language musing

Language arose as a crucial ‘technology’ in the milieu of the social. To connect with an Other requires a protocol—a common expressive pathway shared by the Self and the Other—in dialogue. This is an old idea.

glyph, Golden, Colorado, March ©2020 hopkins/neoscenes.
glyph, Golden, Colorado, March ©2020 hopkins/neoscenes.

The sharing and its deep compulsion arises in the context of momentary, memorable, and activated Life combined with the desire to communicate. (Noting the strange paradigm that ‘not communicating’ or silence is also communication in that social context.) The greater the desire to ‘connect,’ the more adaptable and flexible the two must be in their attempts to understand one another.

This is where the question of wider social viability enters the process. The more idiosyncratic ones choice of communications protocol (language usage or even which language itself) the smaller the potential receiver-base.

For example—formulaic as a genre—romance novels strike me as suffering from a simplistic extreme within such a paradigm. From the limited sampling that I’ve done, the contained language (English) and its usage is banal and bland: mealy-mouthed. As is the ultimate canned banality of the overarching ‘message’ that is being communicated: it’s more than enough to read the liner notes, look at the cover, or note where the book is shelved in the bookstore or library. Predictability allows for wider dissemination, a wider audience, and, thus, in a capitalist system, a better cash flow.

Some of the most striking texts I’ve encountered are the most complex, non-standard, idiosyncratic, dated—and yet are the most profound for their internal reach. Listening to the Other, receiving such texts requires an empathy for and open-ness to the Other that is rarely easy. Within a hunger for knowledge, enlightenment, or basic insight, these texts are sought out in the stead of couldn’t-put-it-down casual time-filling, time-killing reading.

It’s all about numbers. You may have a secret protocol that you use with only one Other in the cosmos: wonderful, as the carrier of idiosyncratic energies between the Self and the Other, it likely allows for exchanges incomprehensible and unreachable to any third-party.

This text has a meta-message: a dearth of readers indicates that it is unreadable: dour, boring, poorly structured, usage too garbled, or merely not relevant. Reaching relevancy through other means (protocols)—sonic or visual—to bridge the unbridgeable gap between the Self and the Other—also remains a challenge. Disciplined understanding and the application of more widely used protocols would be the growth-oriented marketing strategy in the attention economy. So would identifying and filling a particular need of the Other. Those needs are apparently filled by the oligarchs of the current social milieu. Besides, I can’t manage the level of discipline when faced by the fact that the species may not exist in another 2000 years. Transcribing what needs to appear on the screen in the moment is the most I can do in this transitory social incarnation.

muse?

Musing about a muse: brings the indeterminate back directly into life, though the effect is, by nature, disturbing to any pre-established [dynamic] equilibrium. Was there ever any in life thus far? Then there are the simple images that arise from encounter, a hand, a shoulder, a torso, seen best in the resonant allowance to look beyond, through, and simply at the sanctioned. Life transitions from dry-throated mental rasp to fluid inflected neural fire — no pleural effusion — but simply the life-lubricating properties of water re-entering the body. For the thirsty, this is eau de source. Catalysis of seen and unseen, spoken and unspoken things brings conflagration to the chakras. But who needs overheated chakras? Burning up life is not really something needed when it burns up, readily fast. Energies may be bound up with lived presence, while life depends upon an unleashing of those same energies. Élan vital. It’s the unleashing that is the source of most anxiety. Pent-up energies traveling along the well-worn pathways of former be-ing end up re-circulating ad nauseum, subsequently causing pathologies in the embodied system. Stressed, sparking contact needs to find flow pathways that are … open … or needs to make openings, spontaneously. for survival.

neoscenes occupation (nso) project

Presently the neoscenes occupation project consists of semi-annual collaborative online happenings, along with heavy-duty networking and communications behind the scenes. The neoscenes mailing list now has around 200 subscribers in 40 countries. During the years since its inception (1998), it has functioned as a vital tool for the distribution of pertinent info about online events, educational possibilities, subscriber’s research and projects, and related trends. Sustaining active contact with so many of my former students allows me to frequently cross-connect them in different locations with energized results.

text from the original launch of nso:

Much of the educational process in the developed world is irrelevant, dead, or dying. neoscenes wants to re-create and re-new learning, making it an omni-directional flow of energies with a force multiplied far beyond the meat count and with a reach that is far ahead of the game. Join neoscenes occupation, speak, act, make a difference in your own head and body and soul. The revolution will not be televised, it will simply be a praxis embedded in the network that is community. The occupation is of the network, is of each others lives, is of being, is of body, it is of it all.

neoscenes is about the creation of personal spaces where-in the individual realizes the potential of individual and collaborative creativity. It is about seizing the opportunity presented by the internet and contemporary tele-communications to create active spaces that are autonomous from the traditional “institutions of higher learning”. It is about sharing.

neoscenes established a primary level of mechanisms for this engagement in the basic technologies of the web (this site), irc (internet relay chat), and the neoscene listserv (mailinglist). IRC, a live text-based communications medium is widely available on any networked pc; the neoscenes mailing list allows distribution of information via email, and this website will become a central point to network neoscenes participants and their relevant web-based information. Other means of collaboration including iVisit, CUSeeMe, ftp, ISDN, streaming media, and other technologies as they become available are employed as participants determine whether they facilitate human-to-human connection. The all-important flesh-factor is incorporated into the plan whenever possible!

On the invitation of curators at Ars Electronica in the spring of 1998, neoscenes occupation was initiated and submitted as a project in the second incarnation of the openX networking venue at the fall 1998 InfoWar Festival. Several neoscenes students from the neoscenes “networking and creativity” workshop at the Western Lapland Polytech (LLAKY — now Lapin AMK) attended the festival in support roles.