public lecture

Public lecture in the FORUM program. At least one hundred people in attendance. Hannes makes a nice introduction, and I start in … um … um … um … need to practice that public speaking, substituting silence for “um”.

public lecture planning

enough time for reflection. and restless pacing around relatively known spaces. looking out the window. reality. but the question of what to say on Tuesday evening. public lecture distracts me. structuring a finite period of time into what can be considered organized and clear information is something to be avoided? or just that regular nervousness about not engaging the audience, wasting their time, and that constant awareness of others’ — what they are producing (my critical stance towards the object is merely a translation of the jealousy of those who do create stunning cultural objects as a result of their artistic and other research).

skin of being

and I realize I have no place in the public, but only in the private. interfacing the internals to those who are reflections of all others on their more-or-less skinned surface. how does skin reflect the image of Light projected on it? is it in the thousand-colored fragments that make up the whole, those rainbow-grained glistenings that make up the smallest vision, looking close in bright sun, watch the Light touch, lick the softness, leave a wet vision behind to evaporate to nothing in the heat of day. fog rising from cold winter seas. earth brings the sun to land. pulling with gravity songs, lets us stand for awhile, then lays us down for sleep and re-creation. skin of earth, skin of being. and that is all that separates us. the fog continues to close in, obscuring first the radio tower, then the huge ship-yard cranes, and now, St. Nikolai’s church just a few hundred meters away. it is still very bright, but the Light has flattened and the visible retreats to the elemental.

The journeys the traveler had made had long surpassed the possibility of being counted. Most of them, moreover, were indistinguishable — not because the same events transpired during each or all, but because they were so unalike as to be similar. … Soon, as the black-garbed traveler counted soon-ness, all things would have but one nature. He would be unique no more, and time would have to stop. Whereupon…
Release. — John Brunner, Traveller in Black

the long weekend bled away. the public lecture I give next week will NOT be streamed online — I can’t risk it again! last year there was also a network problem.

drone

EuroNews continues with a repetitive drone. nothing new except nothing new except nothing new. had dinner with Magga last night, she’s now a lecturer on the Icelandic language at the Nordic Institute of Kiel University.

cold journalism

extreme cold, blizzard weather that would make most Amurikans shudder. myself included! prepping for a series of lectures on New Media and Journalism. reminds me of days when I was the Special Editor of the College paper — producing primarily music reviews and interviews — but also breaking the mold on the two tendencies in journalism, that of centralized versus distributed.

open-x ideas

arrived. one of those up early things again, and a late night before. the alarm seems to go off at 0600 instead of 0700. strange. but the sun coming in the window is absolutely brilliant. the French artist who allegedly vacated the flat the day I got to Budapest left a lot of food in the fridge, although I didn’t discover the fridge itself until the last day. it was sitting on the balcony. it was curious to find the kitchen without a fridge, and I assumed it was something about Eastern monetary problems or something. duh. ate the boiled eggs and pastrami-like stick for breakfast before taking the key up to the C3 office and bus – to – Metro – to – EuroCity train Liszt Ferenc (taken that before!) to Linz. in a stupor of half-sleep. tram to Ars Electronica center, Christa is there and not feeling well, I encourage her to go home and rest before meeting Patrice, Ravi and I for dinner later. Ravi is doing a lecture this week as part of the Intertwinedness series, Patrice is in town working on the Festival for the fall. brief meeting with Gerfried about some possible ideas for the Open-X networking scene at the Ars Festival this year. wondering about different paradigms with networking, and in the midst, when asked about a possible proposal/idea, I realize that the concept of a student-based networking situation that brings students together in a variety of places would be a perfect compliment to the Open-X concept. at least the Open-X would be a good launching venue for the whole thing. could make use of the facilities, and the idea of bringing with me some hard-core students from Tornio, Lahti, and Kiel would be great!

intertwinedness

no sleep again. the full moon, the arriving solstice, and the stresses of movement. last night was a curious experience. in an arena where energies were so mis-spent, mis-directed, and un-perceived. experienced, but un-commented upon, imposed and not resisted, and on into the morning. missed train connection, so I will arrived later in Budapest than scheduled which will impinge on my abilities to prepare for tonight’s lecture at the Center for Creative Communications. I am so tired in the morning that I actually get on the wrong train, and head for Salzburg rather than Vienna. this shocks me a lot, and is totally unlike me, it reflects the state I am in. fortunately I am able to get off the train in Wels, only fifteen minutes from Linz, and board another train heading for Vienna. which should happen with considerable more grace than last night. there would have been… is the beginning of a retrospective on the event. or there could have been… energy and power was simply lost in the space that was NOT created. no intertwinedness happening. talk about the oppressive power of language. but it doesn’t really matter, what each individual experienced is simply that. an experience that they walk away with. no gleaming successes, but just a quiet continuation of the voice that is hard to hear in the crowd. no phantasm of world domination follows me.

sustained teaching

yet another workshop over. surprising, it crept up on me. done for this school year. ending with not a bang but a whimper. okay, I can deal. well, not a whimper, no need to be negative about it. actually it went okay, in the sense that my energy level is not diminished. I seem to have found, for the moment, a means. a mechanism to sustain teaching indefinitely through a careful cultivation of collaborative energies in the classroom situation. and the balanced positioning of my own ego-system within the milieu that evolves within the group. activating students to creative expression has the goal of nurturing the collective energies. thoughts keep racing forward to Linz and the performance on Wednesday evening, and the subsequent thing in Budapest which is even more unplanned. spontaneity is so bloody dangerous that I can’t even begin to express the stress it sets up in my head, although at this point, I have learned to deal with the physical effects by activating my own physical movement when things get underway. I know how to grab energies in the air, push ideas, concepts and other parameters around, physically. this, I have noted in previous events, has a lot of power on the Others involved. connection in Frankfurt. a throng of Japanese tourists sweep by heading for a flight to Rome. my neck tenses up, and it threatens to head toward a migraine. brain is not functioning in true travel-style. and this will continue for the next year again. I have committed to the movement, and two other schools have responded to my ad for workshops. so far Eindhoven, Arhus, Trondheim, Kiel, Tornio, Lahti will be part of the tour, and I suppose Reykjavík and Akureyri if I have the time. maybe next year I will have to do the same thing in the USA just to see what will happen. plans to deal with next summer with Loki in Europe are next on the agenda. trying to figure things out. clearly, however, texts like this are not worth writing here. already the beginning of this work is waiting for re-writing. into something better retrospecting on the surface of things. shaking meaning from the continuous stream of events that impinge on my body. or not even that, just ensuring that the future becomes what it is planned to be. stupid plan — to try and ensure what cannot be controlled. why try? avoiding the spontaneous negative, the spontaneous positive is destroyed simultaneously. energy. how to bind energy in to the text. to be released in TIME. to the proper receiver. no idea for the performance tomorrow evening. F.E. Rakushan is the partner in the evening, along with Maggi and Christa. What will this bring? (I need to have a recording of this event forwarded (and real-audio-ed). oh, and the lecture at Kiel tape copied, and… now here. exhausting day of travel, thankfully, Christa meets me at the small Linz airport. it is HOT, at least as measured by my recent experience, and the whole long winter.

interview

writing the wrong dates, and so on. things shift from particular to general and back again with a clarity that threatens to consume any parts of social habit previously recognized as (unbreak my heart is sung) acceptable. shifting, shape-shifter, desirer, one who desires. needing, providing, giving. 2100, looking out on the harbor which is haven to submarines, ferries, sculls, yachts, destroyers, tankers, container ships, research vessels, kayaks, and so on. it is still gray-blue sky. on the fringe of entering the Nordic gateways. a few days more and into the realm of Light. alles ist in. fragments, telling, speaking, MEDIATING. interview with a free-lance writer for the local newspaper, tomorrow. where is the most powerful connection of the body to the spirit? it is not necessary to identify this particular interface, but many are concerned about this. images can be shed like skin.

today is the last day I am using words, they’ve gone out, they’ve lost their meaning, they’ve gone out … let’s get unconscious, let’s get unconscious, let’s get unconscious… — Madonna

huh? Jörg, a writer from the local Kieler Nachtrichten, comes to interview me in the morning, we talk at the computer for a couple hours, looking at some of the website. wonder what he will write? he was at the public lecture on Tuesday.

Labou

days have flashed by. at night on the kai (waterfront of the harbor), pause to look at the seal tank at the aquarium. the seal looks at me with bloated brown eyes, moving its head to the right and to the left on a sinuous neck with no shoulders below. public lecture last night, technical problems, an afternoon field trip to the Facist Death Memorial at Labou, class seems to be intense, Volker stops in for three days, conversations between he, Hubertus, and myself are of singular intensity, the school seems in a state of dis-awareness of itself, life is precious, I think of the David Bowie song Young American, all the way from Washington… and it all goes ’round. content, being, vessel, and void. a dance with music constructed from vibrating particles of self-and-Other. head north yet in two days, 36 hours, a stop in Copenhagen.

technology fails, dialogue doesn’t

public lecture tonight, one of two video projectors decides not to work, the one connected to my PowerBook. I can only then speak, speak through language, through the mediation. this situation places me in the crux of the entire issue, so I can speak from that point, that moment. the window metaphor comes into the Light, glass, amorphous silica, and the abundance of materiality around us, we are swimming in oxygen, standing on silicon. silicon dioxide. someone is videotaping the talk, another is photographing me. the image-makers I train my dis-awareness upon.

northward again

Moving again. North, away from spring. Fragments of the world do not add up to anything that is expressible. Tractors in the fields. Greening. The greening of the world is not fragmentary, but is pure (I want new words and ways of moving them to the page). Tired of the same places, I guess, but the same friends bring a special closure to all movements, the small circles that can be memorized, closed, and stored away for next retrieval. Kiel is not so large, and it is easy to find the Muthesius Hochschule where I meet Hubertus in the late afternoon. The flat where I will stay for the duration of the workshop is in a special building of the Christian-Albrechts Universität zu Kiel. It overlooks the harbor. Here I am , another seafaring situation, on the main harbor, and not far away, the Nordsee-Ostsee Kanal. Here is another history of the War, the U-boat, untersee boot. A large cruise ship moves by the window, heading for Gotebourg. A few people are clustered on the top decks while Irish farmers protest cuts in beef production and silent pictures from a tornado in Minnesota play on the feed line into the room. Suspended dis-animation, curious. Palestinians chant and throw stones on the West Bank. Israeli soldiers shoot them. When does this end? Is this only ignorance to think that these things can be overcome? Teevee.

We go to dinner, all the while discussing the critical issues of being. Hubertus started here two years ago as Director of the FORUM, an interdisciplinary program of lectures and workshops that runs parallel to the regular study program in Design, Fine Arts and so on. Something of a unique program where he is given almost complete autonomy to bring people in — the students don’t realize the luxury and possibility, especially given Hubertus’ massive personal and professional network and his own significant professional output. Paying for dinner, his credit card is rejected apparently because of a problem with the dates on the local dial-up machine and the central computer — it seems the central computer had not yet had its clock adjusted for DayLight Savings which went into effect last Sunday at 0200. Is this a foreshadowing of the Millineum Bug? It is easy to be pessimistic about all this. Technophobia aside, human nature fore-fronted; it is fallible, grotesquely so, not much thought needed to figure that. Has the world ever been in mass chaos? Perhaps in the Plague times, although that was very much a process with a discrete temporal vector pre-determined by a combination of transport speeds of the time and the latency period of the Plague itself. Now, given the immediacy of computing, and despite the fact that computer networks are not everywhere on the globe, they do control aspects of life that touch almost every human being through an instantaneous Butterfly Effect. If, for example, anything in the chain of production of wealth is disrupted, the entire chain reels from the effect … What is the minimum percentage needed to affect the whole chain? How sensitive is modernity? (Can we look at Yugoslavia as an example, or Somalia, Japan, elsewhere?) Is it a card house?

ice trains

Another early morning train, to München on to Frankfurt, then to Offenbach for the afternoon visiting the Hochschule für Gestaltung there, then on through Siegen to Rösrath to visit with Volker for a day. This movement. Last night vibrating inwardly, feelings electric again (there was a window there that opened regarding mortality versus immortality — walking behind Tom and Christa out in a village near Linz, heading for the country, I suddenly recalled that I had not been aware of my own being, I had forgotten to be, and then came a flooding roar that something could have happened in that state of not being within my own life, I could have had an accident!) But I did not. No use describing it. Salzburg. Another fragment of intensity, of energy, happened after the lecture yesterday, riding the strassenbahn back into town, I see the mountains far away, through the opposite window of the tram, they are small and though covered with snow, are pink from the industrial haze.

The vision leaps out at me. Recalling the instance that I have often recounted in class. Walking up to the bus stop one morning in Iceland, I have not really woken up, I am moving, but only the body is on motion, the mind is off, still, dull. Standing at the bus stop, it is at the top of a hill, there are some buildings around, but there is a rather unobstructed view plus-or-minus of the entire horizon which spans a long ridge of mountains on the Reykjanes peninsula, Mt. Esja sitting somberly to the north, and other low ranges and peaks scattered to the east and north, a few fragments of ocean are also visible. I am turning slowly, gaze traversing the critical intersection of these two rough half-spaces. The energy starts somewhere in the belly, at least that is where I first notice it, in the belly, maybe the solar plexus, it is rising in the body, and at the same time, the mind begins to fire. There is the immediate realization that the seeing, the apprehension, and absorption of Light energy through the eyes is charging my body with strong forces, fields of power. I become aware of living, being alive, being. As Rilke termed it, superabundant life began to trace each edge, each separation, while at the same time all things were fused into a unitary essence that circulated freely through all parts of my body. Yep. München. Snow here. Bright outside the windows of this ICE train. Moving again at high speeds.

gypsies

Again time begins to compress and move into different spaces ahead of the actuality of it all. A blitz trip with Visa to Imatra to lecture there for a day and see the facilities. Seven hours on a train, cold, walking around. Only a couple kilometers from the Russian frontier. The closest, so far, that this Amurikan has been. It is a curious sensation. For me to understand the delineation that the geopolitics has constructed here would be a stretch beyond most things that I know and a movement into other spaces beyond this edge of Europe. I meet with Juhani and Terhi to discuss the situation in Tornio where I will be teaching a six-week workshop immediately following a two-week introduction by Terhi. Prospective students were required to write an application in English giving some idea of what they want from such a class, and what their experience is. It appears there is significant anticipation for the class, a good omen. Visa did an astrological calculation yesterday for me from a CD-ROM. Sitting in a room at a computer, the room is in the Imatra rail station, we had only to step out of the train, cross the platform, and enter the school. Lunch was taken in the Imatra Police Station where Visa and I really didn’t fit into the decor of bureaucrats and cops in a very new building. Somehow, I am quite comfortable in the countryside here, most times, not really stressed about having people know I am a foreigner, as generally they will not react one way or the other. That is, most times, but there is one set of circumstances which does seem to be catalytic, and that is the obvious ingredient of alcohol. A fellow gets onto the train one stop before we leave at Imatra. He has a black felt hat on, something I imagine a Scottish gentleman of the 30’s wearing to a funeral, he is carrying a guitar which he bangs hard twice as he sets it down on the seat. He has curious nostrils where the center bridge (lord, what is the anatomic name for that?) dividing the two nostrils from each other sits lower than the nostril flare itself. hard to describe, but something like a horse, in a way. I do not understand that racially he is different until Visa makes the comment how dramatic the Gypsies always are. True, I recall to him that gypsy transvestite we met after the Fax You performance in Helsinki in 1994. Preparing for the road begins, I look forward to it in a way, although it will present the usual stresses. But there will be some interesting new things happening along the way. A new country, Hungary, for one.

Suomenlinna is snowy and brilliant this morning, I take the long way to the ferry in order to wring a small bit of atmosphere from the Place.

naked meaning

there are some social circles where leaving hairs stuck to the bar of soap in the shower is a serious infraction against the prevailing system of decorum. I have lost sight of my dreams for the moment. can’t remember how long it has been since there were real ones that guided both internal and external events. head down to concentrate on the slick sidewalk which turns out not to be so treacherous as it appears what with sharp pea-sized fragments of shattered granite scattered almost everywhere. a first sign of spring comes to sight — small melted rivulets cut into the ice that covers the walkways — where the drains from the roofs lead — the sun is heating the roof and that slightly-warmed water is making its way down to street-level where, wrapped in shadow, it retains enough energy to cut canyons through the ice before spreading out and forming frozen deltas of ice with no gravel. these are the most dangerous areas to avoid or at least walk with that stiff-legged demeanor meant to stave off the possibility of complete imbalance and potential disaster. all on a walk out to the lake, and it IS frozen, somehow this is surprising, is it safe to walk on? there are ski tracks and footprints, though not too many of them. aiming towards the harbor breakwater (why a breakwater in a small inland lake?) I walk through the stretched-out moon-shadow of a factory smokestack cast far into the white darkness by the almost full moon. past the breakwater. to some center which is defined only by an absence of Lights. it is too bright for celestial mystery, only a fraction of terrestrial silence, but with the brightness there is sound or at least the impression of sound. noise, culture-noise. what about going to a cabin in the woods? deep in snow-covered trees and the muffling shapes of inverted nothing. no sauna even yet. no hot water bath. shopping at the Euromarket barely 50 meters from the front door of the College. having to scrutinize each package, all except the ones that I already know from these previous lives here in this land, anything new requires self-conscious label-reading, hoping for a bit of Swedish that I can decode, the Finnish still largely a mystery — vocabulary expanding though, to say, 200 words. like a catalog to draw from. nothing like what language is, at least mother-tongue. a poor substitute that carries little if anything but bare naked meaning. who cares about that except for those cases where that is the only role — a priest reading the last rites, hail Mary mother of god, our father who art, in the beginning, I am the Alpha and the Omega. so sick of the teevee in the foyer of the two-bedroom guest suite, downstairs there is a decent tape deck in the lecture hall, Miles/Coltrane, yes, something to hear and to live by. I struggle to face the fact that once again, this locus for my text-based musings has no direction, no energy, and, worst of all, no spirit. Given my activities for the past five months (can it be only that short a time that I have been into this newest wave of teaching/employment?), perhaps I should not be expecting a flood of creative impulses and action to be sustained, energies have been aimed elsewhere.

creative potential

0300 and I am just thinking of going to bed. So I do, and now it is 1300, and I am in the middle of shaking down the AVID video system, preparing to do some video work this evening when the sun moves to the north. Unfortunately the studios are on the west side of the building and they have not installed window shades yet in the new building, so things are awkward for serious work. I feel as though in an electronic haze. Like these machines that I am surrounded with are sucking the life out of me, despite the “creative potential” that they represent. I am rather desperate to get something done, but this phantom of doing rather than being seems appropriately distant and immaterial. Discussions take place within the context of the spectacular array of equipment available to us here at the college. This is a familiar sight in, Finland — colleges and university (and, for that matter, high schools) swimming in a sea of technology that would make folks at most other universities salivate profusely. For a student base of under 200 students, many of which are involved in other areas of study, there are four AVID production studios, several analogue video editing suites (Betacam included), numerous large MAC and PC-based studios and facilities totaling around 70 machines, full-blown TV and sound recording studios, cameras of every variety, totally new buildings wired with high-speed LANs, servers for the internet, and so on… The downside of this is the problem of getting qualified and creative instruction for the students. At every institution that I have either visited or lectured at, I hear the same complaints from faculty and students — that there is a shortage of funding for getting teachers in to these same schools. I will probably do a tour here in the spring, doing short teaching gigs at about six different schools scattered across the country. For me it is a good opportunity to teach in good facilities and with eager students, and for the schools, the exposure to outside influence seems essential. Those of us who are here for the Polar Circuit project are constantly amazed at the open-ness shown here — the project itself is a miracle of conditions that would be difficult or impossible anywhere else. A bunch of crazy artists given carte blanche to use a fantastic array of tools that would otherwise lie dormant all summer, and the school opens its doors completely to us, offering everything including an enthusiastic handful of students who are taking good care of us.

Kevin’s studio

Stefan is off to work early and I go out to meet Kevin on the L-train platform to check out his studio in Brooklyn. It is always interesting to see his new works, how they evolve … waves, waves, waves … In the afternoon I head to the School of Visual Arts where Adrianne and Antoinette have invited me to do a guest lecture in their MFA photography class on Electronic Media.

Sorry, folks, the video is awaiting a reformatting, thanks to the ever-shifting demands of online video codecs … argh!

ideological structures

Staying at Scott’s place for the last days here at Florida State University. He’s doing tech management for the Art Department, having just finished his MFA up at the School of the Art Institute of Chicago. Yesterday was heavily involved in discussions with students and faculty about my performance last Thursday. Passionate discussions to be sure. Because of a small glitch in communication between Paul and I, (and, the onerous ideological relationships that accompanied the performance space itself — the Art History lecture room) the dialogue which is the third component of the performance stopped after about ten minutes. The intensive hours of discussion that ensued in the days following amply illustrated to me a number of factors influencing the dialogue. The first was the power of the ideological structure enclosing the audience and space. (This would include the unfulfilled expectations, based in preconceptions and comfortable same-ness)… Anyway, the continuing discussion has been very stimulating and has opened up new areas of consideration for me. I have very mixed feelings about the performance, but the flux of energy that has enveloped it in the four times it has happened — once in Köln, once in Helsinki, once in Tampere, and now, in Tallahassee — has carried my thinking on a productive tour of my own pathway as well as providing deep insights into others’ attitudes, dreams, and beliefs.

now here

Well, it is morning, and I am here. Have been for some days, stumbled out of NYC on a delayed flight. Got on the ground here and commenced to work. Now it is Fall, chilly, and, well, no going back on that. Busting ass on work here. Web sites, lecture planning, and so on. Sitting here in the kitchen of the flat I am staying in on Suomenlinna, the fortress-island right off of Helsinki.

ultimate performance

Up at 0800. I wake even earlier, but stay in bed relishing the lack of movement and the quiet. Volker comes back for breakfast, and begins to make some calls to see what is to be recovered for the evening performance/lecture. It is possible that there may be some few people there, so I will do what I have to do. Which is, let’s see. We stop by at the beautiful restored farmhouse of Rolf Hinterecker (the Director of the Ultimate Akademie) for a chat and then head back home where I simply collected my concentration for the performance.

Performance/Lecture at the Ultimate Akademie Köln: This event was a challenge for me from the moment I scheduled it when passing through Köln back in early April 1996. Normally I would rather do a formal and structured lecture at the schools I visit. I knew this would not be the way to go at the Ultimate — with its close association with the Fluxus movement — I knew that it was an opportunity to try something that would possibly be scandalous at a ‘normal’ school … I knew, for myself, it was a challenge, it had to be a challenge. The primary problem internally was to completely remove myself from any pre-tension that might arise by attempting a performance that did not emanate direct from my internal energies. Pretension is a form of energy that, for me, has a significant negative resonance. I think it is one reason I have never enjoyed theater very much with the enormous pretension within the actors who have to Act. I would like to do three or four things this evening. 1) Cut and eat an apple 2) Name the Places I have been since leaving Iceland on the 22nd of June, 1995, the Summer Solstice, and name the people whom I have been with 3) As I am a traveler, I am a carrier of information and stories from place to place, I would like to find out about you, hear your stories that I might carry them on the the next destination. To name some of the attendees: Pietro, Hans-Jürg Tauchert, “couple of names of couples for a couple of talking travelers relaxing,” Detlef Brezel, Mimi Flick, Skulli, Rolf Hinterecker, Volker Hamann, Paul Virilio, in kind …

Volker and I laugh that in the middle of the performance, Rolf, in an increasingly agitated state suddenly asks “when are we?” as I am reciting three hours of people and places in order of the year’s movement. Without breaking my stride, I say “October,” and continue on for a couple more hours as the space darkens in the twiLight.

embedded movement

Again up early and have a quick breakfast with Björn. Then I have to jog to the bus to the train station in Copenhagen. Board a south-bound EuroCity train (as all German-bound EuroCity trains, this one has a name, the Karen Blixen, who was the Danish fiction writer and author of Out of Africa.). The train boards a ferry at Rødby in southern Denmark for the short crossing to Puttgarden. Suddenly, after leaving the train car to walk up to the deck of the ship, I am shocked by Germans. Loud, aggressive, and self-possessed. It is something of a let-down, after the simple drunkenness of the Swedes and Finns on the other ships. Welcome to Germany. So it goes, on to Hamburg where I change trains to the Gorch Fock heading to Nurnberg via Köln, which is where I get off after a total ride today of only 9 hours. The Köln Hauptbahnhof and the Dom next to it, that familiar island of madness is a rather comfortable sight as we slowly cross the bridge over the Rhine from the east. Volker is there to meet me with news of complications in the arrangements for the performance/lecture I am to do at the Ultimate Akademie tomorrow evening. The original flyer handed out had the wrong date and day which confused everyone, and so the hasty reprinting with the correct times doesn’t get around to many people. Then it turns out that on Friday night (tomorrow) when the performance is to take place, there is a big opening in Bonn of an important woman artist who is active at the Akademie. Such is life. We head to Rösrath and have a beer, and then retire to Volker’s place. I am burnt after about nine hours sleep and some 36 hours of movement in two days. I can still feel the ship movements embedded in my body. that will wear off with a good nights sleep which I get. Volker heads to his girlfriends place, so I am left alone in a quiet flat to check email and sleep. It is then I discover that internet communications to Iceland are down, and remain down for the next two days, as far as I could test from Köln. Never did find out what was going on, but I couldn’t raise any of the Icelandic servers I knew about.

control freaking

Another long day. This morning Björn and I were up at 7:30 to catch a bus to the hydrofoil to Malmö, and then another short bus ride to the Academy. The hydrofoil took only 45 minutes and cost an astonishingly miniscule 15 DKK (= 3 USD). Competition in action. The Malmö Academy has exceptional facilities in an entirely new building. Everything was highly organized and secure with locks on all door except for the bathrooms. I was scheduled to give a lecture at 13:00 and I indeed did do just this. They have a decent lecture room with a video projector and assorted techno-goodies except for the fact that one amp channel and speaker had been fried, so I had to play video and audio works on one channel. Such is techno-life. My host, the Academy Principle, Gertrud Sandqvist I had met last year at the Nordic-Baltic Conference on Art and Technology in Helsinki. At the lecture she sat in the front row, not particularly unusual until the question-answer session at the end — she mediated between me and the students, choosing students, modifying their questions, and ”interpreting’ my answers for the students. More than odd, it was quite an show of the psychology of control. She seemed unable to allow the students to interact without her dominance. Sad for them. I understand now her reputation which is not great, on this very issue of control-freak. Oh well. Björn meanwhile was meeting some former students. We ended up taking different trains — I had the First Class EurailPass, and could ride in style, though flat broke.

At the moment I am sitting comfortably on another one of these new high-speed European trains. This one the X2000 from Malmö to Stockholm. First class, they even serve a dinner. Not bad. I sat across from a senior Quality Control engineer from Eriksson, Inc., one of the largest companies in Sweden dealing in telecommunications. We had an interesting conversation about technological developments in Scandinavia and Europe, as well as photography. Already here in Scandinavia things have a feeling of organized and peaceful order, with a level of social wealth that is simply not available further south in Europe. There is far more competition in the telecom business which is bringing (for example) good internet and telephone services at reasonable rates. Education is well-funded (though conservative) without the need for academics to be constantly begging for national resources.

online

Cooler a bit today, more like a normal spring day in Scandinavia. Online in the morning, busy updating my site, and other things. Answering mail. Listening to more operatic works. I work on updating these pages, and prepare for my lecture tomorrow at the Malmö Art Academy across the strait from Copenhagen. We’ll take the 9:00 hydrofoil over. Björn is heading up to Stockholm at the same time to be babysitter to his sister’s kids for a few days, so we’ll probably travel up north together after I lecture.

last day

Sadly, my last day in Vienna. I do laundry, and clean the flat in the morning. And then I go out to meet Mathias at TELLER. We eventually make it the the Hochschule für angewandte Kunste where he is a lecturer (he was hired by Roy Ascott when Roy was starting up the department there back in 1991 or so). They have a great computer lab, all the way to an SGI Reality Engine (at least I think that’s what they call these huge blue boxes — rather reminiscent of the IBM mainframes that I used to work on way back in the deep past of engineering…). We were unable to get online for me to send mail, however. Long story. We met Sylvia and Jon at a secluded restaurant behind the MuseumQuartier for some traditional Viennese dinner and then took a slow walk through the First District to Schwedenplatz where Jon says is the place with the best ice cream in all Austria. The evening was warm and there were crowds out everywhere, like in the middle of summer. I never did get a chance to get to the Museum of Modern Art in Vienna, so it will have to be a virtual trip, eh? Such convenience! Same with the exhibition that Mathias is working on at the Kunsthalle — about the history of the techno-wonder-machine…

For (Walter) Benjamin to quote is to name, and naming rather than speaking, the word rather than the sentence, brings truth to Light. He regarded truth as an exclusively acoustical phenomenon. — Hannah Arendt, in the essay about Walter Benjamin, Men in Dark Times

ultimate art

These past two days are spent writing at Volker’s place, and a few expeditions out. Volker is in the midst of preparing two exhibitions and one performance all coming up in the next two weeks, so he is rather busy.

DIE WAHRHEIT ALLES LÜGE Irgendwas + klein. Auftritt hoffentl. V. Hamann m. Unterstützg. v. HmHmHm + Sittich-Trill, u.U. zu danken e. Freire. 19.April 20.00 bis irgenw. im Mai, Term. auch n.V. Ultimate Akademie, Mozartstr. 60, 50674 Köln, Fon+Fax 0221-238585

Last night we visited with the photographic artist, Michael Wittassek, who just closed an exhibition at the Ultimate Akademie Köln*. I was impressed with his work, his working method, and his ideas. His approach to photography is holistic and novel, and at the same time,the work exhibits a rare and penetrating sense of humor. His photographic installations are tragic, tactile, and penetrating.

*I’ll be doing a performance/lecture at the Ultimate Akademie Köln in late May on my way back to London from the North. The Akademie was started by Fluxus pioneer Al Hansen who died last year.

art@Dialogue

I gave a public lecture similar to the one I gave at Holy Cross in Worcester, Massachusetts last month entitled art@Dialogue and other Realities where I explored the various aspects of dialogue in the process of art and life. I have come to understand, or at least, to justify my extensive travel as an “art” process in itself.

When God gave the first humans consciousness, he whispered advice under his celestial breath as they shivered their way out of Eden; ‘obscure theyselves’. Every tribe or half-simian with the ingenuity has since learnt to brew or distill fluids and vapors to occasionally relieve themselves of the intolerable jabber of thought; to numb their magnificent senses just enough to sensually smudge judgment and nerve.

A good bar is sanctum to this need. — Brian Catling

Bar-hopping here seems to be a regular daily pastime, although I suppose one never sees the stay-at-homes, those who don’t imbibe. The norm for those who do is to stop by the local pub for a few pints of the local bitter or stout in the evening after the workday is done. It involves a lot of standing up, and with my great weakness for Guinness Stout, it is dangerously enjoyable! I have become a bit famous for my drinking habits — markedly, when I order one water after the other, with an occasional Guinness mixed it. For me it is a serious question of remaining properly hydrated — between the ubiquitous tea (a diuretic) and the alcohol, I insist on consuming at least as much water as beer or whatever… And having a glass or two of water well in advance of the morning tea.

Dinner with David, Sarah, Michael, George

keeping in motion

Early in the morning David and I headed for Winchester where he is Head of the Printmaking Department at the Winchester School of Art. David had invited me as guest lecturer for a week after his visit to Iceland last fall. Thanks David! I’m basically unemployed these days, and although the travel is expensive, making a bit of money here and there is a life-saver. And anyway, I love to be doing this kind of teaching work!

The academic program that David has set up in the Printmaking Department is a dynamic combination of visiting tutors and regular advisers for the three years of study. He has opened up the system for the students to actively pursue whatever medium suits their work — photography, video, digital media (although they unfortunately do not yet have Internet access), audio, along with more traditional working techniques on paper.