Sorry for this text, it’s garbled, but I can’t make it less so in the moment. Check out some of the links below for more considered words and documentation of Phill’s presence and creative expressions. I’m dismayed at the number of obits that are appearing here … sheesh …

The other day I was reviewing older sound recordings on the website, one of which is a remix of sounds recorded at one of Phill Niblock’s annual Solstice events at his and Katherine’s loft in New York. Back in 2007 I was in the NYC area and was able to make it to one of these legendary happenings. A number of ShareNY friends had reminded me of them, and my modus operandi generally is when in town, check stuff out. And if Phill Niblock is doing something, well, there’s no excuse!

So, it was sad to hear of Phill’s passing. The hundreds, thousands of performances that he made, participated in, or facilitated for other artists—most often within the aegis of the Experimental Intermedia Foundation over the years—had a profound impact on all who experienced them. The annual Winter Solstice events at their loft were especially intense both in the immersive visual-sonic sense, but also in the powerful element of basic human encounter: always a slew of interesting folks attending!

As is noted in other obits, being and doing were things that Phill did with a profuse and personable energy. I was lucky to cross paths repeatedly with he and Katherine on their numerous transAtlantic forays and in NYC related to some ShareNY events.

Phill’s experimental visual and sonic work implemented a solid-and-shimmering tableau of full-on psychic immersion in live performance. The Solstice happening was merely one of the hundreds that Niblock brought into this universe from another, parallel universe, where time, sound, and Light have both more subtle and more tangible presence and energy.

An openness for exploring the profundity of the temporal was something that Bruce Elder and Stan Brakhage exposed me to back in the 80s, so Phill’s monumental 16mm opus, The Movement Of People Working, was immediately, electrically, attractive. It forms a compelling exploration of what human presence and be-ing actually is, not merely how it manifests: this element of lived immediacy imprints itself, over time on the receiver. And, combined with the sonic expressions forms a holistic, immersive experience. (Morton Feldman‘s influence.) Transcendent!

We shared the idea of duration in performance work: perhaps related to our separate instances of experiencing the work of Feldman. Phill often bringing duration to a beautiful extreme that inevitably sparked internal change within the witness/participant (there is no audience in this regard, there is only the Void!).

Condolences dear Katherine, and for our shared loss.

Visit Phill’s website for a deeper plunge. This obit by Lawrence English is especially illuminating. And the NYT obit gives a wide view on Phill’s life.

Further insight into the Solstice Events with some documentation at Roulette; along with a 12-hour video.