The morning and evening are spent taking care of paperwork, correspondance, and some planning for the course here, as well as settling into my room which is actually in the school building itself, right across from the main office. I will be here for four weeks — almost the entire month of February — not counting weekend forays into Helsinki to visit friends, network, and shop (hah!). I write to Kate in Ann Arbor:
sotto voce: Much has gone down, much goes down, and much will be going down, until all is down, dirty, and done, then all will rise, not for the judge, but for the Judgment of what has gone down before the time arrives for it to be judged. like, something strikes the FAN. and other things are simply passed over. the good, the bad, and that which is neither — the contents of time-bound life and living.
When I arrive in Lahti last night, I am met by two Spanish exchange students who find a cab to take me to the school. They were waiting for a compatriot to arrive, but he is apparently delayed at the airport and was not on the same bus as I. All this reminds me of the incredible opportunities young people who are studying have in Europe at the moment. One wonders where the constant exchanging of these intelligent adventurers will lead in a Europe that has seen few decades of peace in its entire history. Most of the art academies have a transient population that is steady at 15-20 percent of the student body, and a majority of students will take studies for at least a half-year at another institution before graduating. The ERASMUS and NORDPlus consortium exchange programs include students all across greater Europe, and frequently institutions have multiple contacts on every continent. This mixing forms strong and intimate bonds across cultural borders — something I have been a proponent of for years. In my class I will have four Spaniards, a Belgian, and six Finns. Nice. I have a theory that email and these exchange programs will have a fundamental effect on the cultural life of Europe. Not only do the students have the opportunity to make contacts, but they have the tool to maintain dynamic collaborative situations. This also has the effect of leveling regional cultural differences, but allows for new forms and identities to arise. It turns out that my old friend Terhi is actually attending school at the Institute, and she is here when I arrive — it is a very pleasant surprise, as I had not heard from her for a few months since we worked together on net.sauna at Ars Electronica last September. She is working towards a continuing education BA diploma after some years of not studying. In the frigid temperatures, after a quick tour of the whole school, we head to the closest bar that serves Guinness. Back in, Finland! This time in winter. Full winter, though not as dark at all as expected, guess that was lived out between Arizona and Iceland. During the last few days I have had several instants where I will shift into a state of concentration and observations begin to flow. I am hoping to harness these energies in the next days to begin, well, to continue work on something of substance here.
solstice-to-solstice
A short note about the installation that I just opened yesterday as part of the Akureyri ListaSumar 1997 (Summer Arts Festival). It is an extension of the performance series solstice-to-solstice: a naming of the Light of Being [it takes a few seconds for the java slide-show to cue up—there are a total of 225 images].
and the intro on the wall reads something like this:
Probably a measure of bullshit, but the 40-meter long strip of images that span the space impressed the hell out of my back, leaving me crippled and craving more of the pain-killers that the Doc prescribed. One step forward, two steps back. A photographer from the national paper came in to do a portrait for upcoming coverage of the town’s summer art festival, and during the opening, the most retro and pin-headed critic (no, I can’t honestly call him a critic—should simply say guy-who-fills-columns-with-pointless-drivel) employed by the newspaper ran through the installation. The poor old fellow knows little about art, and nothing about photography. I recall the review he wrote for an exhibition I did some years back which was of as much critical value as an equal quantity of paper pulp destined to clean a baby’s arse. Some people don’t know when to quit. The only positive point is that a bad review from him pretty much confirms that an exhibition is at least interesting.
cartesian failure
Day follows day follows day follows day. Cartesian time folds into a state of being that is muffled by watching. Outside the window a machine, an EX100M Hitachi Rotator excavates the front entryway area of the elementary school. The operator is at one with the machine, expressing from his fingertips a detailed choreography that rips and scoops over-human quantities of earth, gravel, and construction materials, transforming the features of the space. I am as much and as little an artist as this fellow. I think less. Measures of art are in the cultural constructs that we are immersed in.
red noise
I make it no further in that diatribe, forcing me to realize that it was not soul-full, only a cover of verbiage to the rather removed state of energies that is my presence here. I am seduced into symbiotic relationship with a machine, a network, and technology in general. In my head then, two forces press, push at each other, brain matter being heaved, grabbed at, hacked, pocketed, consumed, stolen, wired. The forces are not at war, that is, if you consider that our presence here, now, is a peaceful idyll of simple pleasures following one after another from birth to death. We are in the midst of a savage conflict whose outcome is the dispensation of the soul. Melodrama. I have to laugh, I see silly tinges of Gothic and English drama in my words, and I have to drop the seriousness because of the absurdity of the movement — words in the face of the wholeness being, pressing the senses without remission. Like the pumping heart, that does not stop in Life. Maybe that throbbing is sole reminder of who we are, that streaming rush through tympanum that gives the ear a base of red noise — it is behind all we hear, like the pulsing seen when eyesight drifts to a non-focused state against the sky, the granularity of Seeing. The skin-over-skin of touch, un-melding with the touched, shielded from simultaneous being. And smell and taste, how they are pushed hard into the flesh, yet can hardly be found at times. Didn’t take me nowhere. Still the outside is there. Window, the ever-present silicon dioxide shield. Today keeping chill wind out. South wind, some from the east, too. Only a two days hard-pushed travel by foot to Mother Russia. Over there, things are different.
productivity
Yet more days later. I have finished two new video works (mama, where are you going and memory of three infinite half-spaces), very different works, partly as a result of exploring the possibilities of the AVID digital editing system, and partly from the limited amount of raw material that I brought with me. I am wishing I had brought the collection of dinner tapes this time, as there are plenty of machines to do the heavy editing needed to finish that CD. But, here I am. So far I have learned a tremendous amount being around the others, it is really a luxury to be with other working artists when there is a relatively relaxed atmosphere that is free of agendas … The days blend directly into the nights which blend into the days. A seamless continuation of varying Lighting effects. I like working late into the morning when there is a special quietness that soaks the air.
Today I pick up the WinNT server from the computer department. Another project to get it running! We hope to get a REAL AUDIO server up for some weeks, although I see there is much to be done just to get the NT server up and cruising as I would like. But the real state of mind is rather indeterminate. Digital oscillations are interposed with human movement and various ocular stimuli arising from solar phenomena. Yesterday a huge sun-ring imposed itself across a quarter of the sky. This evening, now onto midnight, swallows are reeling across the sky and between the buildings. Outside the window which is wide open to catch the evening breeze and help dispel the interior new-building air pollution, there is a dirt and gravel space and then an elementary school building that workmen have been almost totally gutting over the course of the last week-and-a-half. New windows, new desks, and who knows what else. The first day we were here, there was a dumpster full to overflowing with birch desks which were thankfully carted off by locals before being discarded. The movement across life is full in the summer of this place. Winter is the Other. Activity is vigorous though tempered by the luxurious languor of warmth. The birch trees are filling the air with a sensual tree-essence that one smells to one degree or another all the time, and their trunks are warm from the flow of sap. A week ago they had no leaves, and today they are full and filling vast Cartesian spaces with detailed energies.
creative potential
0300 and I am just thinking of going to bed. So I do, and now it is 1300, and I am in the middle of shaking down the AVID video system, preparing to do some video work this evening when the sun moves to the north. Unfortunately the studios are on the west side of the building and they have not installed window shades yet in the new building, so things are awkward for serious work. I feel as though in an electronic haze. Like these machines that I am surrounded with are sucking the life out of me, despite the “creative potential” that they represent. I am rather desperate to get something done, but this phantom of doing rather than being seems appropriately distant and immaterial. Discussions take place within the context of the spectacular array of equipment available to us here at the college. This is a familiar sight in, Finland — colleges and university (and, for that matter, high schools) swimming in a sea of technology that would make folks at most other universities salivate profusely. For a student base of under 200 students, many of which are involved in other areas of study, there are four AVID production studios, several analogue video editing suites (Betacam included), numerous large MAC and PC-based studios and facilities totaling around 70 machines, full-blown TV and sound recording studios, cameras of every variety, totally new buildings wired with high-speed LANs, servers for the internet, and so on… The downside of this is the problem of getting qualified and creative instruction for the students. At every institution that I have either visited or lectured at, I hear the same complaints from faculty and students — that there is a shortage of funding for getting teachers in to these same schools. I will probably do a tour here in the spring, doing short teaching gigs at about six different schools scattered across the country. For me it is a good opportunity to teach in good facilities and with eager students, and for the schools, the exposure to outside influence seems essential. Those of us who are here for the Polar Circuit project are constantly amazed at the open-ness shown here — the project itself is a miracle of conditions that would be difficult or impossible anywhere else. A bunch of crazy artists given carte blanche to use a fantastic array of tools that would otherwise lie dormant all summer, and the school opens its doors completely to us, offering everything including an enthusiastic handful of students who are taking good care of us.
walk around the island
Well, I continue with the monologue started late last night. It is now early morning, 0100 to be exact, and it is getting brighter already. The sun did go down, but only for an hour, and in that time, it passed less than 2 degrees below the horizon. Brightness. I missed dinner by fault of my own intransigence. A hungry man is an angry man … I hope to sleep, but I doubt sleep will come. I hang up the bedspreads on the window to make it darker. The next day, or whatever. I wake up early, still not sure why I can’t seem to make my small alarm watch function properly. So I wake up when my eyes open. Small ways of moving. A long evening walk with Steve, Genie, and Juliette around the north end of the island that Tornio is built upon. Birch trees that are warm to the touch from the rush of rising sap. Whimbrels fly raucously away at our approach, circling widely until we pass their territory. The island is built up completely, including a small brewery where they make Lapin Kulta beer. Houses are for the most part modern, although there are a few older wooden structures. Midnight and it is Light completely.
volume
Oh hell, what pretense to think that I could really get any sensible writing done here, when all other mediums seem to fail me as well. Concentration lags behind — a result of very poor physical condition that my body is in, and mentally I am really unfocused … Can’t really point to what is going on. Material stimulation and the stimulation of speaking to others seems to not hold my attention for long. I wonder at how others can focus and make massive and detailed material contributions to this monolithic world of Art. I am left babbling about spiritual transcendence, hypostasis, and being. Out of step with the environment that I have immersed myself in … This Art world. This world of commerce and culture and the intersection thereof. more “volume”
video
At the home of Rikki and Sólrun and their two teenagers Rosa and Kári. I worked with Rikki at the Icelandic Academy of Art for some years, he is an Austrian native (actually from Bolzano which is now in the Italian Dolomite Alps) and is a print-maker. Sólrun teaches in the local school in this small fishing village of around 350 inhabitants. Rikki is still in Reykjavík finishing up teaching at the College. The drive today is long and cold. We finally get out the door around 1030 and head east to Myvatn where we happen to run into the President of Iceland and his wife who are touring the north this week. My back is not doing too well, so I give up driving and lie in the passenger seat for most of the day. We make stops at various places, tourist spots, and locations that I think might be interesting to film. The Hi8 video camera that I have with me is making something of a challenge. I have so long carried my Nikon with a 28mm lens and nothing else, that I am having trouble adjusting my seeing and pacing when using a time-based medium suddenly. One nagging feeling is the dilemma of what I will do with the material once I have gathered a number of hours of raw tape. I rarely have access to decent editing equipment, and even if I did, would I have the time to do the significant editing required to make something interesting out of it. The camera is on loan from my nephew, so I won’t have it on a continuous basis either, which limits the time for experimentation. Of course, I have used video extensively in the past, and audio also, but it remains a challenge to see creatively through this new mediation. I did happen onto an expression of an old idea that I worked with a decade ago in a photographic project with Bill, that of the “infinite half-space” of geophysics and math, where a theoretical space is divided into two half-spaces by an infinitely extensive plane. This is the beginning point of mathematical modeling of the earth and its surface and the various properties of and reactions to changes introduced by external sources. One half of the space is the earth, the other is the atmosphere or space above the surface. Anyway, this idea pops into my head as I am watch the incredibly varied earth-sky interface rolling virtually by outside the silicone-dioxide car window. I make a short video work (to be finished off with titling and all the formalist details in, Finland) called memory of three infinite half-spaces simply by filming with the camera rotated 90 degrees from the horizontal while moving and attempting to maintain the left half of the screen as sky and the right half as earth … a second short video comes from that single day — mama, where are you going? starring Loki with his expansive style. The landscape is bleak and snowy, and there is Light snow falling almost all the day with the exception of an hour spent in Egillstadir at the house of Steinnun where it was warm and sunny.
the comet
Well, recovering from the grueling travel. Back is still trashed. I was able to catch the flight on Sunday evening, sitting next to an older woman from Long Island who was on a group tour to Amsterdam to sample the sins of that City. I told her at the beginning of the flight that we would most likely see the comet directly out the window for most of the flight, and she was astonished that this was actually true. I knew that it would be this way, and before the strike happened I had it in mind to be sure to get a seat at a window on the left side of the plane for this purpose alone. I normally take an aisle seat. However, I forgot to specify the right or left when asking for a seat and was perturbed that I would be on the right side of the plane. It became a measure of the auspiciousness of being — if I would get a left- or right-side seat. The moment fit. I keep looking out to see it, to scrutinize it, to absorb its Light. And I take the three pills that Deb gave me for the back pain that I know would come from all the lifting and dragging of luggage to get to the airport. The drugs keep me in a foam-encased haze for the flight. When I land in Iceland, now early Monday morning, I have to race to the Icelandair desk to see if there are any open seats on the flight to Akureyri and to explain that Icelandair should give me free passage on that flight as Magga had come to Reykjavík to get me and had to return to work by Monday morning. There is a seat, so I race to the baggage claim, get my bag and race out to get the first bus into town where I get a taxi to the domestic airport and get in line to argue about the ticket. I get a 50% discount on my ticket, but will write a letter later to the stupid airlines about all the extra expenses incurred by the pilots strike. The flight to Akureyri is short, passing over the white highlands in 40 minutes and landing in the narrow fjord a little past 0830 on Monday morning. To (one) end of the earth. I telephone Magga and she is surprised that I am in Akureyri already. She comes to pick me up and drops me at the house where I doze until 1230 when I walk over to the playschool to pick Loki up. He is surprised to see me, and takes me on a tour of the school.
Kevin’s studio
Stefan is off to work early and I go out to meet Kevin on the L-train platform to check out his studio in Brooklyn. It is always interesting to see his new works, how they evolve … waves, waves, waves … In the afternoon I head to the School of Visual Arts where Adrianne and Antoinette have invited me to do a guest lecture in their MFA photography class on Electronic Media.
Sorry, folks, the video is awaiting a reformatting, thanks to the ever-shifting demands of online video codecs … argh!
smart show online
Jason has put up some photos of Trey on a new web site (ed – no longer valid). Daze later. Working full tilt all the rest of the week. Saturday night. I joined in an online IRC conversation this morning at 0400 with people from the Finnish Artists Association MUU at a function at the Academy of Fine Art — the SMART SHOW OnLine — from on board the Silja Symphony cruise ship. It tore me out of deep sleep waking up at that hour, and then staying up for two hours talking on the keyboard and then on back to bed for a short nap before getting up and heading back into work.
eight dialogues starts
The intro IRC test session was interesting. Willa showed up on her lunch break, Robbin, one of the PORT curators dropped in, and Terhi, from Helsinki appeared. There were some minor technical hiccups, but generally thing worked out. Josephine had some trouble, but it ended up that she was on the wrong network, and so couldn’t find us.
I stay indoors all day. Why is it that I don’t want to go out. I should. But IceLand has made me completely abhor being cold. Now, if it was 75F or hotter, I would be out. Shirt off, hat on. Sun screen on my poor over-exposed nose. But it is chilly out, and I can’t make myself go out. Whatever. I had dreams again last night, but they are lost in the brilliance of the sun rising up over Mingus Mountain across the valley. It is especially bright because of all the snow. Flagstaff, to the north got up to 40 inches of snow and is still held in that slow powdery embrace. Now I watch the Simpsons. What am I doing this for? My back is trashed sitting in the lab, I don’t have a good chair in there, and I think that is the main problem with my back. And so it goes. Fragments from public television:
The man looks across the gray floor and sees the end of his life
He calls her and says Mom I love you very much
He thinks about the moment he stops breathing
I feel so Light I feel so fortunate
Introducing the survivors I see all these things
My work is that Dialogue
I have I don’t think I want to leave, I’m only 42-years-old
Where will I lay down? Who cares?
Thank you for saying that to me I’ll remember that when I am wracked with pain An interesting, vital dance that will say everything I have learned from the survivors
Diagnosis does that
Fear is the place that I can stand where I can say I am here I love the blues, I love to dance I fear pain I want to cross over I want to cross over But I’m too small — Bill T. Jones
Adrianne posts me this excerpt of a review she has written about Blast for January’s Intelligent Agent — it includes:
I am grateful that she takes the time and energy to not only support my work, but to actively frame it in within the context of her prodigious and ongoing experience in the arts.
losing Scrabble
Two days of rather heavy storm leaves about a foot of snow on the ground and ice underneath that. But suddenly late this morning the sun comes out, and all is Arizona once again. Hot sun streaming in the windows, and the snow begins immediately to melt wherever there is something dark nearby. I am hoping they will come and plow the road, though, until they do, we are stuck here. I could risk the drive out, but there is a steep gully about 50 feet down the road with a turn in the middle of it, so it is not unusual to get stuck in it. That plus the quarter-mile long steep hill that runs down to the main road. Easy to slide down, but not so easy to get back up. I wake up with a stiff neck. Really curious how I am having such body troubles here. I have never felt so uncomfortable. And perhaps this relates to the situation of living with parents. People with whom I have little connection except blood-relation. And my money-making possibilities seem to sputter. Making some, but not enough to pay debts and fuel another trip to Scandinavia (or anywhere, for that matter). I am still in some personal limbo. I sit for an hour, watching the flames of the fire through the window of the stove. The window is shaped like a teevee screen, but definitely it shows better content than the teevee … My mother says A penny for your thoughts. And I reply It’ll cost more than that. Buying affection, attention. The insinuation somehow buried in the words. Running into trouble for the Eight Dialogues project already. Lost one Talker to the limits of time, access, knowledge, and technology. I knew it would be difficult. So it goes. I play a game of Scrabble with my mother. She beats me — it’s all the practice she gets doing the daily crossword puzzle in the local paper.
drugs
Okay, my mother insists that I go to her regular doctor for a checkup. I have been resisting this with visions of hundreds of dollars flying out the window for nothing, as well as getting the bad news that I have a condition demanding surgery. Then what? So. I end up going. The doctor is rather nice, and checks me out, reassuring me that it is nothing too serious, gives me some anti-inflammatory drugs (plenty of free samples), a sheet of exercises to do for the lower back, a bill for only $35.00, and sends me on my way much relieved that, indeed, I am not about to die or become cripple for life. He says about the pain: Live with it. Okay, I can handle that. And treat it with some stretching exercises, careful choices of what furniture to move, and what chairs to sit in when doing computer work. I find it funny that I can be so reassured by a simple visit to a doctor. Especially when, in the US, I don’t have so much expectations or even high regard for the general profession. Of course, I don’t condemn all doctors, as they are certainly victims in the whole health care system as much as patients. It really is a mess, the system, between the malpractice suits, the insurance companies, and the uninsured 30% of the population. Wow. When visiting with a doctor in the US, I am always bring up the fact that I have been living in Scandinavia for some years and try to get a response from the doctor regarding socialized medicine, but here I get little response. Sadly, I think doctors in the US are often pawns in a ‘market’ system that is run by insurance companies and lawyers. Anyway. I feel much better today, and even go into work this afternoon to talk with Mickey and Hope about a business plan and some technical details on the server architecture. I guess by now I am the Webmaster for LANKaster Online — and, although I readily admit I am a crummy designer, I do have a good sense of organization, and that will be beneficial for their business as they edge their way out of hardware support and into software and internet- and Web-related services. I come home and spend the evening typing on a whole series of things, letters, email correspondance, papers, this web space, the LANkaster web site, seems like life really revolves around this little machine! Can’t get away! Now to make a little money with it…
Relafen (nabumetone) is a nonsteroidal anti-inflammatory drug (NSAID) that exhibits anti-inflammatory properties in pharmacologic studies. As with other nonsteroidal anti-inflammatory agents, its mode of action is not known. However, the ability to inhibit prostaglandin synthesis may be involved in the anti-inflammatory effect. The parent compound is a prodrug, which undergoes hepatic biotransformation to the active component 6-methyl-2-naphthylacetic acid (6MNA), that is a potent inhibitor of prostaglandin synthesis.
And so it goes.
worse back
Sunshine and snow out the window this afternoon. My folks slept in this morning, missing the alarm that usually get them to church on Sunday morning. I am still crippled after most of yesterday lying in bed and working on Web things. I am getting a bit afraid that something more serious than a pulled muscle or so is wrong. Fearful because I am one of those lucky Americans without any health insurance at all. The pain is strange and deep when I make certain movements. Changing directions, turning. How to solve this problem? I will stay today in bed also. Try to get this thing rested and recovered. Last evening Hope called from LANKaster Online and they were desperate to get the web site I have constructed for them online as their old site was causing some serious server slowdowns for an unknown reason (possibly because of some experimental CGI programming that one of their hackers had been doing). Mickey up-loaded the site in a version that I had put in my test directory earlier in the day, and it looks okay . I have made some updates already, but will have to wait on uploading until Mickey solves the direct-access ftp problem that has been causing grief with ftp clients.
This back problem has got me scared — just what I didn’t need, and just what I feared about being back in the US. A medical problem. Helpless.
Four robins sit in the tree outside the window.