portrait, New Years Eve reveler
portrait, New Years Eve reveler
portrait, Anthony
the original sacrifice
leaving and taking, carrying with, moving, carrying with, moving, juxtaposition, transformation, non-invasive objects, alien placement. sacrifice is a process of leaving value behind, leaving all behind. the body as temporary carrier, temporary custodian of objects which gain energy through proximity. and re-radiate that energy in their next location. for every object kept, one is left. a moment of concentrated thought grounds the exchange, the leaving especially, while acquisition is a focus on what leaps out from back-ground and into hand.
beyond the ongoing action itself, which is the crux, this work is documented through a hypertext/image work that bridges between the Self, the Objects, and texts about Place (be careful, there is no returning); and through a series of images. [Ed: this work is now only partially functioning as of 2018.]
We’ve just eaten some mushrooms. It’s bearable out here, to do this, west of the Ubehebe Crater at the far north end of Death Valley. There’s no one around, we haven’t seen another human since last night’s fill-up somewhere in Nevada. The air is still, completely desiccated, with a uniform steel-gray cloud-cover, not too cold. Anthony’s old Ford Torino — the Toe-ree-no we call it — rattled, rattles, will rattle for the whole mid-winter trip from Colorado. It is still rattling as we start up the bad dirt track, southwest towards Teakettle Junction, Anthony is driving. His window is part-way down. I hear some other sound coming from the back of the car, damn, breakdown. I turn to look back as something starts to screech. It grows to an full-on eye-watering scream, and looking across out Anthony’s window, I watch as an F-16 roars past, by us, straight out the window, not 15 feet off the ground. We are both yelling, at each other, at the terrible roar, at the plane which disappears instantly, at the terrible incongruity. Stop the fucking car! No immediate place to pull off, the track is cut into the land, below grade, so to pull off is to high-center the car, guaranteed: no tow-trucks out here. We are crawling along, finally come to a pull-out where we stop and exit the vehicle as fast as possible, clamber down into the dry wash nearby, where we sit on some wide and water-smoothed limestone to settle our hyper-stimulated selves down. It is not for a time until we discover the entire surface of the rock we are lounging on is covered with petroglyph star charts, oh my god, we are here! then the sun sets and it gets single-digit cold immediately in the single-digit humidity. We retreat back to the car and drive on in the transparent dark to the Racetrack Playa to cry with the intense night-cold, night-wind, watch the unbearably clear skies, before crashing on the hard-frozen ground.
The Nobility of Failure – Morris
postcard
War – Le Clezio
a zephyr
Águila o Sol – Paz
postcard
Omnibus – Weston
Winter of Artifice – Nin
harðfisk og smjör, the first time
Swann’s Way – Proust & Aesthetics – Valéry
portrait, Mary and Uncle Moyle
Paris Spleen – Baudelaire
Viper’s Tangle – Mauriac
postcard
portrait, Brett
portrait, Tim and Vern, Longs Peak Scottish Irish Highland Festival
portraits: caught in a storm at Lake Isabelle
Light on water
group portrait, at the end of a float trip on the Colorado River
group portrait, around the fire, the night before
self-portrait, Petrified Forest National Monument
portrait, Jason, Petrified Forest National Monument
en route, across Amurika
Derwood, Maryland to Prescott, Arizona in a U-Haul truck with all Janet’s stuff (along with nephew Jason who was probably out of his gourd with boredom with five days of road-tripping). Trucks, rest areas, overpasses, dog-walking-man-walking-dog, rear-views, being passed by everyone, and more trucks. Not the first time, rather the hundredth time.
group portrait, Jim, Martin, Wendy, and Chris
portrait, Elaine, book of masks
another summer evening, waiting to fly
group portrait, in the midst of
Mt. Katahdin trip, July 1936
From the archive: First Mt. Katahdin trip, July 18-24, 1936, by Alfred MacKenzie (neoscenes’ maternal uncle)




group portrait, 14,278 ft (4,352 m)
portrait, Erica
4th fireworks
Scoop, the Wonder Dog, chills out on the 4th
portrait, Miss Liberty
postcard
the first tentative sacrifice
in transit, entering Colorado
in transit, The Tunnel Diner
Max, aka SGT PPPR, aka Sergeant Pepper, sporting KXLU (schizo radio on the left) and Suicidal Tendencies bumper stickers, carries me through the Holland Tunnel from Manhattan to Jersey City. A ritual meal stop at the The Tunnel Diner* seems auspicious, that’s exactly what transpired: fortified for the New Jersey Turnpike. Some hours later, after fighting the East Coast traffic, land at Randy’s place in Adams Morgan, DeeCee, for a stop-over before heading west.