posted
  • place: Boulder, Colorado

Full dissertation text: The Regime of Amplification

Well, I guess it’s about time to put the PhD dissertation text out there in .pdf form, so, here it is (PDF download):

The Regime of Amplification

Have at it, be polite, no grabbing, pushing, or shoving. Do not fold, spindle, or mutilate. If you can prove that you’ve read it back to front, I’ll buy you a bottle of Herradura Añejo Tequila*, as long as we can split it!

*this is my hard liquor drink of choice since 1980 when it was hard to find even in the US southwest — cherished bottles imported into Iceland (bought in NYC at NY Liquors on Canal Street, the only place in NYC that carried it!) would last up to six months, like a fine Scottish whiskey, small glasses for sipping — none of that brutish slugging down shots or making margaritas with this fine distillate.

posted
  • place: Lincoln Laboratory, Lexington and South Acton, Massachusetts

Thursday, 08 March, 1962

WLZ & I met with John Rheinstein for an hour to discuss the Bendix & Chrysler Conduction contracts.

Dr. Pike did not think that Convair w/ Boeing has anything to do with the STV program.

Clear – cool

Picked up Cornwell & Sears tools. Both are good. Saw a ’57 Ford with a windshield washer, so hooked it on and it worked ok. Stopped at AMS to get the spark gap on the Willys; it is .020″.

Ordered some parts to finish the piano action regulating job.

posted
  • place: Lincoln Laboratory, Lexington and South Acton, Massachusetts

Thursday, 01 March, 1962

Drove today.

Clear – cold

Drove today.

Saw Mr. Henshaw in Purchasing re: a spring-loaded center punch; ordered the Starrett 5″ @ $4.40. He said he thought he could arrange for a personal check to be sent to Cornwell for a set of 3/8″ basic tools, TS-212 w/o box @ $21.65.

posted

attention deficit?

the object of Helmholtz' attention

I find that I am able to attend voluntarily, now to one and now to the other system of lines; and that then this system remains visible alone for a certain time, whilst the other completely vanishes. This happens, for example, whenever I try to count the lines first of one and then of the other system. … But it is extremely hard to chain the attention down to one of the systems for long, unless we associate with our looking some distinct purpose which keeps the activity of the attention perpetually renewed. Such a one is counting the lines, comparing their intervals, or the like. An equilibrium of the attention, persistent for any length of time, is under no circumstances attainable. The natural tendency of attention when left to itself is to wander to ever new things; and so soon as the interest of its object is over, so soon as nothing new is to be noticed there, it passes, in spite of our will, to something else. If we wish to keep it upon one and the same object, we most seek constantly to find out something new about the latter, especially if other powerful impressions are attracting us away.

This is only restrictedly true. We move our eyes by our will; but one without training cannot so easily execute the intention of making them converge. At any moment, however, he can execute that of looking at a near object, in which act convergence is involved. Now just as little can we carry out our purpose to keep our attention steadily fixed on a certain object, when our interest in the object is exhausted and the purpose is inwardly formulated in this abstract way. But we can set ourselves new questions about the object, so that a new interest in it arises, and then the attention will remain riveted. The relation of attention to will is, then, less one of immediate than of mediate control. — Hermann von Helmholtz, “Psychologische Optiks,” as quoted in William James, “The Principles of Psychology, Volume 1”

What bugs me is that stupid little black dot in the picture …

posted

movement brings encounter

Movement brings encounter. It is as we find our way through life that we meet the people who change us. The character of these encounters forms an armature upon which we build our internal and external social lives. Shared life-time is a profound experience which will never happen again the way it IS happening, so that every second becomes a crux, filled with intention and awareness, or not.

… snip …

Six years on from the 4th of July accident. Realized earlier this year that I will never be able to afford any private health insurance again because of ‘pre-existing conditions’ of which spinal anything is absolutely the biggest red flag for the insurance companies. gah. I hadn’t considered this situation until I was reading my OSHC (Overseas Student Health Coverage) contract in Oz where it said complications arising from any prior spinal or neuro-surgery would not be covered. So, while I have some kind of health care as long as I am a student, if anything happens to my spine, oh well. And thats in a ‘socialist’ country with universal health coverage. In Amurika, well, no chance whatsoever, especially if the ultra-right somehow once again gains control of the system, people like me are simply out of luck, if there is such a thing as being politically out of luck, more like, out of power!

posted
  • place: Preston, VIC, Australia

easy out

this page intentionally left blank …

To write something compelling, in a sustained long form or even a short note, requires the writer to step outside normative social existence. Writing, as with any archival process, makes exception of lived-life, at the very same moment that the writer steps out of that lived moment. It is the same process as with photography except that the photographic stepping-out is typically of shorter, more fragmentary duration. Long term archiving of life — text, images — is a debilitating condition which, while projecting fragments of a life forward into other lives, at the same time, spends more quickly the life that is immediately available. The writer and image-maker begin to live a conditioned life, as actively passive consumers of staged tableau — or so they imagine. They condition themselves to see life as only a sequence of these discrete tableau, while the constancy of life in between, in its fullness, is ignored.

A low pressure system east of Tasmania brings rain squalls that flood the street out front this morning, and a deep bend in the gutter on the back roof is shooting water right down the side of the house onto the electric water heater. hmmm. doesn’t look good.

posted
  • place: Lincoln Laboratory, Lexington and South Acton, Massachusetts

Thursday, 02 March, 1961

Wrote comments to Col. Bavarro on his briefing on the Phase I Report; principle point is that integration of function is not contemplated.

Reported to JFN on results of trip, noting the graphs on p. 56 and the final one on p. 59, noting that it will take a few days to organize what we have. Also mentioned the desirability of obtaining Major McCarren here on the project, and the payoff from sending analysts to the C&GSC course for “Senior Officer Nuclear Weapons Employment,” the next one will start on 17 March.

Obtained title of Aeronutronics document on ARTOC from Miss Hedley, C&GSC Archives, Ft. Leavenworth MU2-1000 ext. 3144: Operations Control, AN/MSO-19, Design Plan, 13 Vol. Aeronutronics Report C-236, 10 August 1958.

Made out trip voucher details, returning$30 to Gail of the $50 advanced.

Clear – sct’d clouds

Got to work at 0810.

Spent the evening fixing the washing machine, it had a short in the line to the inlet valve.

DCH report card had the usual C’s; he apparently has no intention of getting on the Honor Roll: he gets good grades in the subject he is interested in — science.

posted
  • place: Fort Leavenworth, Kansas

Tuesday, 28 February, 1961

Discussed the need for single thread analysis with Major McCarren, a most competent officer. He, in the afternoon, told us the details of the transit of intention to fire a nuclear weapons through the various staff elements. Took 6 pp of notes that contain a) the sequence of steps in operation, and b) Time estimates on each step.

The graphs on p. 56 can possibly be made by using the times in FM101-31 to go from 0.6/0.5 to 0.1/0.1

Went to Officer’s Club for dinner.

Worked on mt’l of the day and 1960 Income Tax Report.

posted
  • place: Millers Point, NSW, Australia

work, labor, action

Arendt‘s tripartite approach to the sociopolitical — Work, Labor, Action — in “The Human Condition” suggests the expenditure or the flow of energy. All three are intertwined within the do-ing, the be-ing of life, and in the sense that they are all embodied expressions of life-energy, they are equal, divided only by the particularities of the pathways of expression of those energies. She begins, I believe correctly, with viva activa as her source: the active, activated life. However, she does not explicitly posit a connection between viva activa and the source of the possibility for an active lif, that is: ones life-energy (sourced in the energized thermodynamic flows of life itself). These impulses towards the social structures of collective life must have a source, an activated well-spring that drives the cumulative social (and life) dynamic. The question of the source is perhaps more important than the ultimate expression of the source.
more “work, labor, action”

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Wanderlust

I kept coming back to this route for respite from my work, and for my work too, because thinking is generally thought of as doing nothing in a production-oriented culture, and doing nothing is hard to do. It’s best done by disguising it as doing something, and the something closest to doing nothing is walking. Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals. — Rebecca Solnit

Solnit, Rebecca (2000). Wanderlust: A History of Walking. New York: Penguin Books.

It’s hard to brightly imagine that when we decide to retreat to the desert or to the mountains to walk, it is a process deeply colored and, literally, in/de-formed by relatively recent cultural contingency.

The retreat is steeped in a socially constructed reality that began to emerge around William Wordsworth and J. J. Rousseau’s time and was sparked, in part, by their actual perambulations and especially the writings that welled-up whilst they were on the road (The Excursion, by Wordsworth, for example, and Rousseau’s Reveries of the Solitary Walker).

But in a completely different sense, walking (and be-ing while walking) is ahistoric. Because the present moment is never to be repeated, nor is a life-time to happen twice, the momentary events of that particular movement are unique, and uniquely inspiring. Embodied movement is a passage through the flux of difference, regardless of the pathway. And although I cannot anymore go to the delicious extremes of span and height and endurance that so many others have done and will do, it is not extremity that brings the timeless essence of movement. When all is change, the senses are taught to discern the minute difference of the everyday, ever more. In this, the near becomes just as exotic and inspiring as the far and less reachable places.

posted

From The Regime of Amplification to The Road

[editor: this document was used for a mid-way doctoral assessment at the University of Technology Sydney and no longer reflects the final content of the PhD dissertation as of the April 2012 submission at La Trobe University in Melbourne. The presentation was accompanied by the video that is posted at the end.]

Abstract

The DCA project “The Road” is a psycho-geographic perambulation through a web of personal, social, and universal trajectories which form a new knowledge-base on the cosmos as an entropic system of energy flows. Within this worldview the project explores human presence, encounter, and interaction including a close look at the effects of techno-socially prescribed protocols on those indeterminate flows of energy. As a multi-modal online data-space, the project offers a variety of navigational strategies connecting a rich variety of audio, video, text, and image sources from the candidate’s extensive personal archive of creative material.

Introduction

The armature for this DCA as originally proposed was the concept of the amplifier. An amplifier is essentially a device that takes an incoming flow of energy (signal), and through an influx of power, generates a defined outflow of energy with a greater (directed) intensity. The amplification process needs an independent energy source to increase the signal strength. It also requires a set of protocols that guide the flow of energy from input through output: a coherent signal is a controlled energy flow as defined by applied protocols.

The road, as an expression of a techno-social system (TSS), exemplifies, or, more precisely, is one of these protocol-defined pathways. It was this realization during the last year of research which shifted my focus from the amplifier to the road as both a real and metaphoric concept that opens a rich space for inquiry. The road allows the TSS to express amplified energy flows along its protocol-defined pathway. It is not difficult to conceptually extend the idea of the road as any pathway for the directed and concentrated expression of energy of a TSS. more “From The Regime of Amplification to The Road”

posted
  • place: Dinosaur National Monument, Colorado

Trail Draw and Upper Pool Creek Canyon

field at mouth of Upper Pool Creek Canyon, Dinosaur National Monument, Colorado, May 2010

An Outward Bound group rafts in, and are lectured to in the Trex seating arranged for “camp fire talks” here in the campground. I find it really bizarre, when there a thousand ‘natural’ places to sit for a dialogue, they make a bee-line to the plastic composite seats. I guess they got lectured on the tamarisk mitigation work around Echo Park, I didn’t ask, as I was too busy prepping for the day. They later went into the woods between the campground and the river and were doing something. Wonder if they saw the carnage I wrought on the tamarisk behind site #7! more “Trail Draw and Upper Pool Creek Canyon”

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CLUI: Day Six — intention

The psychical framing of intention within the making/creating of a reductive tracing of the phenomenal world would seem to be critical. What is the intention of an image, for example? Is it as fundamental as the intention of God in the creation of the world? Or can it be explained away as merely an artifactual process of the techno-social system that one happens to be embedded within? Clearly one intention is to use the artifact to say “Look what I saw!” And, so, the process should never be undertaken when there are others around, as they are already experiencing the phenomenal world, albeit from another point of view. Although this suggests that the artifact is used in the presentation and validation of one point of view with an other. (This presentation process and its outcome may also fast-forward root into the resonances arising from the juxtaposition of those two differing POV’s). Is this the sole, core reason? Or is there something else? Is there more to it? This juxtaposition (though more complex and intertwined than that word suggests) is a form of dialogue in that extended sense of the energized interaction of the Self and the Other. hmmm.

posted

The Science of Disorder

I’ll retroactively begin to add bibliographic resource links with short reviews or notes on books that come to my attention. This one arrived via the usual intentional browsing. It represents several that begin to connect the dots between thermodynamics, techno-social systems, and the affect of human presence on the planet. It suggests that the movement away from a scientific approach to a technological approach is critical to the loss of our way to understanding the messy phenomena of human intervention in our world. Technological subjects are often taught without any grounding in philosophic principles of any sort. My own education at the School of Mines required only four three-credit-hour courses of (very general and poorly taught!) humanities for the entire undergraduate degree in geophysical engineering. And those courses in no way influenced the approach or the execution of any of the hard-core engineering courses. Instead they were frequently the object of derision as juxtaposed to the tough and demanding engineering classes — an implicit gendered polarity — wussy classes versus the rough and tough get-your-hands-dirty and only-the-toughest-survive macho applied-engineering classes. Things have changed somewhat in many engineering curricula (as evidenced by the fact that I do rather often have engineering students in my seminars and workshops), but there is the overt assumption that technology is above the messy fray of soft human affairs to which it brings only ordered progress, material wealth, and sustainable harmony. The former two are evidenced when examining closed (and limited) systems, the latter, nothing could be further from the truth.

Well-researched with both scientific and popular/media references, The Science of Disorder is readable, explicit, and provocative. (I’ll be expanding these reviews as I can manage: there is a huge backlog of rolling all previous bibliographic references to this style.)

The Science of Disorder: Understanding the Complexity, Uncertainty, and Pollution in Our World, Hokikian, J., Los Feliz Publishing, Los Angeles, 2002.
posted

affects and intentions

The idea comes that I can place different narratives and sonifications in the aporee context, making a global mapping of ideas mixed with sounds mixed with voices. But somehow this seems flat. Not that the platform lacks some aesthetic appeal, but the tendency would be to continue the same old process of archive-building (with the same old criteria of acquisition of material). Or, I thought about making a performative series in the Speakers Corner in the Domain. Still, the best idea to this moment is the one where I would simply engage with this material with one Other, expanding on it, presenting it in a dialogic setting, and reproducing that. Or this dialogic situation as a live performative undertaking with an audience.
more “affects and intentions”

posted
  • place: Millers Point, NSW, Australia

health care

got to weigh in on health care. so sick(!) of the toxic blather going on within the US, although it might just be that it is a spent nation-state, in the throes of becoming less relevant in the world. clearly it is becoming less functional internally which eventually (already) will have an effect on external relations. morally it is tearing itself apart by those who, strangely call themselves Christian but who seem to have zero compassion and limitless zeal for defending against the stranger and killing preemptively when that stranger seems strange. period. I have some understanding of the fear of governmental authority. the media in the US has certainly inculcated so many other nation-states with the blight of the dictator and illustrated that to the US citizens, a situation that reinforces some traditional/historical fear of the government. fine. more “health care”

posted
  • place: Boulder, Colorado

negative lands

Sarah invites me to go to a morning pre-screening in the Atlas Center of the movie Speaking in Code along with David and some of the other principles from the Boulder Media Festival. They are considering the flick for screening at the next festival. It’s … okay … funny how historical the scene got so quickly. Ancient times, techno seems.

Right after lunch, I meet Holly at the UMC and we take a wander around campus talking about her options upon graduation from high school this spring. We make a visit to David’s office to talk about the TAM program, etc. it’s cold out, and the art department is now a construction site. I decide to cycle downtown to meet Sarah and Kate later at the Laughing Goat. Then still later, we wander back up to campus to catch negativland who Jane brought to CU for a couple (free!) shows featuring their concentrated and comprehensive performance on the mediated social system of religion in It’s All In Your Head FM.

We believe that the healthy evolution of art and creativity has more value than simply counting how much money is lost or made. Art, science and technology have evolved because of how we all build upon the ideas and works of those who came before us. Copyright was always intended as a balancing act between giving ownership to creators so as to provide incentive to create new works, and allowing works to lapse into the public domain so that new ideas could develop. But our founding fathers could never have imagined the kind of world we live in today and the amazing new technologies that we are surrounded with – technologies that encourage and inspire us to interact with the world and create in unprecedented new ways. Protecting the author of a creative work is a good thing, but the benefits of copyright have been thrown off balance by the disproportionate influence of those with the most money. In fact, the more recent expansions of our nations copyright laws represents a break from our nations past and from the intentions of our own Constitution. — Mark Hosler

Long day, many ideas are danced around. It’s good to see former students so active with things, thoughts, and spirits.

posted
  • place: Düsternbrooke, Kiel, Germany
  • author: Sarah Chung

Sarah Chung

former student Sarah lets me reprint this article she wrote recently about her creative practice:

Sarah H. Chung :: https://www.myspace.com/sarahhdot

I am an experimental multimedia artist, a student, and a teacher based in Denver, Colorado, USA. My latest artistic pursuits are a combination of various mediums including still image, video, sound, sculpture, light, and performance. Most recently I have been collaborating with another female artist, Heidi Higginbottom, to choreograph audio/visual performances using found objects, homemade instruments, contact microphones, and film loops. We make homemade contact microphones out of easily attainable and affordable materials and use them to amplify the sound of the movement of objects. We have used objects ranging from dishware, tile, typewriters, music boxes, sewing machines, thumb pianos, toys, water, or any curious object we can get our hands on. Our intentions are not to make melodic pieces of “music,” but to isolate and arrange pure commonplace sounds that would normally be easily lost in the proceedings of everyday life. While these objects may be ordinary, they refer to a vast web of associations and marked memories. By arranging them, we create a new resonance in the relationships the objects and symbols have with one another. These relationships are meant to be memory cues that can be triggered by sensory experience. We are in the process of experimenting with different technologies and digital software to incorporating projections, audio delay, editing and looping.

As a studio art major I was largely focused on traditional forms of art such as painting, drawing, and photography. It was about six years ago that I began to pay more attention to the intricate and beguiling aspects of the digital art culture. I was introduced to it from digital art courses being taught by visiting professor, John Hopkins, who is a working artist and has taught and traveled internationally. Projects included collecting and arranging self-generated media and media filtered from outside sources. These included field recordings, videos, still images, and lines of text. I had not dealt with this kind of medium prior to this, so I approached it the same as I would painting and 35mm photography. While the navigation of new software in a limited time span was challenging, the results of the projects left me very intrigued and curious about digital culture. I believe that the success of these projects were due to the non-linear process of collecting media without a finished product as motivation. Filtering media (books, internet, video, music, sound clips, etc.) provides an intuitive process for choosing content. It becomes a dialogue that interacts with an individuals sensibilities and social views. Whether I am drawn to content or pure aesthetic, some aspect of the media strikes me, and I collect it.

With human interaction, technology can be used as a tool to express emotion and the individualized perspectives of human experience. Technology brings with it an efficiency that adds new time-lines within our culture. Ubiquitous media screens flash loaded images and sounds that are intended to influence feelings and opinions about products, services, and perspectives in government. These messages compete with each other and have conditioned us to receive information at an exponentially increasing rate. In a society saturated with advertising, I feel a responsibility to express and tap into more emotive, internalized feelings and memories, and to offer a situation for slowing down. This desire is what caused me to seek out the tools and skills that could connect me with the vast and accessible network I was experiencing.

I believe it is of utmost importance for individuals to be informed about technologies so that they may exercise basic democratic principles. I had been intimidated by technology before, but I felt that placing myself outside of the existence of it is like surrendering my own rights. Technology is propelled by human curiosity, but is often used as a system of control. History is constantly redefined based on documentation. Dominant historical theories are based on those with the power to document and expose others to their material. It is crucial to actively participate in the documentation process of our own history in process.

Links: (check them out!!)
https://www.neoscenes.net
https://home.earthlink.net/~erinys/contactmic.html
https://www.pierrebastien.com/
https://members.chello.nl/j.seegers1/
https://www.mutek.org/
https://www.haamu.com/launau
https://www.colleenplays.org/
https://www.skoltzkolgen.com/

posted
  • place: Prescott, Arizona

The GenerativeCollager

As a test-review for furtherfield neoscenes reviews a random online project by Sandra Crisp:

Hmmmm. Recalling a review I did some years back for kunstnet in Oslo, it seemed interesting to pretend for a moment I was a novice user who had just received a URL of interest from a good friend who’s critical opinion I trusted.

A novice user perhaps wouldn’t be using FireFox on a Mac, that’s clear. More likely Safari. When I attempt to go to the project from the introduction page, as the Java applet loads, waiting, waiting, until finally I get an error window with the following text:

WORKING VARIABLES NEEDED FUNCTIONS ***************************************************
// SET UP ALL THE VARIABLES FOR THE IMAGE BLISTERING void setup() { // CREATE THE TIMERS AND IMAGE COLLAGERS size(WIDTH,HEIGHT); t = new Texter(width,height); timer = new Timer(500); collager = new Collager(); collageCount = new Counter(3); // <- CHANGE IMAGES PER TIMER COUNT //load a sound and loop it soundA = loadSound(“SURSHLOOP.Wav”); //this loads the sound soundA.Loop(); …Snip… Timer.SetTarget(floor(random(500,1500))); // <- CHANGE IMAGE DROP TIME } // TELL THE COLLAGER TO PUT A RANDOM PICTURE ON THE SCREEN collager.Paint(); // MAKE IT ALL NICE AND SMOOTH smooth(); } loadPixels(); performDblBuff(dblBuff, pixels); updatePixels(); t.Paint(); //updatePixels(); } / ******************************************************

Somehow I want to add the e.E.Cummings text:

this is the way the world ends,
this is the way the world ends,
this is the way the world ends,
not with a bang, but with a whimper. more “The GenerativeCollager”

posted
  • place: en route Copenhagen, Denmark - Stockholm, Sweden - Turku, Finland

snow

There is snow. Hard pellets strike the flank of the X2000 train racing on slick steel ribbons across the land. NORTH NORTH NORTH. No chances now of spring in the near future. Almost horizontal, this wet frozen water. Snow on the ground. No chance. At all. And yet another 30 hours further north to go. This last stretch to Lapland will be bus, hydrofoil, train, bus, boat, train, train, bus. Past an unfrozen lake. Is this reason to Hope? Can it be read as a reviving, slipping from the dead to the green of living? Having been there before, alive, once, recently, and now moving negatively into backward time. Where trees are shorter. Flat Light, no snow now, land looking dried out and dusty, air Light blue, nascent pale. Birch trees cluster and cross trunks at low angles. Moving very fast at this second, and hours later, bus, and now the boat, I discover that one of the bars has Guinness. Good. I sit for one, joined at the table by the window by an elderly Finnish man who has two pins on his lapel, one with a silhouette of Kekkonen, the former Finnish president, and the other appearing to be an oak leaf cluster. I stare out of the window and REFLECT. It hits me, that the form of our imaginations at the moment we reflect are parallel to the universe of meaning and intention around us. As I am absorbed, watching out the window, watching the world, mediated by glass, my thoughts are fluid and in motion just as the scene playing by the window, rocky islands, wooden houses — we never have an open window, do we? Always our sensuality is mediated. Can we move through this condition in this presence? Or is it against the Spirit of the presence? Should I (in dreams) explore my presence? Does the mediation actually give us a small possibility, a small distance on the world that we can step back and SEE what we are (in Spirit) and … A call comes on the loudspeaker in the room in five languages if there is a Doctor on board, please contact the bursar’s desk as soon as possible…

posted
  • place: Prescott, Arizona

to be grokked

Well. I did make a foray into the high desert wilderness near Sycamore Canyon a couple days ago. Not far, however. Too much virtuality has left me stunned. Too much driving especially, that oh-so-virtual reality where, like with digital media, we are insulated by the silicon dioxide / amorphous silica, that of windows rather than IC chips … I figured once, some years ago, that I have spent about 500 24-hour days in a car, traveling about 50 mph, since I arrived in this in-car-nation, so to speak (ohhh, now there’s a pun for you…). But as it is ingrained in my existence, I must say that I do enjoy cruising across/through the western landscape in a vehicle. The unrolling vistas, the feelings of Power, more “to be grokked”