spend the day with Pete, catching up on two years of activities. the most notable, his three-month sojourn in Madagascar. and his filmic contribution to the choreography of Shobana Jeyasingh in two new works — Faultlines and Exit No Exit. we rendezvous at the Tate Modern, and take a sonic and visual wander around there, then back to his place to look at some of his new work.
the neoscenes/tech-no-mad (b)log ::
traces pathways and actions encountered and undertaken