BLANDISM: A manifesto / a womanifesto

Now that all sections of humanity have discovered the enabling power of political correctness we, the artists, have made a conscious decision to join in this admirable trend.

By a process of elimination of all and any other alternatives we, the undersigned, have concluded that political correctness is, above all, wisdom. We are therefore forever determined to eradicate all references within the creation of our work to Sex, Religion, Political commentary, risqué humour[1] and satire and any other currently considered; or yet to be considered, inappropriate subjects.
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Toward a Definition of Radio Art

It’s a challenge when sizeable chunks of one’s creative praxis occur well outside any traditional arts canon, so when elegant and incisive commentary comes along that helps to explain said praxis, I am grateful. Old friends Robert Adrian X (RIP) and Heidi Grundmann, founders of kunstradio at ORF generated this thoughtful manifesto on Radio Art some years back, definitely worth repeating:

Radio art is the use of radio as a medium for art

Radio happens in the place it is heard and not in the production studio.

Sound quality is secondary to conceptual originality.

Radio is almost always heard combined with other sounds – domestic, traffic, tv, phone calls, playing children, etc.

Radio art is not sound art – nor is it music. Radio art is radio.

Sound art and music are not radio art just because they are broadcast on the radio.

Radio space is all the places where radio is heard.

Radio art is composed of sound objects experienced in radio space.

The radio of every listener determines the sound quality of a radio work.

Each listener hears their own final version of a work for radio combined with the ambient sound of their own space.

The radio artist knows that there is no way to control the experience of a radio work.

Radio art is not a combination of radio and art. Radio art is radio by artists.