it seems that a script with multi-modal inclusions, or extrusions could be the most profitable direction to move into. (a (tran)scripted dialogue, the optimal). with permutations, expansions, digressions, voice changes, multiple (modal) versions of the same content.
I want to tell a story, my story. not just my story, but I want to bring a world into being by naming it, one fragment at a time until it fills out like a balloon, until it feels suggestive, full, expansive, textured, and real. not that this world is any more special or force-full than that inhabited by the Other humans out there, but it is in this coming-to-be process of a world(view) as seen by the Self, it is deep in this process, that value comes to life. the intersection of that world-coming-to-be and the world that is out there, the construct that is the social system, the human-influenced world: as the Self is a cross product of the idiosyncratic individual (coming-to-be) and that social world.
so, scripting in the widest sense, circumscribing via once-removed reduction, yet pointing at that-which-cannot-be-named from as many vantages as possible.