any moment

0
ANY MOMENT PREVIOUS TO
THE PRESENT MOMENT

1
THE PRESENT MOMENT AND
ONLY THE PRESENT MOMENT

2
ALL APARENTLY INDIVIDUAL
OBJECTS DIRECTLY EXPERIENCED
BY YOU AT 1

3
ALL OF YOUR RECOLLECTION AT 1
OF APPARENTLY INDIVIDUAL OBJECTS
DIRECTLY EXPERIENCED BY YOU AT
0 AND KNOWN TO BE IDENTICAL
WITH 2

4
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF 3
AND 2

5
ALL OF YOUR EXTRAPOLATION FROM
2 AND 3 CONCERNING THE DISPOSITION
OF 2 AT 0

6
ALL ASPECTS OF THE DISPOSITION
OF YOUR WON BODY AT 1 WHICH
YOU CONSIDER IN WHOLE OR IN
PART STRUCTURALLY ANALOGOUS
WITH THE DISPOSITION OF 2

7
ALL OF YOUR INTENTIONAL BODILY
ACTS PERFORMED UPON ANY MEMBER
OF 2

8
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON YOUR BODILY CONTACT WITH
ANY MEMBER OF 2

9
ALL EMOTIONS DIRECTLY EXPERIENCED
BY YOU AT 1

10
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON ANY MEMBER OF 9

11
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF
10 AND 9

12
ALL OF YOUR RECOLLECTION AT 1
OTHER THAN 3

13
ALL ASPECTS OF 12 UPON WHICH
YOU CONSIDER ANY MEMBER OF 9
TO BE CONTINGENT

augury: I can’t remember

Damn if it didn’t start with

yarrow—stalks harvested under the towering Sangre de Christo mountains, cut for use casting the I Ching;

then it proceeded to

culvert—piping rainwater under the road upstream from the Prescott house, it’s clogged with debris and when a flood comes it washes down the road and through my yard. It’s definitely not a conduit although it does guide flows; then there are

tamales—they snuck in there somewhere between the known, tortillas, and the next mental blank:

box elder—the trees that shade campsite #12 in Echo Park, Dinosaur National Monument, and that host those weird black-and-red (western) boxelder bugs.

Let’s try this again, commit to Latinized memory:

Achillea millefolium

tandem tabernus

Ferculum Mesoamericanum ex masa, farinam ex segete nixtamalizato, quod vaporetur in folliculo grani vel fixa folium.

Acer negundo quod exercituum Boisea rubrolineata

recalling, naming what routinely … cannot be brought to mind.

BLANDISM: A manifesto / a womanifesto

Now that all sections of humanity have discovered the enabling power of political correctness we, the artists, have made a conscious decision to join in this admirable trend.

By a process of elimination of all and any other alternatives we, the undersigned, have concluded that political correctness is, above all, wisdom. We are therefore forever determined to eradicate all references within the creation of our work to Sex, Religion, Political commentary, risqué humour[1] and satire and any other currently considered; or yet to be considered, inappropriate subjects.
more “BLANDISM: A manifesto / a womanifesto”

Treasure

I grew up in the nineteen forties in a village at the edge of the New Forest in England, on the other side of the road from the bungalow in which I was born there were two massive oak trees, beneath and beside the oak tree on the left was a holly bush, we would cut berried twigs from the bush to decorate our home at Christmas.  When I was five or six I crawled into the space under the holly bush and there I found a small round tin that rattled when I shook it.

“Treasure!” I thought. The tin was rusted shut, it had obviously been lying there for quite a while. I did, after some considerable effort with a screwdriver, get the tin open and inside was … a set of false teeth!

Re: sacriledge or ?

j ,,,,,,

there appear marvellous “pipes”
“robes”
“tobacco bags”
“drums”

victory for the wasichu

the coin the carceral masque

the sacred pipe the seven rites of the oglala sioux

what a tremendous loss
yet
the hearth of earth remembers the way of the pipe

the pipe
neither object nor subject
did not cooperate
with the cavalry of words

black elk
black kettle
sitting bull
stand as presences for me

the constitution
impresses me as alien
ignorant

without provision
thanking the plants the animals the insects the stars
sun and moon
earth
water
fire
air

i went to the pine ridge reservation once
i went to wounded knee

it was not a message
not scene
not for words

wind
blood
light shadow
wind

“the wind”
“the breath”
are mysterious ( unknown ) profound

language and the will
are dependent on “the breath”
“the pipe”

the conquerors build temples
polity
coin counters

the paraclete of the gospels
holy ghost
does not live indoors

today
plumage
a spring snow
illuminated
the fine discourse
of the smallest branches

a

^^^^

across the great divide

We are constructed by those who came before: just witness our behavior, how it links back and back into the bright and dark ages of the world. We carry the patterns of life that have already come and gone, but at the same time, they persist and persist in unchanging variation. This is how it is, this is how it goes. This is what proceeds:

Body is vibrating, deeply resonant. Trembling with the anticipation of what is not known in the next second, what might befall, what has already fallen into the arms of others. A shrug of the shoulders, again, and what is left is the sternum forward, the heart wide open, wide open to the airs and to the fluctuations of presence. The heart feels, directly, the proximal Other.

Then, it’s late, it’s arm-in-arm. Left, crooked to catch hers, left hand stuck in right sleeve so that it doesn’t feel tense, holding it up in the air. Then finally, later, holding her warm hand in a slightly cooler one: thermal gradient—does this mean that I am sapping her energy? In a closed system, yes it would. In an open system, lucid nights, in the city spring-Lighted night, thousands are testing their compatibility ranking for re-creation of permuted life. Life energy is being traded through many passions, along many pathways. We are only two of many, on pathways that cross in one way or another. Is this it? Or is there some other awareness emblazoned secretly within our energized selves for us to be more than what we appear to be, more than what we feel? Walking the perimeter of Töölönlahti in the white twiLight, there is no water, there is no sky, there is only The Void and the blackbird singing. Life goes on.

prosodic paralysis

lenticular eyelids hover over the Flatirons, nuclear red-orange.

I say “nice view” to the Salvation Army bell-ringer
standing outside a building full of food-stuffs.

Inside, I look for cheap things.

and leave without change in my pocket to give:

I take the other door out.

this after making a transfer across fiber-optic networks of value for calories.

a transfer of what? some numbers punched, and it is tending to make me sick.

sick in a way of driven feverishness to escape to elsewhere where values are true and not merely convertible currencies of social trust in … God.

sick in a way of realizing that the point-of-view taken, the approach is an illusion surfaced with centripetal impulse (impulse driven by rotating planetary system, and fed by the mesh of gravitational attraction to things). leave me go! release the mass of embodied … stuff and finally convert gravity to Lightness.

wie Luft behandeln

Why so gaddammed serious, here.
When words should play at least some of the time
Where words should play, or, less than least, fill leftover space with bright sounds, firing in head. Both yours and mine.

The Birth of Beward, Blimey!

I cannot remember exactly when and how it was, but somebody at some time in the past century invented e-mail. And while members of the general public used the new toy to lure naive little girls in the thick of the woods or to circulate ads of penis enlargers, other more enlightened individuals were chatting day and night on esoteric subjects such as Dodo’s bird watching in the Gulf of New Papua or George Papanicolaou’s Pap Test. Rod Dave Summers and me, instead, were getting tired of endlessly discussing Spike Milligan’s misspellings in the Goon Show scripts, so a new technological version of an old loafer’s game was devised out of thin air: let’s write a poem together, one line each, until we get fed up with it. Not a simple love poem, mind you, or a small existentialist haiku, but a whole epic poem, a noisy warmongering Viking saga that would take years to write through snail-mail exchanges, but only kept us busy for a few, em, years with the mighty super speed of e-mail: one line a day keeps the docker at bay (or something along these rhymes).

A Lennon-McCartney collaboration it wasn’t, but pretty jolly smoothly it flowed, my flawed English ironed and chiselled by Rod Dave, the story quickly taking quirky, qwerty and qzerty turns into the historically improbable and the outright obscene. The Surrealists called it the Exquisite Cadaver, we nicknamed it the Necrophorus White Pudding (ain’t as good as it used to be, is it?): we tried to squeeze as many personal obsessions per line as permitted by the laws of decency into tight couplets, triplets, quadrigae, freemason free meters, inept ad libs, never really bothering to check a medieval tome for the true gynaecological treetop of our Nordic hero. We deemed it more important to state how much Bew liked M&M chocolate drops (we all need a sponsor) and to indulge in graphic descriptions of Regal copulations on ice and Lego theme parks. We also cheated a lot, doing more than one line at a time and ripping whole paragraphs from Doom Metal songs and exotic weather forecasts. So how did this bloody Beward saga really begin, for gossip’s sake!? I don’t know.

Vittore Dave Baroni,
4th of July 2006