Loki is up early because he is sleeping on the bed in the kitchen and there are only Light curtains on the windows. I have something of a rare hangover (timburmann, I think, in Icelandic, for wood-head). Shortly after breakfast we head down to the swimming pool with Rebecca Rún, Loki’s island playmate who lives next door. The pool doesn’t open until an hour later because the electricity is off somewhere. Friends Hoffí and Kristín arrive on the 1330 ferry, so MB goes to meet them. I stay swimming with the kids. Late in the evening, around midnight, after a big dinner of leg-of-lamb I head to the north end of the island on a too-small borrowed mountain bike that I know will give me sore thighs tomorrow. There is a dirt road all the way to the Light house that stands on the highest point of the island about two-thirds of the way north.
The north half of the island is private property, but MB called earlier in the day and got permission for me to ride to the end.
In general, visitors are discouraged, mainly to protect the vast number of breeding birds. The island has the largest single breeding population of arctic terns in Europe. These are incredibly fascinating and beautiful birds. I’m not an ornithologist or avian freak, but I can watch the terns for hours. It is unbelievable that they fly all the way from South African and Antarctic waters or so, each spring — although, watching them, you understand immediately that they represent a rare peak of efficiency and grace-in-motion. The entire ride I am accompanied by terns and other birds who swirl up from the heather and grass to run relay with me for one reason or another, all making their own characteristic sounds. I was wishing I had brought fresh batteries for my tape deck … The sounds are varied and mostly piercing, and in the case of the tern, they can actually presage a physical attack from the birds, whose sharply tapered beaks are potent weapons. Other birds on the island are Oystercatchers, Whimbrels, Curlews, Snipes (yes there is such a thing!), Woodcocks, Ptarmigans, Godwits, and Skuas. Birds comprise the vast majority of living things in Iceland, I both ignore them and concentrate on them. Although I don’t startle any Eiders, there are plenty of them on the island as well — usually seen segregated in the coastal waters — the brown females with a passel of chicks, and the black and white males swimming in a group. I recall once, out hiking on the east side of the island, I saw one of the score or so known White-Tailed eagles in the country doing some serious aerial acrobatics as it was being attacked by a group of terns.
I was last at the north end of the island four years ago, in the very spot with Nick, Chris, Debra, Chris, Stefan, and MB, who was, at that time, almost eight months pregnant with Loki.
On that night it was rather clear, or at least we got to see the sun make its transit, grazing the surface of the ocean direct to the north of us. Tonight, there is a gray pall hanging over the ocean, actually touching it just a few kilometers off shore, so the sun is not seen, except indirectly in the constant shifting of the Light omnipresent. I stay at the end of the island for a couple hours, enjoying the solitude, knowing this will be as far as I get to isolation in the coming months. The Solstice has taken on special psychic meaning for me since I moved to Iceland, and the Summer Solstice is actually a heavy time in that it is the moment when the days begin to contract until they vanish into the blue-blackness of the Arctic winter which is a complete immersion. Total immersion in a substance that is anti-Light, a Light that pulls one deeply into the earth from the other hemisphere, the one that is facing the Light … Somehow, although the landscape here is apparently vast and constantly receding from the eye, there is another aspect to it, that of closeness. When the wind dies down, and often wind still is characteristic of the midsummer sunsets, the surrounding space contracts until it appears as a room, a geometrically bounded space converging on the eye. It is knowable in a Cartesian way, within the span of the body. This is exactly what happens where I am restlessly pacing. The edge of the cliff 200 feet down to the ocean appears as clear as the corner of a room. The grassy hummock behind me is etched with a clarity that makes it sensually two dimensional. The sky is just … there. Waterfalls, where streams fall down the cliffs that line the outer few kilometers of the fjord, can be heard clearly though they are at least 6 kilometers away. They are … there. Distance is relative or just doesn’t seem to factor in perception.