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flash-flooding
On the afternoon of 27 August 2024, the area including Upper Sand Canyon, a relatively small drainage in Dinosaur National Monument, experienced a major precipitation event. The fifteen mile Echo Park access road, in part, runs the full length—about three miles—down that canyon, much of it in the fluvial hazard zone. Long stretches of the road were completely washed out, and it was only the heroic efforts of the guy re-grading it that re-opened access to Echo Park some days later. I recently made it back up to Dinosaur for a short sojourn after an interminable and blurry five-year absence.
Earlier bush-walks along the dry washes in the area, the curious effects of flash-flooding as well as other, slower, changes are noted. I’ve come across dried-mud-caked trees in Upper Pool Creek Canyon more than 20 feet higher than the dry creek bed, yikes! And in some areas of Hells Canyon, boulders the size of small cars are seen piled up and ground together in violent proximity.
With the 27 August incident in mind I did a long bush-walk along the east-west axis of the Ruple Point-Red Rock Anticline that forms the Weber Sandstone hogbacks running perpendicular to Upper Sand Canyon.

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review of whirlwind
Where to start? Since departing east to Golden, checking in with Julia, Torin, Sonya, Anneke, and Mark; then to DIA, to KEF, to Reykjavík, to Himri, around about a record number of places in a very short time in the Icelandic countryside with Simon, Bill, Zander, and crew; back to Reykjavík, and, thanks to Jón Teitur and Irma, some very interesting and fun dips into their busy lives; then back to Denver and Golden briefly; and, finally, back home to drought-stressed, desiccated, brown Cedaredge; back to the ten thousand undone tasks that need doing before bailing on this place and expatriating. Not even three weeks elapsed, a coffee-fueled jetlag blur of soaking and swimming, hugging and talking, eating and hiking, listening and looking, catching-up and chilling out in terminal brightness. Dialogues with strangers, old friends, new connections, in Icelandic, in English, in music, in images, in texts, in food, and in heart and soul. Photos and audio clips forthcoming. In the mean time:

portrait, Bill
group portrait, Crag Crest
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portrait, Pablo
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early fall sleet on my hat
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fragments
Walking. There is no trail. I follow the accumulated energies of the world, not merely my nose. There is a path that is to be taken, as sure as the gravitational fall line that carries a skier to the greatest velocity and thrill in the downhill race: there is a pathway in the bush that presents itself as the way to go. I am impelled: the bushwalker, on the asymptotic pathway among infinite permutations.
I am on a planet, I am in a country: how absurd is that. I am in a state, I am in a county: how absurd is that? I am in a national forest, I am on Forest Road number 12: how absurd is that? I am in the forest, somewhere, off the Forest Road, an un-named place, I am stepping, full of care. There is no trail. I follow not my nose, but the aura of an energized gradient, a fall line of the self, as a being. How absurd is that? I am falling along that line, down, down, down, away within the roaring beauty of presence.
Stars careen through life’s nighttime, momentary solace to the parched days of no rain. Nights of virga, souls falling, falling, falling, yet never reaching the Earth: convective transcendence instead filling Heaven with we, the fallen.
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a voice in the dark
Starting out from the house for a hike up the mountain a bit late, dayLight fading, but body needs cardio. Up the social trail, steep, and, yes, plenty of hurried heartbeats. Find a new cliff to balance on for a time, simple yogic methodology of grounding the self on rock, on the Earth.
I observe another hiker coming down the trail. I am squatting, still, silent, malasana, on granite thirty feet away in the twiLight, dressed mostly in black, he does not notice me.
On the way back down, it’s getting darker fast, by the time I get back to the trailhead walking requires singular concentration on vision.
I see that there is a car parked at the dead end on the open-space boundary. I can barely sense that the trunk is open, a cooler propped up next to the car, and a person sitting on the tailgate. I pass by, some distance away.
“hey”
“Hey!”
“Hey!!”
“Do you live here?”
At first I thought he was talking to a pet or so. I stop and turn, “Yes.” He is walking quickly towards me. Mind makes calculations: how close will I allow him to get? He stops maybe ten feet away. Face indistinct, he seems old (so am I).
“I don’t own a phone, or a computer, and I’m not on FaceBook, that tells you something about me.”
“That’s okay, actually that’s great” I reply as he abruptly turns and walks back into the murk. I turn and continue walking home, passing two dog-walkers. To one I say nothing, to the other I say “Good evening,” and receive an inaudible reply.
field work
Reinecker Ridge, east of Fairplay, is a prominent north-south trending ridge rising almost 300 m to 3200 m altitude above relatively flat South Park, Colorado. The bulk of the ridge is comprised of South Park Formation, lower volcaniclastic stratigraphic member (lower Paleocene). It is a poorly sorted and poorly lithified, polymictic, coarse-grained conglomerate yielding isotopic ages ~64-67 Ma. The ridge forms the eastern border of the Buffalo Peaks Ranch, the site of the Rocky Mountain Land Library.
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sacrifice
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pleasant to be free …
what’s new?
Weekends, weeks, months, even years speed by, entombing life in a retrospective silicon vitrine: a dim reflection of what it could be, or, even more passive, what it could have been. Life actually holds no interest for me except as it is. Five days on the road, three of those on foot in the bush, walking dry washes, wet canyons, fracture zones, sage forests, and several fault lines. Ancient barbed wire: almost garroted at one point. That would have been messy and, off trail, not discovered until late in the season, a scatter of catamount-stripped, bleached and cracked bones. Plenty of those stumbled on over the years. The only other impingement on body was a gashed shin whilst climbing high up on the flank of the Mitten Park fault scarp, will carry that scar for many moons, trace of a single misstep.
Some random conversations ensue in the campground, but mostly solitary bush-walking, ravens are curious when I initiate a dialogue, they circle closer (with sun at their backs in a clever move to keep me blinded, watching). The dry washes become the site of photographic essay, so empty and barren is the imagination. The in-sight of things draws mind to travel that thin line between madness and be-ing. It is impossible to re-present those things because they aren’t things at all. They are merely manifestations. They are fields of action, activated flow. No wonder that the representations are so pale and thin. Sagebrush, flower, rampart, water-washed stone, lizard, and, finally, days later, skin, activated and living skin.
.50 calibre sacrifice
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Light on water
portrait, Holly
.50 calibre sacrifice
portrait, Emily and Jason
life in the burn
group portrait, the Qual Squad
group portrait, Acoustic Ecology workshop crew (minus Tom)
portrait, Chris, Scharmin, and Bella (aka the Boopster)
Agave americana
changing the course of nature
self-portrait at the alligator juniper
The third trip in the last year to the largest alligator juniper (Juniperus deppeana) tree in existence (twenty-six feet in diameter — see Ginny for scale!). It is now a strange and haunting memorial to the nineteen Granite Mountain hotshots who perished in the Yarnell Hill fire — just a few days after cutting a firebreak line that specifically saved this unique tree from the Doce fire.
Went on into the Cedar Spring wash area — it was flowing with copious amounts of snowmelt.