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*j*
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Now I am thoroughly disgusted.
GBU. snafu.
New York rubber rooms:
Rubber Hobo Economies, R.H.E.,U.S.A.:
Today my face is the Good the Bad the Ugly,
with 51 percentz lezz guudz ….
The Diet (of amplification)
of Juvenile Automata ….
HeisenHower: the prophecy of MICocracy:
the millenary idiom-dusty compress:
head-test traumaturgy:
the statement was already *quaint*
when it was made …. once upon a time:
bedtime story: “the news”: since that phase
of the metastasis of weapons-prod had begun
during the 1930s: German Japanese Tempires:
“fuses” set to explode: armor: tanks: radar:
V2 rocket:
ME 262 jet-aircraft: Fat Man Little Boy:
The Super:
these
were accomplished: *fait accompli*
when the HeisenHower spoked. A spook.
The factories had been operational for more
than a decade. HH, some ghost memorial out
of Shookspeer, Spookmerde.
Savant, Sirrpants,
of Pobolick Uppiniun.
My perceptions now correspond with Buñuel.
I cannot regard the *hiccup* the *halitosis*
proper to politic: the law: as something
other than Alibi, Hypnosis, Amnesia.
AHA.
Ubu roi.
Franz Kafka: the trial: the castle: the alibi.
I do not regard the texts as satires of “20th-
century bureaucracy”: the texts examine the
absurd consistency (Kurt Gödel) of the crazy
quilt of the Austro-Hungarian Empire: AHE:
“a family saga”: “tree”: minus “the family”:
*holy* family: the law exists *passively:* as in
the illusion: “time passes”: the law accumulates
(constipation of the cloud) and absorbs:
its function is intestinal: the apparition:
“the doom” of all who “enter” and “serve” it:
it performs no active intelligence, no perception:
it borrows “everything” “it has”:
Poe: The Conqueror Worm:
The famous *blindness* of Oedipus: exists *intestinally:*
labyrinth: blind intestine:
sphincter: riddle of the sphinx:
payment: prepare to receive: the word:
awe: the key: substrate of law:
to fast: to cleanse the ambient atmospheric body
of vain intestinal combats:
Roland Barthes: *I am sick of images* [image: as
blind accumulation: identity: (commercial) brand:]
The reporter in Antonioni’s *Passsenger:*
he knows disgust: he loathes: the image:
which imprisons him: society: social propriety:
the succubus:
metallurgy: bullets armors:
weapons sold within the church:
Joyce: hit upon it:
*Finnagain:*
to spell “correctly”:
is to cooperate: with succubistic law:
Enjoy the hills, the rills ….
A