Hakim Bey is spot-on when
he invokes "Fourier and his concept of the senses as the basis of social
becoming -- 'touch-rut' and 'gastrosophy,' and his paean
to the neglected implications of smell and taste" as a basis or even
root source for radical action. "The essence of the party: face-to-face,
a group of humans synergize their efforts to realize mutual desires, whether
for good food and cheer, dance, conversation, the arts of life; perhaps even
for erotic pleasure, or to create a communal artwork, or to attain the very
transport of bliss-- in short, a "union of egoists" (as Stirner
put it) in its simplest form--or else, in Kropotkin's terms, a basic biological
drive to "mutual
aid." (Here we should also mention Bataille's "economy of excess"
and his theory of potlatch culture.)." All of this is the core of a very
humane and a very radical practice of living.
Dinners, lunches, breakfasts, whatever, breaking-bread with new and old, family and friends, strangers. The ritual is open and although it has been suggested rather often in the case of my pseudo-documentary activities that the tape recorder should be started only after the second bottle of wine has been uncorked, most consciousness of the microphone is lost in the fray to fill bellies with grub. Bon appétite! and stay tuned...
From a material point of view, sound and audio recording has always been an
interest. I began a more serious exploration of the medium in 1991 when I came
to own a decent portable Marantz analog cassette deck. One day I hope to produce
a CD with excerpts from the dinners. In 1997, friends Mathias and Sylvia have
curated a significant audio site
soundcalendar
which includes eight dinner
fragments with accompanying texts and images from the period of 1995-97.
This work took an additional turn in 1996 when I was invited to make a proposal
for the
blast5drama vehicle, a performative event centered
at the Sandra Gering Gallery in SoHo and curated by Jordan Crandall and the
board of X-Art Editors including Adrianne Wortzel, Ricardo Dominguez, and others.
I decided, with Adrianne's support to make a very simple proposal that would
keep open any intent -- the proposal was that during a one week period in November
1996 in New York City, I would meet each one of the seven editors individually
for a dinner (or lunch). You can read more about that project by visiting the
blast 5 drama site,
and my travelog from
November 1996.
The most current manifestation of the dinner archive is in the live audio/video
re-mix performances that I've been doing in different venues (for example the "
What Are We Eating" project at the Overgaden Sount Art Festival in 2004.
While I was in Boulder during the
summer of 1995 visiting with Jim Johnson, he brilliantly suggested that this
project should be called
Please Pass the Salt. So,
there it is!
except for the aftermath, belches, breaking wind, along with cordials, cocktails,
roaches scuttling behind the fridge and roaches making the rounds to settle
the stretched stomach, the ablutions, excretions, the flossings (as Andrea always
held, "Friends who de-plaque together, get back together!"), brushings, tooth-picking, groans, loosened belts, and, finally, groggy sleep with rich forever dreams of filled sexual appetites, the next morning, like the French Cavalry did field manouvers in yer mouth, el mondo mundo, and we get ready for more... food as sustenance. and the site of imbibing is the richest mine for life-changing dialogue.