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cv / resume:
education ].|
strategic skills ].|
tactical skills ].|
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references ].|
teaching ].|
presentations etc ].|
exhibitions etc ].|
audio/video ].|
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teaching philosophy ].|
i say:
somehow the miasma of corporate food chains and globalized society that is centered around consumption of a tedious modicum of cheaply manufactured material goods. food no different from plastic deck chairs, disposable particle-board furniture, and 'art' reproductions. in perpetuity. with the end-point not just extrapolated, but reached, over-reached, and saturated.
travelog entries:
temporary suspension
Christmas Eve
the past
sundry
George Street
point-to-point
Can you come out and play with me?
Pacific
downloads:
|.[ cv / resume (pdf USlet)
|.[ philosophy (pdf USlet)
cv for John Hopkins
education
skills assessment:
strategic
  • Experienced liaison between technologists, creatives, and users
  • highly tuned abilities of cross-cultural communication and awareness
  • focused lobbying and fund-raising skills
  • inspiring facilitator for creative technology project teams;
  • comfortable multi-tasking in indeterminate, interstitial, collaborative, and autonomous zones
  • fast, fearless, and systematic applications hardware/software learner
  • effective critical analyst of situations, processes, and communications models
  • confident editor, interpreter, and presenter of data and knowledge sets
  • insightful practice-based understanding of the intersection of technology and social systems
  • dynamic and engaging seminar leader and public speaker; careful listener
  • independent self-starter; detail oriented; highly organized
  • effective communicator via text, spoken word, and image
  • flexible networker; experienced traveler; international perspective.
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tactical
  • principled understanding of programming environments, database, and LAN management, telecommunications tools, streaming media, digital signal processing, networking, GIS systems, open source, and Unix/Linux
  • Mac OSX, RedHat, C-panel, and php web server management
  • experienced manager of digital media production laboratories with excellent electro-mechanical skills
  • specific knowledge of video editing (AVID, FinalCut Pro, and Premiere, linear and non-linear)
  • present user/teacher of Photoshop, VDMX, Word, PowerPoint, SoundTrack, iDVD, DVDStudioPro, Peak, Reason, Fireworks, DreamWeaver, BBEdit, most IP-based communication, streaming, collaborative, and Web 2.0 applications, among others
  • former teacher of Deck 3, KeyWorx, Illustrator, PageMaker, Director, Quark, Fontographer, SoundEdit16, SoundDesigner, AfterEffects
  • experienced master printer (B&W photography) with in-depth technical knowledge of commercial and fine art (analog and digital) photography
  • sophistocated camera-based, visual, text, and sound artist
  • Languages: English (native) copy-reader/editor; Read: French, Icelandic; familiar with Spanish, Danish, German, and Norwegian
  • frequent and experienced traveler in Norway, Sweden, Finland, Denmark, Germany, France, Belgium, Iceland, Austria, Italy, England, Netherlands, Czech Republic, Estonia, Latvia, Lithuania, and the US.
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Professional Experience :: Employment History
Network Consultant / Media Educator :: 1995 - present
  • Developed, promoted, and led specialized workshops for communications managers, graduate students (art, design, and computer science/engineering), artists, and designers aimed at stimulating creative work with and within technological and networked environments
  • Workshops focus on effective development of social networking and communications skills, personal and collaborative creativity, and cover a broad range of technology topics in telecommunications, digital media production, and telepresence
  • Teaching proficiencies cross a wide swath of technological, social, creative, artistic, and personal discourses
  • Workshops have been conducted in more than 50 institutions in Germany, Denmark, Estonia, Latvia, Lithuania, Netherlands, Finland, Norway, Sweden, the Czech Republic, Iceland, Hungary, the UK, and the US
  • Provide expert advice to institutions (sized from 25 to 500 people) and individuals on improving internal and external communications/networks and on establishing digital media research and production centers
  • Frequent guest lecturer/panelist in many New Media technology venues speaking on tactical media, knowledge management, education, networking, and creativity
  • Conceived and facilitated numerous major collaborative live and network-based /streaming-media events with actively contributing participants from more than 30 countries and a large public audience
  • Established a dynamic international forum (neoscenes occupation) dealing with issues of creativity and the tactics of cultural expression as mediated by technology
      • Advisor to:

    • PNEK, a nationwide cultural networking project, Oslo, Trondheim, and Bergen, NO
    • source, artknowledge and flash-or-flesh, a collaborative networking project between four art academies in DK and DE
    • The FORUM / Virtual Teams project between the University of Lübeck and the Muthesius Kunst Hochschule, Kiel, DE
    • European Cultural Backbone initiative on educational affairs
    • Art Museum of Reykjavík and the Reykjavík2000 committee for the cafe9.net project
    • European Master of Printmaking, Art, and Research (PA&R) program, a consortium of six academies in FR, DE, ES, IS, and UK
    • Reykjavík Museum of Photography
    • Taught workshops in Master Black and White Printing for members of the National Photographers Union, Reykjavík, IS
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Independent Artist :: 1985 - present
  • Creative work at the intersection of technology and art with an innovative trans-national practice, recent Internet/communications-based projects recognized and show-cased three times at the prestigious Ars Electronica Festival in Linz, Austria
  • Active participant in scores of international network-based projects and communities
  • Solo exhibitions of camera-, time-, or network-based works in eight countries, group exhibitions globally, work is in numerous private and public collections including the Bibliothèque Nationale in Paris, and the Museum of Modern Art Library, NYC
  • Receive funding support from many international arts/cultural organizations
  • Maintain an active on-/off-line presence with many independent/experimental media organizations and individuals globally in an advisory and collaborative role
  • Maintain an extensive global network of digital media content creators, researchers, and activists
  • Member MUU (Alternative) Artists Association, Helsinki, FI and SIM (Union of Icelandic Artists), Reykjavík, IS
Senior (Visiting) Lecturer :: University of Colorado, Department of Art and Art History, Boulder, CO, USA :: 2002-03
  • participated in long-term strategic planning for the Techne and EDAS teaching and research initiative
  • served on the Department of Art and Art History Technology Committee
  • facilitated solutions across the department for various digital technology issues
  • active participant in the Dialogues between Two Cultures colloquium
  • initiated first ad hoc teaching use of available streaming technologies campus-wide
  • won support from the Computer Science Department for staging two innovative 24-hour live/online performance events
  • facilitated a departmental community (e)mailing list
  • optimized and managed the EDAS lab and network
  • taught introductory, advanced, and history/theory of digital media courses in BFA/MFA program
Program Coordinator and Consulting Advisor :: cafe9.net, Helsinki2000 / Mindworks Oy, Helsinki, FI :: 1998-2000
  • Strategic role developing a unique cultural/technical networking project between nine European cities
  • Applied for, lobbied, and secured EUR 200K in EU funding with total project funding of EUR 900K
  • Supported local lobbying and PR efforts with persuasive presentations of the project concept, goals, and importance
  • Developed conceptual and practical guidelines for constructing a distributed cultural/technical network
  • Facilitated remote communications tactics in a complex cross-cultural situation
  • Organized, trained, and remotely networked groups of young people in each city to act as real and virtual hosts during the 2-month public operation of the venues
Chair, Board of Directors :: US-Iceland Fulbright Educational Commission, Reykjavík, IS :: 1994-95
  • Participated in successful budget negotiations under tight economic circumstances at the highest level of the Icelandic Ministry of Education to secure matching-funds for the program
  • Maintained high-profile contact with the Ministry of Education and US State Department representatives
  • Improved the political visibility of program through an aggressive personal lobbying effort
Area Coordinator, Photography / Electronic Media :: Icelandic Academy of the Arts, Reykjavík, IS :: 1990-95
  • Successfully lobbied for the establishment and funding of photography and digital media laboratories
  • Developed and implemented a full BA/BFA-level curriculum which integrated photographic and digital technology in the creative processes of textile, ceramic, and graphic designers, and fine arts students
  • Increased student use of photography, video, and digital imaging media in their final projects (from zero to 60% within three years)
  • Conducted in-house seminars on digital/telecommunications technology for faculty
  • Increased awareness of possibilities of digital and networked tools in creative production
  • Established a strong working relationship with ISMENNT, the Icelandic National Educational Network project
  • Conducted the first network-based collaborations in the school's history -- with colleges in Finland and the US
  • Liaison with ELIA (European League of Institutes of the Arts)
  • Exchange teacher to Norway and Finland with the NORDPLUS and ERASMUS programs
  • Organized funding and execution of several public cultural events with the support of the USIS and the Nordic Cultural Ministry
  • Member College Arts Association (CAA), Society of Photography Educators (SPE), Icelandic University Teachers Union, and Inter-Society on Electronic Arts (ISEA)
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Graduate Student :: University of Colorado, Boulder, CO, USA :: 1987-89
  • Developed a challenging graduate-level course (Master Black and White Printing) which became one of the most popular Continuing Education course offered at the time
  • Received several grants/awards for travel and attending media workshops
  • Lecturer, five semesters of Intro to Photography
  • Actor in Janice Tanaka's award-winning video production "Memories from the Department of Amnesia"
  • Hosted Visiting Artists' Allan Sekula and Nathan Lyons
  • Graduate Coordinator for the photography exhibition/catalog Four-by-Four and the CU Arts Fellowship Fund auction
  • Audio Engineer on a Lindberg Foundation science documentary production, "Heat," in Rome, Isola Ischia and Isola Stromboli, Italy
Master Printer :: PhotoWorks, Inc., NYC, NY :: 1985-86
  • maintained exhibition-standard archival printing in demanding production mode at custom B&W laboratory serving many top art/commercial clients including Arthur Elgort, Joel Meyerowitz, New York Times Corp., Time/Life Corp., and The Diane Arbus Estate.
Supervisor :: Photography Department, Parsons School of Design/New School for Social Research, NYC, NY :: 1985-86
  • Technical Supervisor: managing entire photo production laboratory and equipment cage, and provided users with a wide range of technical and aesthetic assistance
  • Teachers Assistant: for William Abranowicz (Large Format Photography), Dennis Simonetti (Fine Printing), and George Tice (The Fine Photographic Print), Parsons School of Design, New York City
Geophysicist :: Union Oil Company of California, International Division, Los Angeles, CA, USA :: 1982-85
  • Geophysical Engineer: Developed a specialized department with an annual budget of USD2.5M which oversaw all aspects of gravity and magnetic data acquisition, processing and interpretation world-wide
  • Worked closely with the research division testing new data acquisition and analysis techniques
  • Liaison with several external research organizations (WHOI, Lamont-Dougherty Geophysical Observatory, CSM Potential Fields Institute)
  • Member, Society of Exploration Geophysicists (SEG), and American Geophysical Union (AGU)
  • Responsibilities included monitoring on-site data acquisition in Latin America, Asia, and Africa
  • Developed an internet/external data exchange and storage procedure for archive material
  • Integrated diverse GIS data and coordinated interpretation results with seismic explorationists
  • Conducting in-house seminars on alternative exploration techniques
  • Advisory/educational work extended direct vertically and laterally to senior management and to other corporate divisions
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Assistant Geophysicist :: Group Seven, Inc, Lakewood, CO, USA :: 1981-82
  • Assisted programmers developing visual interpretation techniques for TDEM-based (Time-Domain Electromagnetic) exploration techniques for geothermal energy sources
  • supported multiple TDEM field operations in the Inter-Mountain west US
  • Produced a white paper and full bibliography covering the current economic status of US geothermal energy exploration and production
pre-1982 activities
  • Undergraduate student, Department of Geophysical Engineering, at the Colorado School of Mines, member Society of Student Geophysicists (SSG)
  • Writer, copyreader, Photo Editor, and Special Editor for the Oredigger student newspaper and the Prospector yearbook
  • Free-lance commercial photographer and photojournalist (Denver Post, Golden Transcript, Rocky Mountain News, Downbeat)
  • Rough-neck for Marlin Drilling, Inc., on an off-shore oil-drilling platform Marlin #9 in the Gulf of Mexico, Louisiana
  • Maintenance crew-member Rockville Crushed Stone open-pit aggregate mine, Rockville, Maryland
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references:
  • available on request :: please email jhopkins (( a.t )) neoscenes.net
visiting artist or lecturer
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conferences, meetings, workshops, festivals, residencies, and other presentations
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exhibitions/screenings/airings/performances/ on- & off-line projects
ongoing
2010
2009
2008
2007
2006
2005
2004
2003
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2002
2001
2000
  • Video Works 1989-99, Deiglan Arts Center, Akureyri, IS solo
1999
1998
1997
  • the big road, Digital Drive-in, MUU 10th Anniversary Exhibition, online and Helsinki, FI
  • net.sauna, Ars Electronica - open-x venue, Linz, AT
  • dear god, a video performance, Tornio, FI
  • einfluss, RheinArt-97 Festival, online and Basel, SZ
  • solstice-to-solstice, a naming of the Light of being, a performance, Galleria Jangva, Helsinki, FI
  • QuasiProto2 Video Festival, Magic Theater, Omaha, Nebraska, US
  • One Day of My Life in a Box, Foyer des Rathauses, Köln, DE
  • Icon, West End Centre, Hampshire, UK
  • SMART-SHOW On-line, Helsinki, FI, and Stockholm, SE
  • eight dialogues, PORT: Navigating Digital Culture, online and Reference Gallery, MIT List Visual Arts center, Cambridge, Massachusetts, US
  • 3rd Nordic Electronic Art and Video Biennale, Santiago de Chile, Stockholm, SE
  • solstice-to-solstice, Deiglan Arts center, Akureyri (Summer Festival of the Arts), IS solo
1996
  • 24-hour Internet Collaboration, a networking project between five groups of university art students in Europe and the US
  • Shall We Dance? -- An Orchestrated Ear For Multitudinous Voices, from the 7th International Symposium on Electronic Art, Rotterdam, Netherlands
  • #apart, IRC discussion sponsored by Atelier Nord and Norwegian Art Yearbook
  • Solstice-to-Solstice: a naming of the Light of being, a performance, National Academy of Fine Art, Helsinki, and Tampere College of Art and Communications, FI, and Florida State University, Department of Art, Tallahassee, Florida
  • dinner, a performance at the Digital Chaos Cyberconference, The Hub Interc@fe, Bath, England
  • naming, a performance, The Ultimate Akademie Köln, DE
  • dinners, a performance series with the members of the Board of the X-ART Foundation, NYC, NY, US
  • blast5drama theater of operations (x-art Foundation), Sandra Gering Gallery, NYC, NY, US
  • International Project Johannes Kepler, Wendelinskapelle, Weil der Stadt, DE
  • Le Triomphe de la Stérilité, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR (catalog)
  • One Day of My Life in a Box, Goethe Institute, Bangkok, TH
  • Hommage to Moholy-Nagy, Hungarian Photography Museum, Kecskemet, HU
  • Eventa 3, Ekeby Qvarn, Uppsala, Sweden
  • California Artistamp Exhibition, UC Design Gallery, San Francisco, California, US
  • Partners, Cantor Art Gallery, Holy Cross College, Worcester, Massachusetts, US solo
  • Cadavre Exquis, Galerie Martin Mlecko, Köln, DE
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1995
  • Email/Internet Collaboration, a performance the Icelandic Academy of Art, University of Maryland/Baltimore County, University of Southern Florida, and University of Colorado/Boulder
  • ChainReaction, Internet project, ISEA95, Montréal, Quebec, CA
  • Leben und Sterben, Bugenhagengemeinde, Sistig, DE
  • Video-Expedition in the Performance-World, Artpool Art Research center, Budapest, HU (catalog)
  • Word Theater, The State History and Art Museum, Kaliningrad, RU
  • International Mona Show, CORE Art Space, Denver, Colorado, US
  • Faux Post, Modern Realism Gallery and Archive, Dallas, Texas, US
  • Havana '95, Palacio de Bellas Artes, Havana, CU.
  • MiniExpresión, Galería DEXA, Panama, PA
  • 1st Int'l Electrographic Art Exhibition, Pisa, IT
  • Expedition/Exhibition, Newkapolcs Gallery, Kapolcs, HU
  • Arte Elettrografica '95, Palazzo Gambacorti, Pisa, IT
  • The Artistamp Collection, Galery of the Begijnhof-Cvk, Hasselt, NL
  • The World Today, Timpan Gallery, Lahti, FI
  • Manuscripts, Galery Schroder, Den Haag, NL (catalog)
  • Hands Project, Le Lieu Centre en Art Actuel, Montréal, Quebec, CA (catalog)
  • 7th Exposição Internacional de Arte Postal - O Cinema, Câmara Municipal, Barreiro, PT (catalog)
  • In Memory of Ray Johnson, Begijnhof-Centrum voor Kunsten, Hasselt, BE
  • Outpost, Venice Biennale, Venice, Italy and Edinburgh, UK
  • E-Mail-Art, Centrum voor Kunsten, Limburg, NL
  • The First Man on the Moon, Red Dot Gallery, Vancouver, BC, CA (catalog)
  • the book of 1000 Buddhas, UIAH, Helsinki, FI solo
  • Video Art Festival, American Cultural center, Reykjavík, IS
  • Essence, Queensland College of Art Gallery, Brisbane, and, Toowomba Regional Gallery, Toowoomba, AU
1994
  • FAX YOU, a trans-continental performance, New York City, USA and Helsinki, FI (catalog)
  • Mailed Art í Uppsala, Gamla Gillet, Uppsala, SE
  • Digital Directions, Galeries Simera-Signe, Maastricht, NL
  • Immanuel Kant, City Art Museum of Kalinigrad, RU
  • Il Faut Rever, Galerie Vrais Rêves, Lyon, FR
  • Borders, Limits, Galeria K-2, Goldap, PL
  • Bosnia-Herzegovina: Open Wound, Tarragona, ES and Sarajevo, Bosnia
  • 100 Years of Street Photography, Wright State University Art Gallery, Dayton, Ohio, US (CD-ROM catalog)
  • Noun: a Naming, Gallery 114, Adams State, Alamosa, Colorado, US solo
1993
  • UNI/vers(;), AIDS-Hilfe, Halle, DE (catalog)
  • Sealed With a Kiss, Chicago Children's Museum, Chicago, Illinois, US
  • Artpool Subjectif, Ateliers d'artistes de la ville de Marseille, FR
  • Infinite Line, Milan Art Center, Milan, IT
1992
  • For Our Child, a performance with Magnea Björg Jónsdóttir, Mojave Desert, California, US
  • The Kiss: a personal dialogue, a performance with Magnea Björg Jónsdóttir, Reykjavík, IS
  • Portraits, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR solo, (catalog)
  • La Photographie dans Le Monde, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR (catalog)
  • Avantière V, Aula Carolina, Aachen, DE
  • Salon International de la Recherche Photographique, Royan, FR (catalog)
  • Artpool's FaxZine, Decentralized World-Wide Networker Congress / Budapest Session, Budapest, HU (catalog)
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1991
1990
1989
  • Self-to-Self, a vision/action, Layton, New Jersey, US
  • Antithesis:Dialogue, a ten-day performance of interpersonal-dialogue, Boulder, Colorado, US
  • Ich Bien, a performance with ants and cheese rinds, Avignon, FR
  • Four People in a Canyon, a performance, Sand Canyon, Dinosaur National Monument, Colorado, US
  • Joshua and the Wall, Things Have Changed: Works in celebration of the Changes in Eastern Europe, CU Art Galleries, Boulder, Colorado, US
  • Sketches from the Apokalyptic Dream, Mackay Gallery, Boulder, Colorado, US
  • Triptychon, Galerie Smolinski/KunstKontor, Aachen, DE solo
  • Triptychon, Galerie KunstMusik, Herzogenrath, DE solo
  • Peters Valley Faculty Exhibition, Doremus Gallery, Layton, New Jersey, US
  • Photography is Dead, CU Art Galleries, Boulder, Colorado, US
  • Flesh and Spirit, Los Angeles Artist Equity Association, Los Angeles, US
  • Galerie Vrais Rêves, Lyon, FR (Collection)
1988
  • Breakfast: a nine-hour Dialogue, a collaborative action, Boulder, Colorado, US
  • University of Colorado Benefit Auction Exhibition, Boulder, Colorado, US
  • Good Things from Other Places, 2/C's Gallery, Denver, Colorado, US
  • Contradictions, The Warehouse Gallery, Talahassee, Florida, US
  • Breaking The Shell, Emerging Arts Group, Boulder, Colorado, US
  • International Mail Art, Chambers Gallery, University Park, Pennsylvania, US
1987
  • Langford Gallery, Texas A&M University, Texas, US
  • Eleven People on a Mountain, a performance, Browns Peak, Colorado, US
  • WorkSpace Gallery, University of Colorado, Boulder, US
  • Boulder Center for the Visual Arts, Boulder, Colorado, US
  • Foothills Art Gallery, Golden, Colorado, US
  • Main Street Arts, Minturn, Colorado, US
1986
  • Azimuth: Degrees of Perception, Martin Gallery, Washington, D.C., US
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videography / audiography
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bibliography / media
about
  • "On the various faces of migration: networking and travelling through boundaries," interview with Vytautas Michelkevičius via email, Migrating Realities, book, co-editor, Berlin, DE, October 2008
  • "The American Trauma - Report on John Hopkins, Ben Owen, Brandon LaBelle," Rinus van Alebeek, das kleine field recordings festival blog, Berlin, DE, 22 May 2008
  • "Womanifesto Roots Down and Continues to Distill," Varsha Nair, Ctrl+P, Manila, PH, Issue #6, May 2007
  • "Borderless Crossings," Katherine Olston, art4d, Bangkok, TH, vol. #136, April 2007
  • "RAM6: Permñstant naujñsias medijas -- RAM6: Re-approaching New Media," Literatura ir Menas, Tautvydas Bajarkevicius, Vilnius, LT, 10 Sept 2004
  • "Kürybingumas = energijos judòjimas -- Creativity = Circulation of Energy," 7 Meno Dienos, Dovilé Tumpyté and Vytautas Michelkevicius, Vilnius, LT, 10 Sept 2004 (interview)
  • "Visuomené, menas ir technologijos -- Art, Technologies, and Society" 7 Meno Dienos, Dovilé Tumpyté, Vilnius, LT, 3 Sept 2004
  • Interview by Marc Garrett for sijis online, Vilnius, LT, August 2004
  • "The Battle over New-Media Art Education: Experiences and Models," My First Recession, Geert Lovink, Amsterdam, NL, 2003, ISBN 90-5662-353-2 (interview)
  • "Muerte y memoria: imagenes de Colorado, EU," Rotativo, Oaxaca, MX, 31 Oct 2002
  • "Visiting artist John Hopkins explores relationship between art and technology," Carillion, Boulder, Colorado, US, 25 Oct 2002 (interview)
  • "Kriitikot ja edelläkävijat valtasivat Telakan," Aamulehti, Tampere, FI, 10 Nov 2001
  • "Wo Prozesse die Produkte verdrängen," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 3 Feb 2001 (interview)
  • "A Tech-Nomad on the Internet," Kenneth Mikko, N66 Magazine #11, Haparanda, SE, June 2000
  • "Ihmisten verkostoa ei voi käskyttää eikä kontrolloida," Seppo A. Kröger, ICL Magazine, Helsinki, FI, Oct 1999 (interview)
  • "Ideen durch Reisen, Reisen durch Ideen," Matthias Fuchs, ORF (Austrian National Radio) Kultur Online, Vienna, AT, 1999
  • "Zurück zum Dialog," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 15 April 1999
  • "I Survived the Neoscenes Occupation Project and All I get Is This Lousy Article," Sami Kukkonen, METKU, Tornio, FI, Feb 1999
  • "Die Aniegnung von Raum," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 11 April 1998
  • "Blast5drama: Art: Is it Stranger than Diction?," musEleanor, C.M.S.A., Intelligent Agent, vol. 1 number 9, New York, NY, US, Jan 1997
  • "Private Collections - Bauchnabelschau, Bilderrausch und Autonomie im Web," Mathias Fuchs, EIKON Internationale Zeitschrift fer Photographie & Medienkunst, vol. 18/19/20., Vienna, AT, Jan 1997, ISBN 3-85132-142-1
  • Les Conserves de Nicéphore, Paul Jay, Chalon-sur-Sâone, FR, 1992, ISBN 2-907284-15-0
  • "Teikn í ljós," Bragí Ásgeirsson, Morgunbladid, Reykjavík, IS, 20 March 1991
  • "Die Kunst ist grenzenlos," Aachener Volkszeitung, Aachen, DE, 31 March 1990
  • "Gigantische Kunstcollage," Aachener Nachtrichten, Aachen, DE, 31 March 1990
  • "Avantière," Top Magazine, Aachen, DE, 14 April 1990
  • "Vom beschwerlichen Weg zur Kunst," Aachener Nachtrichten, Aachen, DE, 09 Jan 1989
media
  • Dorkbot303 V3.06 2-year Anniversary Party, live broadcast on Comcast Community Cable Channel 57 and KGNU 1390 AM, 05 Dec 2008, Denver Open Media Studios, Denver, Colorado, US/online (broadcast archive)
  • De Hoeksteen Live, video mix, 27 Jan 2008, 29 Dec 2007, NL/online
  • killerTV / Connect, WaagSociety, Sher Doruff and Janine Huizenga interview John Hopkins, 14 Mar 2007, NL/online
  • The Night Air, with John Jacobs, Australian Broadcasting Corporation, 11 Feb 2007, AU/online
  • kunstradio & Ars Acoustica, art's birthday, EBU satellite channel "Ravel" live broadcast, 17 Jan 2007, Santa Barbara, CA, US/online
  • free103point9, live_feed: Breakfast Radio, 15 Aug 2006, Brooklyn, NY, US/online
  • rhizome.org, Trebor Scholz interviews John Hopkins, 23 March 2005, Bremen, DE/online
  • sijis.com, Down With the Chairman, interview at RAM6 with Mark McLaren, 27 Aug 2004, Vilnius, LT/online
  • DeutschlandsRadio, "Umstrittene Fälchen-Kultur im Radio" Kultur program, covering radiostadt 1, 21 Aug 2003, Dresden, DE
  • SubTV, live national television broadcast from NetArt workshop, 10-11 Nov 2001, Tampere, FI
  • art@radio, WMBC, Baltimore, Maryland, US
  • ArtDirt, a Pseudo Online Network internet broadcast program
    • guest on the 13 Sept 1997 show, (live from Ars Electronica, Linz, AT)
    • guest on the 27 June 1997 show, (live from Polar Circuit, Tornio, FI)
    • interview on the 9 Mar 1996 show (live from the studios, NYC, NY, US)
  • guest on dictaphon, experimental audio program, NTNU Studentradio'n i Trondheim, 11 Sept 1999, Trondheim, NO
  • interview, tvvv.plotas, cultural affairs tv program, Sept 1999, Vilnius, LT
by / contributor
  • Migrating Realities, book, co-editor, Berlin, DE, October 2008, ISBN 978-9955-834-01-4
  • "In The Presence of Networks: A Meditation on the Architectures of Participation," pixelache 2007 festival catalog, Helsinki, FI, March 2007 and Migrating Realities, Berlin, DE, October2008
  • "vholoce," furtherfield.org reviews, London, UK, October 2006 (review)
  • Connected! LiveArt, Waag Society, Amsterdam, NL, August 2005 (project catalog)
  • <title>FreeCooperation</title>, Conference publication, Department of Media Study, SUNY-Buffalo, NY, US, April 2004
  • "1+1=3," acoustic.space: media architecture Acoustic Space reader #4, Riga, LV, Jan 2003, ISBN 9984-9538-0-7
  • "net to art," kunstnett norway, Oslo, NO, Dec 2000
  • "learning and networks," acoustic.space: net congestion Acoustic Space reader #3, Riga, LV, Nov 2000, ISSN 1407-2858
  • "crash," TheTimeBroker online zine hypertext article, Feb 2000
  • Intertwinedness - Reflecting the Strucuture of the Net, Überlegungen zur Netzkultur, Vienna, AT, Jan 2000, ISBN 3-85415-259-X
  • "neoscenes occupation," acoustic.space: net audio Acoustic Space reader #2, Riga, LV, Sept 1999, ISSN 1407-2858
  • "net.art string," Z K P 4: "Beauty and the East", Ljubljana, BG, May 1997
  • "Manifestations of Networking," John Hopkins, Valokuva: Contemporary Imagery Review/Journal of Finnish Photography, vol. 46 number 5, Helsinki, FI, Oct 1996
  • FAX YOU, a photocopy documentation, Helsinki, FI, Mar 1995, 180 pps.
  • "Seven Stages of Re-creation,"Eitt Eitt, Reykjavík, IS, Mar 1995
  • the book of hours, a digitally produced book, July 1994, 50 pps.
  • Partners: a Tragicomedy in 33 parts, a digitally produced book, June 1994, 35 pps.
  • the book of one thousand Buddhas, a digitally produced book, Mar 1994, 1000 pps.
  • Word:Dialogue:Light:Revolution:Action, an international collaborative photocopy book, 1991, 250 pps.
  • A Ballad of Willy an' Andy, photographic book, New York, 1989, 50 pps.
  • Is Everything and Anything to be Permitted as Art?, editor of an international collaborative photocopy book, 1989, 230 pps.
  • From the center of the Universe to Babylon, photographic book, 1989, 12 pps.
  • madrugada, photographic book, based on the poem by Octavio Paz, 1989, 20 pps.
  • Vincent, photographic book, 1989, 6 pps.
  • Brought to you by the US Government Systems and Networks Division, a photocopy book, 1988, 24 pps.
  • The Book of Masks part I and II, a two volume photographic book, 1986-88, 35 pps.
catalogs and other publications
  • Video-Expedition in the Performance-World, Artpool Art Research center, Budapest, HU, 1996 (project catalog)
  • "Partners", The Manuscripts Book, Schröder Foundation, Den Haag, NL, 1995
  • 7th Exposiçã Internacional de Arte Postal - O Cinema, Câmara Municipal, Barreiro, PT, 1995
  • Networker Bridge, Artpool Archives, Budapest, HU, Jan 1995
  • Portraits: Students, MHI, IS, May 1994
  • The New Street Photography, Wright State University, Dayton, Ohio, US, 1994 (CD-ROM catalog)
  • "The Capitalist Shuffle," Pelsch#3, Trondheim, NO, 1993
  • "Aspects of space/place rendered Holy by Light," SIRP, Royan, FR, 1993 (photographic catalog)
  • Portraits: City Workers in the Apotek Building, Photography Museum of Reykjavík, IS, 1993
  • Portraits: John Hopkins, Musée Nicéphore Niepce, 1992, Chalon-sur-Sâone, FR, ISBN 2-903292-85-X (photographic catalog)
  • Les Conserves de Nicéphore, Jay, Paul, Chalon-sur-Sâone, FR, 1993 (photographic catalog)
  • La Photographie dans Le Monde, Musée Nicéphore Niepce, Chalon-sur-Sâone, FR, 1992 (photographic catalog)
  • "Expansion with Theme," KölleFORNIA, Köln, DE, Aug 1989
  • "Examples of Babylonish Currency," Poked with Sticks magazine, Toledo, Ohio, US, Feb 1989
  • "near 29 Palms, California, April 1984," Photographers Forum magazine, Award of Excellence, Jan 1988
  • "Postcards from the edge," Sticks and Stones, Boulder, Colorado, US, April 1988
  • "The Salton Sea Known Geothermal Resource Area (KGRA): A Restricted Economic Development Plan," Colorado School of Mines, Golden, Colorado, US April 1981
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awards / grants / residencies
  • The Center for Land Use Interpretation, Wendover, Nevada, US, artist residency (04/10)
  • Interntional Postgraduate Research Scholarship (IPRS) and the UTS President's (UTSP) scholarship funded by the University of Technology, Sydney, full funding for three years of doctoral research, Sydney, Australia (7/09-8/13)
  • The Gil Society, Akureyri, IS, artist residency (9-11/04)
  • Nordic Institute for Contemporary Arts, Suomenlinna, FI, New Media Air artist residency (02-05/04)
  • University of Colorado, Dept. of Art & Art History, Computer Committee, Technology Assistance grant (09/03)
  • Linnunlaulu Artists Residency, Helsinki, FI (8-12/00)
  • Ars Electronica, Open-X Project, Linz, AT, travel/project grant (09/98)
  • Ars Electronica, Open-X Project, Linz, AT, travel/project grant (09/97)
  • Polar Circuit, Tornio, FI, artist residency (5-7/97)
  • artnetweb/MIT, PORT Exhibition, project grant (3-4/96)
  • Arts Council of FI, Helsinki, travel grant (8-9/96)
  • US Embassy, USIS, Helsinki, FI, travel grant (8/96)
  • Nordic Institute for Contemporary Arts, Suomenlinna, FI, residency support (8-10/96)
  • MUUMediaBase, Helsinki, FI, studio support 08-10/96)
  • Art Node Foundation, Stockholm, Sweden, travel grant (8/96)
  • NORDPLUS stipend for guest lecturing at the University of Art and Design, Helsinki, FI (2-5/95)
  • US Cultural center, USIS, Reykjavík, IS, program grant for Festival of American Video Art (10-11/94)
  • Icelandic College of Art, Reykjavík, IS, program grant for the Boxiganga Performance Troupe (10/94)
  • Icelandic Teachers Union, Reykjavík, IS, travel grant (8/94)
  • US Cultural center, USIS, Reykjavík, IS, grant for Visiting Artists (1/93)
  • NORDPLUS stipend for guest lecturing at the National College of Art and Design, Bergen, NO (8-10/92)
  • Photographers Forum Magazine, Award of Excellence (4/89)
  • Fine Arts Fellowship Award, University of Colorado Graduate School, travel grant (7/89)
  • Photographer's Forum Magazine Ninth Annual Photography Review, finalist (4/88)
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collections
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