Bern Porter’s Sciart Manifesto

Finite worlds of infinite reality and beauty revealed by the tools and discoveries of Science are ripe for aesthetic development.

1. Of light, besides the commonly employed natural and artificial, there is the polarized, the radiating chemical, mineral, and radioactive types along with x-ray, cosmic, and nuclear-particle beams with all related electro-optical phenomena.

2. Of other vibrations, there are the natural, the mechanical oscillatory, resonant, and supersonic sound, the entire frequency range of electrical and thermal waves.
more “Bern Porter’s Sciart Manifesto”

good karma, bad karma: dee-oh-enn-eee! d’oh!

DHL log Melbourne - Boulder, March-April 2013

I was sent a DHL tracking number on March 25, whereupon the package sat for days before finally leaving Melbourne on the 04 April. 05 April, it ends up in Cincinnati where it sits for more than two weeks before I finally start blasting emails out to the La Trobe Graduate School for yet another communications failure on their part.

Every piece of mission-critical communications from them had a major glitch associated with it (admissions letter preceded by word that I was NOT accepted; scholarship letter accompanied by email that I had not been given a scholarship; dissertation revision notification never sent to me, only my supervisor; final acceptance of dissertation notification not mailed until 6 weeks after the fact, making matriculation impossible last November, and then this DHL fiasco).

I called DHL and so did the Graduate School, and finally, last Saturday, the package was ‘found’ in the ‘unclaimed’ box, whatever that means. Delivered this morning in the middle of yet another spring blizzard.

This delivery is, of course, my diploma, at long last. 1369 days after I started at UTS in Sydney, and 387 days after submitting the dissertation itself. 982 days in the actual research process, and 132 days of hard-core writing.

Unofficial Release

The culture of self-released music and sound art is one of the most vital, yet most overlooked, phenomena resulting from the 20th century revolution in communications technology. In this volume, Thomas Bailey surveys a fascinating realm of creative activity and identifies the key individuals and developments responsible for its continued relevance in the present age. From the networked “mail art” of the 1970s, to the home-taping boom, to the establishment of music labels dealing solely in digital sound files, this culture provides valuable insight into the evolution of the “official” art market and the artists who bypass it. Along the way, we are introduced to a world where networks are artworks in themselves, where blank tapes and recordable CDs are fashioned into elaborate art objects, and where relative freedom from creative supervision leads to both colorful innovations and violent aesthetic extremes.

‘Unofficial Release’ features material on mail art, cassette culture, industrial music, handmade packaging, releasing addiction, anti-promotion, net-labels, digital file sharing, circumventing censorship, extremist metal, sound poetry, imaginary music, ‘outsider’ art, tape nostalgia…and much more!

Exclusive long-form interviews are also included with artists such as Frans de Waard, Vittore Baroni, Rod Summers, GX Jupitter-Larsen and others, along with new insights from theorists and artists as varied as ‘Gen’ Ken Montgomery, The Tapeworm, Alexei Monroe (author of Interrogation Machine and more), Oren Ambarchi, and David Tibet. Also includes front and back cover photography courtesy of Scott Konzelmann / Chop Shop.

Unofficial Release is the first title available on the newly revived Belsona Books Ltd. imprint, TBWB’s home for personal projects that, while of a high written standard, can’t wait to be approved by peer review or accepted by established publishers.

blackbird sings

Nan’s funeral in Charlottenburg. I see a number of people that I have not seen in some time. Kathy Rae is there from Manchester, and Sandro, one of the students who came to Iceland all those years ago.

The funeral is moving, standing room only. In the room with the casket, a video tape interview with Nan running silently, along with a projection of one of her Light-water videos. Flowers, candles. Friends in black. Stories from a few folks.

After the service, Sandro mentions that he has a photograph from the Iceland trip, which he then pulls from an envelope. I am moved when I see that it is one of my postcards that I sent him after the trip. I think I sent each of the students that I had addresses for a copy, if I remember right. I immediately notice that it is on resin-coated paper, ach, but that was a time when I could use nothing else as I had only the college lab which could hardly be called a lab even. I worked with what I had. He said he would send me a high-rez scan of it. It underlines that old idea I had to gather up all the postcards that I have ever sent and put on an exhibition. What fun that would be. Especially if each of the people would attend the show.

It is very nice to let memories of Nan float up, especially her work which is essentially about Light. And her presence as a mentor, teacher, friend, her art. generosity. And the community she supported.

And memories of her Armani suit and her fondness for good cognac.

Avalon from Roxy Music plays in one interlude. and I make this small tribute — blackbird sings

(00:10:13, stereo audio, 19.6 mb)

ruud janssen

old mail-art node Ruud Janssen has recently published a series of five books featuring interviews with well-known artists in the field of Fluxus and Mail-Art.

The interviews were conducted by Ruud and were part of an independent project where he integrated many different communication forms/channels as part of the process of the interviews: personal visits, letters, faxes, telephone calls, and e-mails. The results are now available in these self-published books. See https://stores.lulu.com/iuoma for details and ordering information.

Ruud’s webspace : https://www.iuoma.org
Ruud’s blog : https://iuoma.blogspot.com
Mail-Art Projects blog : https://mailartprojects.blogspot.com

around town

meet Josephine and Florian at Boekie Woekie for a sort-of opening for an Icelandic artists, or so the announcement said. then to the Kunstvlaai the alternative to for the afternoon of openings and then dinner at Josephine’s place. great to meet them both. Florian and I have many friends in common as he’s an old mail-art networker.

in the last few weeks, I have on a number of occasions been labeled a theorist in the course of reductive and brief introductions. hmmmm. makes me think back to an opening in Aachen when Hans Werner was introducing me for a gallery talk and he used the German word Pazifist for reasons I didn’t at the time quite understand, so I stopped him and said I was an activist, people smiled. but to fall under the label theorist seems way off, but probably comes directly from the lack of production of objects. so, it requires a long conversation about the traditional nature of art. and about the materialist framework for judging value.

habitudes

On the road. It’s been nine months exactly since arriving in Prescott. And aside from the short tour with Christian, been stuck there the whole time. I have to go back a couple decades, maybe more since the last time I was in locare habilus for such duration without boarding a plane. Imbibing of this life in the middle class. Planes instead of buses or trains. Flying cattle. This time of rehabilitation has worn me down at the same time as charging me up. Time to look at projects done over the last decade, documentation, rooting trough the mail-art archive. That busyness of postal creativity and networking. Thinking it woulda’ (coulda’, shoulda’) been nice to have made good documentation of the many events and projects that went down in that process: too late. Gone. Digital archive will not survive the EMP of nuclear war, but that seems so foreign a concept, that the world will witness an instant catastrophe. More like a gradual poisoning of the environment.

Was reflecting on the dis-connectedness of this blog (ugh!) from the blogosphere. How the blogosphere is extremely self-referent and only occasionally populated by strong individual voices.

Ahhh, making a cross-connection between nodes in my personal network. Very satisfying, when there are inspiring results. Or simply good energy flowing. What more could a networker ask for? But to initiate pathways where the chances of flow are much higher than random. yes-sir-ee.

tape beatles

about to have a meeting with Lloyd Dunn, a networker from the US who a few years back fled the regime and settled in Prague. we’ve never met f2f before, but have had contact through the MailArt network since sometime in the late 1980’s. he one of the Tape Beatles and the editor of the classic ‘zine PhotoStatic. very interesting to be able to compare notes on our similar creative backgrounds, pathways, and situations.

but first head to the perpetually crowded Tesco, chaotic but almost silent, long check-out lines. a rough-looking fellow in one line hands me an empty shopping basket. I’m surprised at this, though it is a necessary process for anyone coming into the store — more shoppers than baskets. and a stop in at Galerie Václava Špály on a powerful exhibition put on by the Právo na krajinu (Right to Landscape) movement in cooperation with the Ochrana Fauny Ceské Republiky (Czech Wildlife Protection Association). one floor was devoted to individual works in shopping carts, some of them containing sharp and sometimes harsh critiques of consumerism. I wasn’t supposed to make any photos, but got one. on the lower floor, there was a powerful installation by Miroslav Páral of a series of full-size sinks made out of enlarged dental castings of a lower jaw done in what appeared to be lead. inscribed in the lead were texts about consuming. the lower walls covered with roughly black-painted canvas. unfortunately a gallery guard followed me down, so I couldn’t make a photo of that. maybe they thought I was going to steal a sink.

Lloyd comes by FAMU at 1400 and we head out for a walking tour of the old town. plenty of tourists. recalling the distressing afternoon with Sanna here, and the warm evenings. those while-back years ago. dark and rainy. warm in the hotel room. interior heating is an extravagance. anyway, tea and a dinner with Lloyd.

Mambo Mail

looking deeply into the past, the query from Mambo Mail, Eskifjördur, Iceland surfaces with a vengeance. and with no apparent meaning.

What is Mail-Art?
Where is it from?
What is it for?
Where is it going?

The response:

Who is Mail Art?
Why is she from?
When is she for?
How is she going?

My Dearest Mambo:

Okay, great, a text book, for historians to study all about this elusive character, Mail Art and her characteristical characteristics.

How do I love thee, Mail Art, let me count the ways:

Always a challenge to get a long with / without.

I have a special room reserved for the neoscenes Mail Art archive, now I have to sleep in the closet.

Email is fast subverting my postal inclinations. it is cheaper, and that cheapness shows up in quality.

Post is my second largest expense behind rent (especially since the national Postur og Simi raised postal rates, some up to 250% in November 1992.

Postal Authorities the world over resist all forms of hierarchical organization and are an essential form of negative inertia to keep the world free from efficient government.

The US Postal Service is the largest employer in the world behind the US Military (and, I suppose, the Army of the PRC). Over 1,000,000 employees.

Mail Art is going away.

Mail Art will never go away because it is probably the most democratic form of global communication.

Hardcopy letters that are handwritten will become great rarities.

Love by Mail will cause world population to increase precipitously until The Apokalypse comes in the form of a massive

Publishers ClearingHouse mailing to everyone on the planet declaring each and every human a winner.

— neoscenes, reykjavík, iceland, january 1992

postcards

I am an active node in the Mail Art Network—since around 1984—and also a nomadic network node via the Internet since 1992. The world-wide post- or mail-art network is a rich forum for expression that, despite it’s institutionalization in recent years (and now, what with the Death of the so-called Father of MailArt, Ray Johnson, this trend will probably accelerate), it remains a vital, anarchic, and complex entity. I stumbled onto this ethereal network of beings by accident, but basically as a direct outgrowth of my love of sending and receiving post (a tendency rooted in the dislocations of familial life).

I can still recall the enjoyment I got from sending out requests for information to almost every address listed in the original Whole Earth Catalog! This postal-fascination started with my father’s, and subsequently my own interest in stamp collecting. Seen, the microscopic evidences of an exotic culture showed up magically each day. The local postmaster, Mr. King, lived in a big house in the middle of huge fields of daffodils—the remains of a nursery that also provided our lawn with these spurts of white and yellow flowers as the earliest manifestation of springtime. Trips to the post office, next to the small General Store, had the character of entering a known space that contained a portal to all other spaces, exotic and otherwise. A space-time enfolding that revealed the nature of the universe to a child. more “postcards”

get-carded and War-No! online

stress/migraine, get-carded online, December 2002, [online and Boulder, Colorado]

Trebor initiates an online anti-war project that I contribute three cards for [ed: the project link is long-dead; the project did not out-last the war]:

Dear Manifestors,

I work collaboratively and individually across, often merging disciplines and teach critical net cultures at the Department of Media Study at the State University New York at Buffalo.

I am part of get-carded.net, an activist e.card site. So far 70 students, artists, educators, and activists contributed to its first initiative opposing the war in Iraq — “War No!” On the site you can add your own cards as well as send those by others. The goal of the site is in particular to involve high school students in expressing their politics.

“Get Carded” is an art activist e.card site that allows open submission. The site launches with anti-war cards by 80 artists. https://get-carded.net

Trebor Scholz

printing

Days flicker past again. I am caught up, first in simply enjoying time with friends, and now, back to printing. For the first serious time in almost three years. I will spend the next week printing up some new works, developing film from the past six months, and contact printing two years worth of negatives. Of course, in a week, I can hardly make a dent in the quantity of prints I would like to make … Last night I developed twelve rolls of film, today I made about 100 proof prints, postcard-sized of that material, so that at least my postcard stock in replenished. Tomorrow I will do contact printing, and then later I will make prints for a number of people.

burp!

My entries here have become fragmented, aimless, and discontinuous. I am self-conscious about this development. Not really thinking most of the time that anyone is really reading this long, boring text. But occasionally I wonder about the whole concept, why am I doing this? The writing here, for those who know me through correspondance (that word spelled that way always now, in memory of Ray Johnson) know that this writing is stilted, formalized, and rather lifeless compared with live interaction. I never did develop a healthy style, more just have written under a conglomeration of influences from Henry Miller to J-M. G. LeClezio among others, and all that previous knowledge completely corrupted by living in a second language situation for the past seven years now … A day of blustery rain showers in between pulses of brilliant sunshine. The storms roll off the mountains where there are clusters of ragged clouds (Loki calls them cloud hats). They sail quickly across the fjord, leaving gray curtains that slowly break into triple rainbows. The storms here are silent save for the wind and rain. There is no lightning or thunder — both these phenomena are extremely rare in Iceland, although Thor was well known for the loud blows of his magic hammer, Mjolnir. In the six years I lived here, I heard two crashes of thunder and saw possibly one strike of lightning. Today, time is seen linear and spatial in the voluminous skies — every moment there are different displays of Light inter-playing with the greening and white mountains, the cool blue Arctic sky, and the shading masses of condensate that spin tones of Light in all variations. We swim under this play. Enjoying the changes. It probably doesn’t get over 55F. Nothing new. But, despite temperatures which never satisfy the needs of my warm blood, I like being under water in a swimming pool when the sun shines. I teach Loki how to catch this underwater Light in his hands. appended on an email from Joy…

… For I have known them all already, known them all; Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. — excerpt, T.S. Eliot

There is a German cruise liner in the fjord off the pier that has loosed a number of its lifeboats to putter around, apparently letting the passengers fish. The harbor will be host to something like 38 cruise liners during the summer tourist season this year, more than ever before. The tourist board promotes the country more and more each year — I think around 300,000 tourists come now in the three summer months. The absolute number isn’t great, but given the size of the country and the fragility of the environment, well, it seems the main tourist spectacles are becoming run down, worn out.

My mother is just out of the hospital and calls from Arizona. In a rare two-way phone conversation, Loki actually talks to her. Usually he is too shy. She is feeling quite good.

Pósturinn

18.11.92
Reykjavík

To Whom it May Concern:

Regarding the recent postal rate increase, the following points should be considered as illustrations of the completely unreasonable position taken by the Postal Authorities:

The main changes that have lead to increases of up to 250% in some categories are the following:

The elimination of the category “Prent” which allowed the economic posting of printed material including, most importantly, books.

The elimination of the category “Smápakkar” which was the most economic rate for sending small gifts up to 2000 gm.

The elimination of the distinction between postal rates to Scandinavia and rates to greater Europe.

Where previously surface “bref” post went by air to all of Scandinavia and Europe, now there will be sea rates.

The rates that have increased most, then, relate to the combined impact of the first two changes with the third change. That is, for example:

Sending a 1000gm book to Norway by air previously cost ISK 325, the cost now is ISK 585, an increase of 80%!

Sending a 2000gm “smápakkar” to Finland by sea previously cost ISK 310, the cost now is ISK 570, an increase of 83%!

Other rates have increased accordingly, for example:

Sending a 2000gm “smápakkar” to the USA by sea previously cost ISK 310, the cost now is ISK 1100, an increase of 254%, the same for a 2000gm book would give the same effective rate increase of 254%!

Moreover:

“Innanlands” rates have increased up to 42%. (50gm +14%, 100gm +42%, 250gm +38%, 500gm +16%, 1000gm +5%, 2000gm +6%)

“Póstkort” air rates are up by 63% to the USA and and 16% to Europe.

By instituting the rate increase before Christmas without giving good warning, the immediate burden will fall upon citizens sending gifts to family and friends overseas. After that, the cost burden will begin to become clear for businesses and other organizations. This rate increase will have the effect of increasing inflationary costs throughout the economy with the primary burden on the ordinary citizen and those who are exporting books, the primary form of Icelandic culture, and other materials to fellow Scandinavians. The effect will be negative on the exchange of culture.

I believe my calculations are correct, but I suggest that you make your own calculations regarding the effect on your budget. I urge you to look closely into this problem and take effective action on behalf of the members of your organization.

Thank you,

John Hopkins
Professor, MHÍ.

word-dialogue-Light-revolution-action

A limited 55-exemplar edition 300-page photocopy book+cassette — word-dialogue-Light-revolution-action — was produced from visual and sonic work sent in from around 80 artists and others from 30 countries in response to this invitation (pdf). The introductory essay below describes the intent. The Museum of Modern Art in NYC just happens to groove on this kind of stuff in their Library collection, so they just acquired a copy for that very musty purpose of Archiving-the-Objects that are spawned from life/art. An earlier form of the essay grew out of a performance I did way back in 1989 entitled Antithesis/Dialogue. Included with the book is a 90-minute audio cassette of sonic material.

front cover, Xerox Book II, Reykjavík, Iceland, April 1991

One might have put the words in a circle. That is, they form a cycle of active life: the active evolutionary life of the individual as a member of the human collective. As this is the title appearing on the invitations for this project, the assumption is that the works contained arise from the vital operation of this cycle. This book and cassette is about all five of these words — as they relate to carnate be-ing and do-ing and to spiritual development. Your reading of these Words constitutes a definite Action stimulated by Light, leading, perhaps, first to Dialogue, then on to Revolution!

Cassette Side A

(00:46:16, stereo audio, 110.1 mb)

Cassette Side Z

(00:45:52, stereo audio, 111.1 mb)
more “word-dialogue-Light-revolution-action”