The Agrarian Standard

The way of industrialism is the way of the machine. To the industrial mind, a machine is not merely an instrument for doing work or amusing ourselves or making war; it is an explanation of the world and of life. Because industrialism cannot understand living things except as machines, and can grant them no value that is not utilitarian, it conceives of farming and forestry as forms of mining; it cannot use the land without abusing it.

Industrialism prescribes an economy that is placeless and displacing. It does not distinguish one place from another. It applies its methods and technologies indiscriminately in the American East and the American West, in the United States and in India. It thus continues the economy of colonialism. The shift of colonial power from European monarchy to global corporation is perhaps the dominant theme of modern history. All along, it has been the same story of the gathering of an exploitive economic power into the hands of a few people who are alien to the places and the people they exploit. Such an economy is bound to destroy locally adapted agrarian economies everywhere it goes, simply because it is too ignorant not to do so. And it has succeeded precisely to the extent that it has been able to inculcate the same ignorance in workers and consumers.

Berry, W., 2002. The Agrarian Standard, Orion.

more cutting room floor

In the continuity of all phenomena that are sensed, a deep interdependence is a fundamental characteristic. Recalling that deployments of amplification systems exist at all scalar levels, a particular TSS may be modeled as a synergy of constituent sub-systems. However, each interdependent social system will approach the process of expressed presence somewhat differently, relative to that interdependence and to historical precedent (pre-existing pathway dependence). Globalization may be seen as essentially the wide-scaled synchronization and standardization of (some of) these differing sub-systems into widely harmonized and ordered pathways—usually to the (energy) detriment of smaller-scaled or more localized systems.

The contemporary globalized Regime stands on a (centralized) system of production and consumption [1] of amplified signals that forcefully promotes the standardization process. The originary signals are still human-to-human as in all systems, but extensive and globally-refined amplification pathways are present in many of these encounters—either by structural chance or by determined choice. In fact this is nothing new for a TSS of smaller size, but the sheer scale of construction of the necessary global infrastructures for collecting and redistributing the flows, as well as the directed flows of amplified energies themselves, is unprecedented in human history. Globalization of the Regime, as a particular scalar culmination of the once-localized system, affects every individual on the planet. more “more cutting room floor”

network power

Ran across this book a few days ago, and it imbued me with a sense of urgency in the effort to get more succinct ideas on paper. Grewal begins to make a connection between social systems, protocols (standards), and individual human participation in those social systems. He does not approach it from an energy/flow point-of-view, but rather a traditional materialist one.

Using the examples of the gold standard and the English language to drive his argument, he frames in detail the relation between the individual and the inevitable social network (system) that the individual is embedded in, looking at the dynamic feedback mechanism that occurs between the evolving social system (and the protocols which are its substrate) and human choice.

His analysis of intrinsic and extrinsic values for protocols (and standards) that define network power flows are spot on — along with direct and indirect forces which motivate the adoption of a standard — his framework goes a long way in circumscribing the dynamic between individual and collective and the politics of globalization. Network power arises through the concentrating affect that protocols apply to the various energy flows available to the techno-social system

Grewal, D. S., 2008. Network Power: The Social Dynamics of Globalization, Yale University Press, New Haven.

The Regime of Amplification: A Primer

[ED: This text is essentially an extremely preliminary draft—written in Berlin, Germany in 2007-08—of my dissertation The Regime of Amplification.]

I decided to release this text in advance of any hard-copy publication, with another chapter nearing its final stages, and several intermediate chapters forming more concretely. The following is the original ‘final’ text, although there will be a significantly improved one in the years to come.

This speculative essay addresses the process of amplification which expresses itself at a wide range of scales and affects and which models a fundamental aspect of all human presence. It opens with a brief description of a prototypical amplifier, then frames life as the coherent self-organizing expression of energy embedded in a universal field of energy flows. It examines simple biological models of amplification and suggests possible reasons for amplification processes to exist. Narrowing its focus, it looks first at the human species, then the body, and then the collective social system as an operative field of amplification. It subsequently explores the Regime of Amplification as a general manifestation of the prototypical TSS (techno-social system) — a system whose goal is to maintain the viability of localized sub-sets of the species in the face of competition as well as continuous and universal change. Two specific examples — the radio and the military — are presented to simply illustrate the principles suggested. The conclusion reiterates the affects of techno-social amplification on individual be-ing as well as on the entire continuum of relation that the individual is a part of. It suggests some fundamental pathways of action which have an immediate detrimental affect on the hierarchic flows of the Regime.

This essay is built on the subject of one chapter in a book-in-progress titled “Energy of Being :: Dialogue of Creativity” which explores in greater depth many of the issues that are danced only Lightly around here.

KEY TERMS

TSS (techno-social system), Regime of Amplification, energy, amplification, attenuation, flow, continuum of relation, life-energy, life-time, evolutionary development, natural selection, self-organizing, radio, military systems, resonance, social energy bank, life-time=energy=life; attention=life-energy=life-time, feed-forward system, biochemical amplification, concentration, rarefaction, command-and-control … (to be continued)
more “The Regime of Amplification: A Primer”

seminar

back in a classroom. talking about data – information – knowledge – intelligence – wisdom. signal-to-noise ratios. adaptability, chain-of-command, defined functions, trend analysis, long tail, lexis-nexus, The WELL, protocols and standards, Machiavelli, Sun Tzu, social infrastructures, complexity, hierarchy, networks, order and disorder, economy of attention, business models, power, money, socially-defined exchange, globalization of culture, and so on. I am a teacher, I am only human.

netart 2007 – Feraltrade

I was a co-curator again this year for the annual netarts.org 2007 awards. it was a tough year for finding fresh takes under our call for works:

Embodied Praxis – Real Life 2.0

For those of us who use the net, watch TV or SMS friends, we find that we tend to spend a lot of our time peering into one screen or another during our waking hours. Changing images float in front of our eyes as the disruptive sounds and jingles of our prosthetic devices keep us under the spell of the network. Texts flow into focus for as long as we need to retain them, and just as effortlessly gush out again through our fingertips into the ether.

Embodied Praxis – Real Life 2.0 draws on these telematic interactions and examines how art and artists take up these strands and weave them into daily life. However, the projects showcased will not dwell on the ways in which these digital traces are drawn from our lived lives rather they will manifest how our real lives are constructed around these embedded threads; and how their telematic substance is injected into the praxis of daily life.

The projects selected (will) track those nomadic flows as they are propelled across borders and through different languages; producing scenarios – political, commercial and cultural – that net those fluctuating moments in new and distinct cultural spaces. Although we recognize that these specific moments – such as sending/receiving an SMS or a real time interaction in Second Life are primarily transitory in their essence and serve more to de-localize us in non-spaces than locate us in embodied space – we also acknowledge the ways in which these concrete threads actively constitute the social self and, by association, serve to construct the complex fabric of Real Life.

and I wasn’t consistently online to be able to focus as well as I should have, but even still there were some nice projects to be seen, and the honorable-mention list is very interesting.

Grand Prize: Feral Trade by Kate Rich https://www.feraltrade.org/

Again, a complex year for net art, looking at the divergent and still diverging fields of creative production within global networks. This year’s criteria of “Embodied Praxis” was complicated by the arrival of the much-hyped Second Life on the main-stream media stage. But material and very human networking trumped the attenuated virtuality of SL. Making a functional parody of globalized capitalism, Feral Trade seeks to stimulate a direct distribution network that follows the connections of existing social networks. It takes advantage of the un-mediated plurality of human networks and personal connections and constructs a direct affront to the anonymous standardization of global trade. It opens a small crack in the facade of globalization where autonomous collective be-ing can be activated. As a classic example of a TAZ (Temporary Autonomous Zone), I hope it takes hold to become a permanent presence that de-powers the dominant and monolithic capitalist structure. At the very least, it points out the deep lack in that structure, and this is a critical starting point for evolutionary changes in human relation.

An honorable mention went to Isabelle Jenniches for The Call:

This project emerges out of the long-term network practice of artist Isabelle Jenniches who has in the past worked in a wide variety of creative net-based activities. The particular piece, “The Call” is one of several process-oriented projects she has initiated that depend on the availability of generic user-controlled Internet web-cams. The works are constructed over a long period of time — time spent watching the selected scenario, remotely — life-time spent observing the world. Thousands of images are made during a methodological process of deep-looking through this mediated network eye. The extended seeing and repetitive digital stitching operations on the thousands of gathered images acts to frame a meditative daily routine. The cumulative practice approaches the classical Zen expression — “there is no web-cam, there is no PhotoShop, there is only the Void” — and it arises through the post-Cartesian possibilities of a commonly accessible network interface. Formally recalling David Hockney’s early Polaroid SX-70 time-space collage work, “The Call” is an intimate and intense personal vision of a scope rarely manifest in the click-through eye-candy world of the net.

e-culture and good food

Over in Lübeck, meet miga and then head to lunch with Andreas at Nui which I remember from the teaching at ISNM before. Had to get some outline of what is happening to the slowly sinking Titanic and what is required from me when I do a short course on e-culture in the spring.

Content: This seminar will explore the entire global regime of the trans-disciplinary field called “e-culture” as an intersection of digital technologies and cultural practices. Using case-studies to find out what is working and what is not, we will examine the technologies that most affect this sector, the political and economic policies that form it, and the social systems where it finds its place. As one model for the engagement of “new media’ technologies and social systems, “e-culture,” along with the “Creative Industries,” are the scene for much innovation, research, hype, and media reportage. This seminar will hunt for some truth by examining specific situations, precedent, technological infrastructures, and current trends.

Key phrases include: infotainment; web 2.0; economics of attention; locative media; wearable computing; technology globalization; media research; reception, storage, and transmission of culture; creative industries; cultural patrimony; cultural computing; corporate culture; jobs?; non-governmental organizations (NGO’s); ubicomp (ubiquitous computing); e-government; society of spectacle; globalization/dislocation of culture; Ikea for the Art Market; European Union effects; Soros Centers; networking; creative action; Road Warriors; First or Second Life?; the Finnish Model; future scenarios; borders and cultural difference; collaborative presences; and so on.

after moving

uff, just when displacement seemed banished from thinking and imagination, here in Kiel to help strip all things from one apartment and install them in a house down the street. all in about 24 hours. not counting the packing up process which I missed while in Bremen. the actual move from the fourth-floor walk-up to the 1920’s mansion down the street in the affluent Düsternbrook neighborhood takes four hours. a crew of seven or eight college students and their boss, Leander (a multi-talented guy!), making the transition relatively painless.

for Steffi & Zorak, maybe a different story. beautiful new house, but much finishing work to be done, a flat on the second floor to be vacated in mid-November, a kitchen to be installed at the beginning of the next month, a cellar undergoing major repairs. and boxes. and boxes. and boxes. not to mention a sumptuous garden-intensive yard, garden house, garage, and all the accoutrements that a house brings. Fritz is the first to settle in. when all the world is new at one-year-old, a new house is merely another new-ness in days full of impressive living at the fore-front of be-ing.

lunch of goulash at Thomas’ place across the street. the street lined with early 20th century mansions. it has the vibe of the Glen Ridge neighborhood where Stefan and Ellen live. strange to get this similarity across this wide geo-social distance. although the BauMarkt and the Home Depot are also identical. the latter the same-ness of globalization. the former, the same-ness of local community.

art

Kly Yee, the guy in the COFA tuck shop — does wonders with cream on the top of the coffees that he serves. tried to Bluetooth some snaps he had made on his phone of different designs he had made, but wasn’t successful, my SIM was full. will try again later.

what about impressions of urban Sydney? lots of small shops — clothing, jewelry, food, cafes, small restaurants, and on every corner, upstairs the Hotel, downstairs the bar, pub, snookers hall, whatever, mostly quite upscale. clean, none of the sawdust-and-vomit-on-the-floor scene of ages past. though the design with tiling three-quarters up the walls for convenient hosing down remains. then there are the backpacker hotels, clubs, and adult entertainment joints. the occasional acupuncture and massage salons open to the sidewalk, feet protruding from behind curtained stalls and sweating Chinese hosts doing their thing. globalization is expressed in Kinkos, 7-11’s, MacDonalds, Western Union, and such, though these are a definite minority, with (apparently) non-franchise places dominant. there could very well be some mafia-type of franchising going on, but not to the casual observer. cosmopolitan. even critical locals said the Olympics were a good thing. blah blah blah…

with a climate similar to areas of Southern California, comparisons would be obvious, but in terms of general quality-of-life, Sydney would out-rank SoCal easily — especially as the population seems to enjoy the relaxed and low-key street-level cafe-scene, rather than the more obnoxious automobile-driven and anti-social SoCal mentality.

but, enough of banal and surficial observations. it does appear that there are significant levels of stress in the educational system. doing a brief presentation at a doctoral seminar yesterday initiated a number of conversations with some of the attendees. each detailed the particular struggle to get a quality education while dealing with personal economic issues. many students work, some full-time. the government has several funding schemes, but not all people can take advantage of then, given their individual situations. funding is time-limited, as has become the norm in Europe, and similarly, tuitions are rising.

but there seems to be a robust demographic pursuing doctoral degrees either part-time or full-time. good for them!

response to Lev

sotto voce: Some comments (on the nettime post from Lev Manovich, Mon, 28 Nov 2005 21:22:03 -0800 – his text snips in yellow)…

We Have Never Been Modular…

but we have agreed-upon standards via political hegemony, pressure of dominant ideas, and participating in the easy consumption of ‘whatever works’. And since standards underlie the concept of modularity, I’m afraid that I disagree unless you are talking about another collective “we” that is represented by the demographic you are addressing and are member of.

Thanks to everybody who commented on my text “Remix and Remixability” (November 16, 2005). It was provoked by reading about web 2.0 and all the excitement and hype (as always) around it, so indeed I am “following the mainstream view” in certain ways. But I would like to make it clear that ultimately we are talking about something which does not just apply to RSS, social bookmarking, or Web Services. We are talking about the logic of modularity which extends beyond the Web and digital culture…

And it is worth mentioning that none of those ideas are remotely sourced in digital technologies — they are constructed on the entire precursor socio-technical infrastructure of engineering in general. digital technologies are a ‘final’ product of a long and continuous development process of standardization that started when Empire (or collective social life) was born.

Modularity has been the key principle of modern mass production. Mass production is possible because of the standarisation of parts and how they fit with each other – i.e. modularity. Although there are historical precedents for…

From an engineering point of view, modularity is a subsequent process result following the necessary precursor: the development of standards.

As a simple anecdote, I recall traveling across Europe in the early 80’s. When crossing a border, say, between Italy and Germany, or France and Germany, aside from the ritual rubber-stamping of the passport (and occasional body searches, but that’s another story), one was aware that suddenly, when before the streets were full of Renaults, Citroens, and Peugeots, they were now filled with VWs, Mercedes, and BMWs. To such a degree that if you saw a Citroen Deux Cheveaux puttering around in Bavaria — a car I occasionally had in those days — you would invariably honk and wave (at the ‘hippies’). The currency changed, the language changed (obviously), the places for money exchange shifted, the electric plugs morphed, the telephone rings, cables, and plugs changed. Distance didn’t unless one crossed the Channel where temperature, length, weight, currency divisions, and volume changed to absurdly baffling non-decimal fractions. The socio-political history of the EU (and globalization as well) is mapped over the development of international standards that (have) effectively wiped out those prior social differences.

The history underlying any and all movements towards a pervasive technology (regardless of the geographic extent) is the history of standards development. This precedes any (modular) engineering deployments. (A wonderful USD350 million glitch on a NASA Mars project — when an engineer (collaborating with ESA) forgot to convert between metric and US measurements). Of course, economic (military) hegemony is absolutely connected to this process of standards development. You join in a military alliance and if you are the minor partner, you have to re-bore your cannons to take his caliber of projectile, lest, in the heat of battle, you run out of usable ammunition.

I think a discussion of standardization supersedes the discussion of modularity as most (all!?) characteristics that arise in a description of modularity and its impacts are derived from the ‘textures’ of the socio-technical landscape that are determined by standardization. In a way, collective knowledge as a very broad and general social product is a result of standardization, especially if you are considering, for example, knowledge that spans disparate physical locations. Even with the existence of the basic technology of the Internet, no collective knowledge may be derived without a standardization that transcends the physical restraints on the digital system — a primary one being calibration of time scales, but there are many other calibrations that must take place as well. In the Paul Edwards article quoted below, he points out that there are heavy consequences for detecting global warming because the propagation of measurement standard differences between national and international organizations. An example of the fragility of knowledge building and the importance of standards in collective action.

Strip Latin from biological nomenclature, and international collaboration in the entire discipline is immediately snuffed.

It would seem that the larger the social span of an institution, the greater the built-in desire to establish and propagate standards among its constituents. Maybe remix is the ultimate surrender of the individual to the collective. Standardized idiosyncrasy. Lovely end result.

And at the other extreme, some of the more powerful expressions of artistic creativity take place in a landscape where there is some freedom to deliberately ignore standards (and modularity) and filter lived experience through the idiosyncratic filter of self — re-presenting that lived experience rather than an obsession with filtering someone else’s signal…

I think your mention of musicians sampling published music points to something perhaps more tiresome — related to the instance when rock stars sing about life as a rock star. A simulation of a simulation. TeeVee shows about teevee producers. Escher’s lizard consuming itself. Maybe remix culture will turn out to be so efficient that it will come to that — annihilation by self-consumption of its own mediated worldview…

Maintaining consistency in this huge, constantly changing network is the work of standards. Standards are socially constructed tools: They embody the outcomes of negotiations that are simultaneously technical, social, and political in character. Like algorithms, they serve to specify exactly how something will be done. Ideally, standardized processes and devices always work in the same way, no matter where, what, or who applies them. Consequently, some elements of standards can be embedded in machines or systems. When they work, standards lubricate the construction of technological systems and make possible widely shared knowledge. — Paul N. Edwards

Edwards, P.N., 2004. A Vast Machine: Standards as Social Technology. Science, 304(7 May 2004), pp.827-828.

Measurement is a comparison process in which the value of a quantity is expressed as the product of a value and a unit; that is, Quantity = {a numerical value} x {unit} where the unit is an agreed-upon value of a quantity of the same type. The concept of a quantity such as length is independent of the associated unit; the length is the same whether it is measured in feet or meters. A standard is a physical realization of the definition, with an agreed-upon value to be used as a reference. — Jeff Flowers

Flowers, J., 2004. The Route to Atomic and Quantum Standards. Science, 306(19 November 2004), pp.1324-1330.

tech-no-madic meditations

On the road again / Going places I’ve never been / Seein’ things I may never see again / I can’t wait to get on the road again… — Willie Nelson

This unfinished sketch of text, expelled in November 2000, is a small surfacing of themes, presences, and fragments from a realm of hyper-presence and the author’s self-proclaimed tech-no-madic wanderings in the northern hemisphere at the end of one millennium and the beginning of another. Performance art enters the field of words as an action to be redefined as following:

Beginning with art
Art is an accumulation of ways of going and ways of doing. Art is the configuring of energy flows in a lot more than ten thousand ways in order that they become part of a transmitting dance, a dialectic movement of energy between beings. Those configurations are mediations positioned between two beings: they are carriers of energy from one to an Other and back again. The movement of these mediated or packaged energies is the essence of creativity. Creativity is not a peak experience, it is continuous and powerfully cyclic. Blocking energies is anti-creative and ultimately a blocked state may not be maintained when confronting the natural movement and flow of energy. Blocks appear to be placed by a manifestation of consciousness which disregards (or has learned to disregard) ambient and raw chaotic energy movements.

Leaving Newton behind
There is no reason for us to slog through a life that is subjected to materialistic 17th century attitudes and mechanistic points-of-view. Mechanistic (Newtonian) physics is an observational model, complete and self-contained under very limited conditions. Its applied pinnacle is the Age of Industry. That age represents the peak of exploitative systemization and ideation of rational thought. more “tech-no-madic meditations”

Lev’s edifice

Lev was suggesting that the skyscraper was the ultimate (or crucial) symbolic and real social expression of the Industrial Age, and, in the course of his fascinating lecture, pondered what might be the crucial expression of the Information Age. immediately my thoughts went to the concept of LifeStyle as being that edifice — LifeStyle becomes the penultimate expression of the consumer society. this false edifice of success(-full) surrender to a socially mandated norm or behavior. the vapid Look of it all.

and what about creativity — too much attention paid to aspects or results of it — and no observations that is is a continuous, (NOT sporadic) and peak experience. and, at the same time, it is cyclic. and it involves both the creative and destructive principles. it is not a commodity. it is harmonic, balanced from all scalable viewpoints and sensual contacts.

some notes I wrote later:

In this era there are (pseudo)nomads who dance around the monuments of the global information age. These monuments — status, wealth, and power — together combine in a single ever-shape-shifting edifice with no seam, no crack, but with the seductive and bewildering attraction of Joseph’s Technicolor mantle aLight and burning with the fire in Plato’s cave. The edifice is Life-Style. Its ornamentation is Fashion.
more “Lev’s edifice”