Ready to vacate the camp ground: the omens and portents are not good.

Bbbbbrrrrrrrraaaaaaapapapapapapapapa, brapppapapapapapaaaaaaa.

Nothing like the amplified throb of hydrocarbon explosion to go to sleep by and to wake up by. Camping in a BLM (Bureau of Land Management) OHV (Off-Highway Vehicle) area. The premise is simple, the social system has generated devices, machines, both two-wheeled and four that allow a single driver to mount somewhat like a horse, and to ride at speed on rugged and steep terrain. For entertainment. (Note: three-wheeled machines were banned from production 25 years ago because of the vast toll of injuries and deaths which ensued as a fault of the basic design). The word entertainment is key. It is absolutely true, straddling one of these machines, with hydro-carbon explosions vibrating the body, landscape rushing by a high speed. The body transforms itself into the body of a god (or goddess). Speed and flight, and the power to conquer the land makes one a lesser though very carnal deity. It’s great fun. The wider world is narrowed down to a small slice of the road ahead and some limited peripheral vision that is otherwise masked with the (state-mandated) helmet. The system narrows to the challenge of moving forward along a pathway (state-defined, in this case, with designations for beginner, intermediate, and expert, like a ski area), maintaining forward motion and lateral balance while negotiating the shifts in speed and orientation. Essentially an immersive video-game experience. Back to the virtual. Hearing is both muted in the helmet, but also assaulted by the viciously loud hydrocarbon explosions happening with minimal attenuation between the legs, touch is overwhelmed by the vibrations of hands, holding onto the handlebars (feeling reduced by gloves) and actions reduced to wrist rotations for accelerating, and gripping for braking. Sight, limited by the helmet. Smell coming through a nose filter, and otherwise, smell and taste dominated by the grit of dust that chokes everything. This is circumscribed by my definition of virtual as that which entails an attenuation of sensual input to the body-system.

It’s a holiday weekend, one for remembering the dead, fallen heroes, and the reasons that nation-states exist. The right to bear arms under any circumstances.

A radio blasts into the night as soon as the working folks arrive late on the Friday evening for the three-day weekend. Motors are tuned, beer is drunk, laughter and shouting echoes around the local space. The local space is a mis-en-scene, a tableau. The trees are decorations to be cut for fire, nails inserted into and chopped with hatchets because they are there, extruding from what is taken simply for painted or projected backdrops.

The camp ground is, as darkness falls, a backdrop for yet another kind of entertainment to take place. The BLM has posted a regulations sign-board, but it is the victim of target shooting with large-gauge shot-guns. Most of the regulations are unreadable, peppered with holes leaving letters, words, whole sentences unreadable. No shooting so far this weekend yet, but it’s sure to happen. Our campsite has a mound of big red 12-gauge shotguns shells, spent, under one tree, and several hands full of high-power rifle shells of a variety of calibers scattered around. And every once in a while one sees side-arm shells. Spent ammunition. Broken glass, beer bottle tops. Past remembrance-of-the-dead weekends. Celebrated by shooting into the air, shooting the trees, shooting anything that looks non-human. Most of the time.

The ambient audio mix also contains material from the City of Ten Thousand Buddhas compound.

(stereo audio, 12.4 mb)

bbbbbrrrrrrrraaaaaaapapapapapapapapa, brapppapapapapapaaaaaaa.