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cv / resume:
education ].|
strategic skills ].|
tactical skills ].|
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teaching ].|
presentations etc ].|
exhibitions etc ].|
audio/video ].|
bibliography ].|
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collections ].|
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teaching philosophy ].|
i say:
verily on the road. in the sky, between earth and heavens. and with an inertia far above the normative baseline (of tethered being). perhaps pivotal in locative presence. with the strange old dilemma of Europe beckoning, offering cultural and intellectual stimulation, and jobs; the US only to be habited with a begging bowl or throat-cutting PR tactics. and this highly incidental and mercenary gibberish of law, politic, militarism, and market.
travelog entries:
temporary suspension
Christmas Eve
the past
sundry
George Street
point-to-point
Can you come out and play with me?
Pacific
downloads:
|.[ cv / resume (pdf USlet)
|.[ philosophy (pdf USlet)
cv for John Hopkins
education
skills assessment:
strategic
  • Experienced liaison between technologists, creatives, and users
  • highly tuned abilities of cross-cultural communication and awareness
  • focused lobbying and fund-raising skills
  • inspiring facilitator for creative technology project teams;
  • comfortable multi-tasking in indeterminate, interstitial, collaborative, and autonomous zones
  • fast, fearless, and systematic applications hardware/software learner
  • effective critical analyst of situations, processes, and communications models
  • confident editor, interpreter, and presenter of data and knowledge sets
  • insightful practice-based understanding of the intersection of technology and social systems
  • dynamic and engaging seminar leader and public speaker; careful listener
  • independent self-starter; detail oriented; highly organized
  • effective communicator via text, spoken word, and image
  • flexible networker; experienced traveler; international perspective.
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tactical
  • principled/applied understanding of programming environments, database, LAN management, telecommunications tools, streaming media, educational technology platforms, digital signal processing, networking, GIS systems, open source, and Unix/Linux
  • Mac OSX, RedHat, C-panel, WordPress, and php web server management
  • experienced manager of digital media production laboratories with excellent electro-mechanical skills
  • specific knowledge of video editing (AVID, FinalCut Pro, and Premiere, linear and non-linear)
  • present user/teacher of Adobe CS, VDMX, SoundTrack, iDVD, DVDStudioPro, Peak, Reason, Audacity, BBEdit, most IP-based communication, streaming, collaborative, and Web 2.0 and social networking applications, among others
  • former teacher of Deck 3, KeyWorx, Illustrator, PageMaker, Director, Quark, Fontographer, SoundEdit16, SoundDesigner, AfterEffects
  • experienced master printer (B&W photography) with in-depth technical knowledge of commercial and fine art (analog and digital) photography
  • sophistocated camera-based, visual, text, and sound artist
  • Languages: English (native) copy-reader/editor; Read: French, Icelandic; familiar with Spanish, Danish, German, and Norwegian
  • frequent and experienced traveler in Norway, Sweden, Finland, Denmark, Germany, France, Belgium, Iceland, Austria, Italy, England, Netherlands, Czech Republic, Estonia, Latvia, Lithuania, Australia, and the US.
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Professional Experience :: Employment History
Network Consultant / Media Educator :: 1995 - present
  • Developed, promoted, and led specialized workshops for communications managers, graduate students (art, design, and computer science/engineering), artists, and designers aimed at stimulating creative work with and within technological and networked environments
  • Workshops focus on effective development of social networking and communications skills, personal and collaborative creativity, and cover a broad range of technology topics in telecommunications, digital media production, and telepresence
  • Teaching proficiencies cross a wide swath of technological, social, creative, artistic, and personal discourses
  • Workshops have been conducted in more than 50 institutions in Germany, Denmark, Estonia, Latvia, Lithuania, Netherlands, Finland, Norway, Sweden, the Czech Republic, Iceland, Hungary, Australia, New Zealand, the UK, and the US
  • Provide expert advice to institutions (sized from 25 to 500 people) and individuals on improving internal and external communications/networks and on establishing digital media research and production centers
  • Frequent guest lecturer/panelist in many New Media technology venues speaking on tactical media, knowledge management, education, networking, and creativity
  • Conceived and facilitated numerous major collaborative live and network-based /streaming-media events with actively contributing participants from more than 30 countries and a large public audience
  • Established a dynamic international forum (neoscenes occupation) dealing with issues of creativity and the tactics of cultural expression as mediated by technology
      • Advisor to:

    • MigAA, Migrating Art Academies, a three-year collaborative education experiment between media art academies in FR, DE, and LT
    • PNEK, a nationwide cultural networking project, Oslo, Trondheim, and Bergen, NO
    • source, artknowledge and flash-or-flesh, a collaborative networking project between four art academies in DK and DE
    • The FORUM / Virtual Teams project between the University of Lübeck and the Muthesius Kunst Hochschule, Kiel, DE
    • European Cultural Backbone initiative on educational affairs
    • Art Museum of Reykjavík and the Reykjavík2000 committee for the cafe9.net project
    • European Master of Printmaking, Art, and Research (PA&R) program, a consortium of six academies in FR, DE, ES, IS, and UK
    • Reykjavík Museum of Photography
    • Taught workshops in Master Black and White Printing for members of the National Photographers Union, Reykjavík, IS
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Independent Artist :: 1985 - present
  • Creative work at the intersection of technology and art with an innovative trans-national practice, recent Internet/communications-based projects recognized and show-cased three times at the prestigious Ars Electronica Festival in Linz, Austria
  • Active participant in scores of international network-based projects and communities
  • Solo exhibitions of camera-, time-, or network-based works in eight countries, group exhibitions globally, work is in numerous private and public collections including the Bibliothèque Nationale in Paris, and the Museum of Modern Art Library, NYC
  • Receive funding support from many international arts/cultural organizations
  • Maintain an active on-/off-line presence with many independent/experimental media organizations and individuals globally in an advisory and collaborative role
  • Maintain an extensive global network of digital media content creators, researchers, and activists
  • Member MUU (Alternative) Artists Association, Helsinki, FI and SIM (Union of Icelandic Artists), Reykjavík, IS
Senior (Visiting) Lecturer :: University of Colorado, Department of Art and Art History, Boulder, CO, USA :: 2002-03
  • participated in long-term strategic planning for the Techne and EDAS teaching and research initiative
  • served on the Department of Art and Art History Technology Committee
  • facilitated solutions across the department for various digital technology issues
  • active participant in the Dialogues between Two Cultures colloquium
  • initiated first ad hoc teaching use of available streaming technologies campus-wide
  • won support from the Computer Science Department for staging two innovative 24-hour live/online performance events
  • facilitated a departmental community (e)mailing list
  • optimized and managed the EDAS lab and network
  • taught introductory, advanced, and history/theory of digital media courses in BFA/MFA program
Program Coordinator and Consulting Advisor :: cafe9.net, Helsinki2000 / Mindworks Oy, Helsinki, FI :: 1998-2000
  • Strategic role developing a unique cultural/technical networking project between nine European cities
  • Applied for, lobbied, and secured EUR 200K in EU funding with total project funding of EUR 900K
  • Supported local lobbying and PR efforts with persuasive presentations of the project concept, goals, and importance
  • Developed conceptual and practical guidelines for constructing a distributed cultural/technical network
  • Facilitated remote communications tactics in a complex cross-cultural situation
  • Organized, trained, and remotely networked groups of young people in each city to act as real and virtual hosts during the 2-month public operation of the venues
Chair, Board of Directors :: US-Iceland Fulbright Educational Commission, Reykjavík, IS :: 1994-95
  • Participated in successful budget negotiations under tight economic circumstances at the highest level of the Icelandic Ministry of Education to secure matching-funds for the program
  • Maintained high-profile contact with the Ministry of Education and US State Department representatives
  • Improved the political visibility of program through an aggressive personal lobbying effort
Area Coordinator, Photography / Electronic Media :: Icelandic Academy of the Arts, Reykjavík, IS :: 1990-95
  • Successfully lobbied for the establishment and funding of photography and digital media laboratories
  • Developed and implemented a full BA/BFA-level curriculum which integrated photographic and digital technology in the creative processes of textile, ceramic, and graphic designers, and fine arts students
  • Increased student use of photography, video, and digital media in their final projects (from zero to 60% within three years)
  • Conducted in-house seminars on digital/telecommunications technology for faculty
  • Increased awareness of possibilities of digital and networked tools in creative production
  • Established a strong working relationship with ISMENNT, the Icelandic National Educational Network project
  • Conducted the first network-based collaborations in the school's history -- with colleges in Finland and the US
  • Liaison with ELIA (European League of Institutes of the Arts)
  • Exchange teacher to Norway and Finland with the NORDPLUS and ERASMUS programs
  • Organized funding and execution of several public cultural events with the support of the USIS and the Nordic Cultural Ministry
  • Member College Arts Association (CAA), Society of Photography Educators (SPE), Icelandic University Teachers Union, and Inter-Society on Electronic Arts (ISEA)
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Graduate Student :: University of Colorado, Boulder, CO, USA :: 1987-89
  • Developed a challenging graduate-level course (Master Black and White Printing) which became one of the most popular Continuing Education course offered at the time
  • Received several grants/awards for travel and attending media workshops
  • Lecturer, five semesters of Intro to Photography
  • Actor in Janice Tanaka's award-winning video production "Memories from the Department of Amnesia"
  • Hosted Visiting Artists' Allan Sekula and Nathan Lyons
  • Graduate Coordinator for the photography exhibition/catalog Four-by-Four and the CU Arts Fellowship Fund auction
  • Audio Engineer on a Lindberg Foundation science documentary production, "Heat," in Rome, Isola Ischia and Isola Stromboli, Italy
Master Printer :: PhotoWorks, Inc., NYC, NY :: 1985-86
  • maintained exhibition-standard archival printing in demanding production mode at custom B&W laboratory serving many top art/commercial clients including Arthur Elgort, Joel Meyerowitz, New York Times Corp., Time/Life Corp., and The Diane Arbus Estate.
Supervisor :: Photography Department, Parsons School of Design/New School for Social Research, NYC, NY :: 1985-86
  • Technical Supervisor: managing entire photo production laboratory and equipment cage, and provided users with a wide range of technical and aesthetic assistance
  • Teachers Assistant: for William Abranowicz (Large Format Photography), Dennis Simonetti (Fine Printing), and George Tice (The Fine Photographic Print), Parsons School of Design, New York City
Geophysicist :: Union Oil Company of California, International Division, Los Angeles, CA, USA :: 1982-85
  • Geophysical Engineer: Developed a specialized department with an annual budget of USD 2.5M which oversaw all aspects of gravity and magnetic data acquisition, processing and interpretation world-wide
  • Worked closely with the research division testing new data acquisition and analysis techniques
  • Liaison with several external research organizations (WHOI, Lamont-Dougherty Geophysical Observatory, CSM Potential Fields Institute)
  • Member, Society of Exploration Geophysicists (SEG), and American Geophysical Union (AGU)
  • Responsibilities included monitoring on-site data acquisition in Latin America, Asia, and Africa
  • Developed an internet/external data exchange and storage procedure for archive material
  • Integrated diverse GIS data and coordinated interpretation results with seismic explorationists
  • Conducting in-house seminars on alternative exploration techniques
  • Advisory/educational work extended direct vertically and laterally to senior management and to other corporate divisions
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Assistant Geophysicist :: Group Seven, Inc, Lakewood, CO, USA :: 1981-82
  • Assisted programmers developing visual interpretation techniques for TDEM-based (Time-Domain Electromagnetic) exploration techniques for geothermal energy sources
  • supported multiple TDEM field operations in the Inter-Montane west US
  • Produced a white paper and full bibliography covering the current economic status of US geothermal energy exploration and production
pre-1982 activities
  • Undergraduate student, Department of Geophysical Engineering, at the Colorado School of Mines, member Society of Student Geophysicists (SSG)
  • Writer, copyreader, Photo Editor, and Special Editor for the Oredigger student newspaper and the Prospector yearbook
  • Free-lance commercial photographer and photojournalist (Denver Post, Golden Transcript, Rocky Mountain News, Downbeat)
  • Rough-neck for Marlin Drilling, Inc., on an off-shore oil-drilling platform Marlin #9 in the Gulf of Mexico, Louisiana
  • Maintenance crew-member Rockville Crushed Stone open-pit aggregate mine, Rockville, Maryland
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references:
  • available on request :: please email jhopkins (( a.t )) neoscenes.net
visiting artist or lecturer
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conferences, meetings, workshops, festivals, residencies, and other presentations
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exhibitions/screenings/airings/performances/ on- & off-line projects
ongoing
2010
2009
2008
2007
2006
2005
2004
2003
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2002
2001
2000
  • Video Works 1989-99, Deiglan Arts Center, Akureyri, IS solo
1999
1998
1997
  • the big road, Digital Drive-in, MUU 10th Anniversary Exhibition, online and Helsinki, FI
  • net.sauna, Ars Electronica - open-x venue, Linz, AT
  • dear god, a video performance, Tornio, FI
  • einfluss, RheinArt-97 Festival, online and Basel, SZ
  • solstice-to-solstice, a naming of the Light of being, a performance, Galleria Jangva, Helsinki, FI
  • QuasiProto2 Video Festival, Magic Theater, Omaha, Nebraska, US
  • One Day of My Life in a Box, Foyer des Rathauses, Köln, DE
  • Icon, West End Centre, Hampshire, UK
  • SMART-SHOW On-line, Helsinki, FI, and Stockholm, SE
  • eight dialogues, PORT: Navigating Digital Culture, online and Reference Gallery, MIT List Visual Arts center, Cambridge, Massachusetts, US
  • 3rd Nordic Electronic Art and Video Biennale, Santiago de Chile, Stockholm, SE
  • solstice-to-solstice, Deiglan Arts center, Akureyri (Summer Festival of the Arts), IS solo
1996
  • 24-hour Internet Collaboration, a networking project between five groups of university art students in Europe and the US
  • Shall We Dance? -- An Orchestrated Ear For Multitudinous Voices, from the 7th International Symposium on Electronic Art, Rotterdam, Netherlands
  • #apart, IRC discussion sponsored by Atelier Nord and Norwegian Art Yearbook
  • Solstice-to-Solstice: a naming of the Light of being, a performance, National Academy of Fine Art, Helsinki, and Tampere College of Art and Communications, FI, and Florida State University, Department of Art, Tallahassee, Florida
  • dinner, a performance at the Digital Chaos Cyberconference, The Hub Interc@fe, Bath, England
  • naming, a performance, The Ultimate Akademie Köln, DE
  • dinners, a performance series with the members of the Board of the X-ART Foundation, NYC, NY, US
  • blast5drama theater of operations (x-art Foundation), Sandra Gering Gallery, NYC, NY, US
  • International Project Johannes Kepler, Wendelinskapelle, Weil der Stadt, DE
  • Le Triomphe de la Stérilité, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR (catalog)
  • One Day of My Life in a Box, Goethe Institute, Bangkok, TH
  • Hommage to Moholy-Nagy, Hungarian Photography Museum, Kecskemet, HU
  • Eventa 3, Ekeby Qvarn, Uppsala, Sweden
  • California Artistamp Exhibition, UC Design Gallery, San Francisco, California, US
  • Partners, Cantor Art Gallery, Holy Cross College, Worcester, Massachusetts, US solo
  • Cadavre Exquis, Galerie Martin Mlecko, Köln, DE
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1995
  • Email/Internet Collaboration, a performance the Icelandic Academy of Art, University of Maryland/Baltimore County, University of Southern Florida, and University of Colorado/Boulder
  • ChainReaction, Internet project, ISEA95, Montréal, Quebec, CA
  • Leben und Sterben, Bugenhagengemeinde, Sistig, DE
  • Video-Expedition in the Performance-World, Artpool Art Research center, Budapest, HU (catalog)
  • Word Theater, The State History and Art Museum, Kaliningrad, RU
  • International Mona Show, CORE Art Space, Denver, Colorado, US
  • Faux Post, Modern Realism Gallery and Archive, Dallas, Texas, US
  • Havana '95, Palacio de Bellas Artes, Havana, CU.
  • MiniExpresión, Galería DEXA, Panama, PA
  • 1st Int'l Electrographic Art Exhibition, Pisa, IT
  • Expedition/Exhibition, Newkapolcs Gallery, Kapolcs, HU
  • Arte Elettrografica '95, Palazzo Gambacorti, Pisa, IT
  • The Artistamp Collection, Galery of the Begijnhof-Cvk, Hasselt, NL
  • The World Today, Timpan Gallery, Lahti, FI
  • Manuscripts, Galery Schroder, Den Haag, NL (catalog)
  • Hands Project, Le Lieu Centre en Art Actuel, Montréal, Quebec, CA (catalog)
  • 7th Exposição Internacional de Arte Postal - O Cinema, Câmara Municipal, Barreiro, PT (catalog)
  • In Memory of Ray Johnson, Begijnhof-Centrum voor Kunsten, Hasselt, BE
  • Outpost, Venice Biennale, Venice, Italy and Edinburgh, UK
  • E-Mail-Art, Centrum voor Kunsten, Limburg, NL
  • The First Man on the Moon, Red Dot Gallery, Vancouver, BC, CA (catalog)
  • the book of 1000 Buddhas, UIAH, Helsinki, FI solo
  • Video Art Festival, American Cultural center, Reykjavík, IS
  • Essence, Queensland College of Art Gallery, Brisbane, and, Toowomba Regional Gallery, Toowoomba, AU
1994
  • FAX YOU, a trans-continental performance, New York City, USA and Helsinki, FI (catalog)
  • Mailed Art í Uppsala, Gamla Gillet, Uppsala, SE
  • Digital Directions, Galeries Simera-Signe, Maastricht, NL
  • Immanuel Kant, City Art Museum of Kalinigrad, RU
  • Il Faut Rever, Galerie Vrais Rêves, Lyon, FR
  • Borders, Limits, Galeria K-2, Goldap, PL
  • Bosnia-Herzegovina: Open Wound, Tarragona, ES and Sarajevo, Bosnia
  • 100 Years of Street Photography, Wright State University Art Gallery, Dayton, Ohio, US (CD-ROM catalog)
  • Noun: a Naming, Gallery 114, Adams State, Alamosa, Colorado, US solo
1993
  • UNI/vers(;), AIDS-Hilfe, Halle, DE (catalog)
  • Sealed With a Kiss, Chicago Children's Museum, Chicago, Illinois, US
  • Artpool Subjectif, Ateliers d'artistes de la ville de Marseille, FR
  • Infinite Line, Milan Art Center, Milan, IT
1992
  • For Our Child, a performance with Magnea Björg Jónsdóttir, Mojave Desert, California, US
  • The Kiss: a personal dialogue, a performance with Magnea Björg Jónsdóttir, Reykjavík, IS
  • Portraits, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR solo, (catalog)
  • La Photographie dans Le Monde, Musée Nicéphore Nièpce, Chalon-sur-Sâone, FR (catalog)
  • Avantière V, Aula Carolina, Aachen, DE
  • Salon International de la Recherche Photographique, Royan, FR (catalog)
  • Artpool's FaxZine, Decentralized World-Wide Networker Congress / Budapest Session, Budapest, HU (catalog)
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1991
1990
1989
  • Self-to-Self, a vision/action, Layton, New Jersey, US
  • Antithesis:Dialogue, a ten-day performance of interpersonal-dialogue, Boulder, Colorado, US
  • Ich Bien, a performance with ants and cheese rinds, Avignon, FR
  • Four People in a Canyon, a performance, Sand Canyon, Dinosaur National Monument, Colorado, US
  • Joshua and the Wall, Things Have Changed: Works in celebration of the Changes in Eastern Europe, CU Art Galleries, Boulder, Colorado, US
  • Sketches from the Apokalyptic Dream, Mackay Gallery, Boulder, Colorado, US
  • Triptychon, Galerie Smolinski/KunstKontor, Aachen, DE solo
  • Triptychon, Galerie KunstMusik, Herzogenrath, DE solo
  • Peters Valley Faculty Exhibition, Doremus Gallery, Layton, New Jersey, US
  • Photography is Dead, CU Art Galleries, Boulder, Colorado, US
  • Flesh and Spirit, Los Angeles Artist Equity Association, Los Angeles, US
  • Galerie Vrais Rêves, Lyon, FR (Collection)
1988
  • Breakfast: a nine-hour Dialogue, a collaborative action, Boulder, Colorado, US
  • University of Colorado Benefit Auction Exhibition, Boulder, Colorado, US
  • Good Things from Other Places, 2/C's Gallery, Denver, Colorado, US
  • Contradictions, The Warehouse Gallery, Talahassee, Florida, US
  • Breaking The Shell, Emerging Arts Group, Boulder, Colorado, US
  • International Mail Art, Chambers Gallery, University Park, Pennsylvania, US
1987
  • Langford Gallery, Texas A&M University, Texas, US
  • Eleven People on a Mountain, a performance, Browns Peak, Colorado, US
  • WorkSpace Gallery, University of Colorado, Boulder, US
  • Boulder Center for the Visual Arts, Boulder, Colorado, US
  • Foothills Art Gallery, Golden, Colorado, US
  • Main Street Arts, Minturn, Colorado, US
1986
  • Azimuth: Degrees of Perception, Martin Gallery, Washington, D.C., US
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videography / audiography
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bibliography / media
about
  • "On the various faces of migration: networking and travelling through boundaries," interview with Vytautas Michelkevičius via email, Migrating Realities, book, co-editor, Berlin, DE, October 2008
  • "The American Trauma - Report on John Hopkins, Ben Owen, Brandon LaBelle," Rinus van Alebeek, das kleine field recordings festival blog, Berlin, DE, 22 May 2008
  • "Womanifesto Roots Down and Continues to Distill," Varsha Nair, Ctrl+P, Manila, PH, Issue #6, May 2007
  • "Borderless Crossings," Katherine Olston, art4d, Bangkok, TH, vol. #136, April 2007
  • "RAM6: Permñstant naujñsias medijas -- RAM6: Re-approaching New Media," Literatura ir Menas, Tautvydas Bajarkevicius, Vilnius, LT, 10 Sept 2004
  • "Kürybingumas = energijos judòjimas -- Creativity = Circulation of Energy," 7 Meno Dienos, Dovilé Tumpyté and Vytautas Michelkevicius, Vilnius, LT, 10 Sept 2004 (interview)
  • "Visuomené, menas ir technologijos -- Art, Technologies, and Society" 7 Meno Dienos, Dovilé Tumpyté, Vilnius, LT, 3 Sept 2004
  • Interview by Marc Garrett for sijis online, Vilnius, LT, August 2004
  • "The Battle over New-Media Art Education: Experiences and Models," My First Recession, Geert Lovink, Amsterdam, NL, 2003, ISBN 90-5662-353-2 (interview)
  • "Muerte y memoria: imagenes de Colorado, EU," Rotativo, Oaxaca, MX, 31 Oct 2002
  • "Visiting artist John Hopkins explores relationship between art and technology," Carillion, Boulder, Colorado, US, 25 Oct 2002 (interview)
  • "Kriitikot ja edelläkävijat valtasivat Telakan," Aamulehti, Tampere, FI, 10 Nov 2001
  • "Wo Prozesse die Produkte verdrängen," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 3 Feb 2001 (interview)
  • "A Tech-Nomad on the Internet," Kenneth Mikko, N66 Magazine #11, Haparanda, SE, June 2000
  • "Ihmisten verkostoa ei voi käskyttää eikä kontrolloida," Seppo A. Kröger, ICL Magazine, Helsinki, FI, Oct 1999 (interview)
  • "Ideen durch Reisen, Reisen durch Ideen," Matthias Fuchs, ORF (Austrian National Radio) Kultur Online, Vienna, AT, 1999
  • "Zurück zum Dialog," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 15 April 1999
  • "I Survived the Neoscenes Occupation Project and All I get Is This Lousy Article," Sami Kukkonen, METKU, Tornio, FI, Feb 1999
  • "Die Aniegnung von Raum," Jörg Meyer, Kieler Nachtrichten, Kiel, DE, 11 April 1998
  • "Blast5drama: Art: Is it Stranger than Diction?," musEleanor, C.M.S.A., Intelligent Agent, vol. 1 number 9, New York, NY, US, Jan 1997
  • "Private Collections - Bauchnabelschau, Bilderrausch und Autonomie im Web," Mathias Fuchs, EIKON Internationale Zeitschrift fer Photographie & Medienkunst, vol. 18/19/20., Vienna, AT, Jan 1997, ISBN 3-85132-142-1
  • Les Conserves de Nicéphore, Paul Jay, Chalon-sur-Sâone, FR, 1992, ISBN 2-907284-15-0
  • "Teikn í ljós," Bragí Ásgeirsson, Morgunbladid, Reykjavík, IS, 20 March 1991
  • "Die Kunst ist grenzenlos," Aachener Volkszeitung, Aachen, DE, 31 March 1990
  • "Gigantische Kunstcollage," Aachener Nachtrichten, Aachen, DE, 31 March 1990
  • "Avantière," Top Magazine, Aachen, DE, 14 April 1990
  • "Vom beschwerlichen Weg zur Kunst," Aachener Nachtrichten, Aachen, DE, 09 Jan 1989
media
by / contributor
  • "The End of the Road and the Onset of Dreaming", Migrating: Art: Academies:, Berlin, DE, October 2010, ISBN 978-9955-854-91-3
  • Migrating: Art: Academies:, book, co-editor, Berlin, DE, October 2010, ISBN 978-9955-854-91-3
  • Migrating Realities, book, co-editor, Berlin, DE, October 2008, ISBN 978-9955-834-01-4
  • "In The Presence of Networks: A Meditation on the Architectures of Participation," pixelache 2007 festival catalog, Helsinki, FI, March 2007 and Migrating Realities, Berlin, DE, October 2008
  • "vholoce," furtherfield.org reviews, London, UK, October 2006 (review)
  • Connected! LiveArt, Waag Society, Amsterdam, NL, August 2005 (project catalog)
  • <title>FreeCooperation</title>, Conference publication, Department of Media Study, SUNY-Buffalo, NY, US, April 2004
  • "1+1=3," acoustic.space: media architecture Acoustic Space reader #4, Riga, LV, Jan 2003, ISBN 9984-9538-0-7
  • "net to art," kunstnett norway, Oslo, NO, Dec 2000
  • "learning and networks," acoustic.space: net congestion Acoustic Space reader #3, Riga, LV, Nov 2000, ISSN 1407-2858
  • "crash," TheTimeBroker online zine hypertext article, Feb 2000
  • Intertwinedness - Reflecting the Strucuture of the Net, Überlegungen zur Netzkultur, Vienna, AT, Jan 2000, ISBN 3-85415-259-X
  • "neoscenes occupation," acoustic.space: net audio Acoustic Space reader #2, Riga, LV, Sept 1999, ISSN 1407-2858
  • "net.art string," Z K P 4: "Beauty and the East", Ljubljana, BG, May 1997
  • "Manifestations of Networking," John Hopkins, Valokuva: Contemporary Imagery Review/Journal of Finnish Photography, vol. 46 number 5, Helsinki, FI, Oct 1996
  • FAX YOU, a photocopy documentation, Helsinki, FI, Mar 1995, 180 pps.
  • "Seven Stages of Re-creation,"Eitt Eitt, Reykjavík, IS, Mar 1995
  • the book of hours, a digitally produced book, July 1994, 50 pps.
  • Partners: a Tragicomedy in 33 parts, a digitally produced book, June 1994, 35 pps.
  • the book of one thousand Buddhas, a digitally produced book, Mar 1994, 1000 pps.
  • Word:Dialogue:Light:Revolution:Action, an international collaborative photocopy book, 1991, 250 pps.
  • A Ballad of Willy an' Andy, photographic book, New York, 1989, 50 pps.
  • Is Everything and Anything to be Permitted as Art?, editor of an international collaborative photocopy book, 1989, 230 pps.
  • From the center of the Universe to Babylon, photographic book, 1989, 12 pps.
  • madrugada, photographic book, based on the poem by Octavio Paz, 1989, 20 pps.
  • Vincent, photographic book, 1989, 6 pps.
  • Brought to you by the US Government Systems and Networks Division, a photocopy book, 1988, 24 pps.
  • The Book of Masks part I and II, a two volume photographic book, 1986-88, 35 pps.
catalogs and other publications
  • Video-Expedition in the Performance-World, Artpool Art Research center, Budapest, HU, 1996 (project catalog)
  • "Partners", The Manuscripts Book, Schröder Foundation, Den Haag, NL, 1995
  • 7th Exposiçã Internacional de Arte Postal - O Cinema, Câmara Municipal, Barreiro, PT, 1995
  • Networker Bridge, Artpool Archives, Budapest, HU, Jan 1995
  • Portraits: Students, MHI, IS, May 1994
  • The New Street Photography, Wright State University, Dayton, Ohio, US, 1994 (CD-ROM catalog)
  • "The Capitalist Shuffle," Pelsch#3, Trondheim, NO, 1993
  • "Aspects of space/place rendered Holy by Light," SIRP, Royan, FR, 1993 (photographic catalog)
  • Portraits: City Workers in the Apotek Building, Photography Museum of Reykjavík, IS, 1993
  • Portraits: John Hopkins, Musée Nicéphore Niepce, 1992, Chalon-sur-Sâone, FR, ISBN 2-903292-85-X (photographic catalog)
  • Les Conserves de Nicéphore, Jay, Paul, Chalon-sur-Sâone, FR, 1993 (photographic catalog)
  • La Photographie dans Le Monde, Musée Nicéphore Niepce, Chalon-sur-Sâone, FR, 1992 (photographic catalog)
  • "Expansion with Theme," KölleFORNIA, Köln, DE, Aug 1989
  • "Examples of Babylonish Currency," Poked with Sticks magazine, Toledo, Ohio, US, Feb 1989
  • "near 29 Palms, California, April 1984," Photographers Forum magazine, Award of Excellence, Jan 1988
  • "Postcards from the edge," Sticks and Stones, Boulder, Colorado, US, April 1988
  • "The Salton Sea Known Geothermal Resource Area (KGRA): A Restricted Economic Development Plan," Colorado School of Mines, Golden, Colorado, US April 1981
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awards / grants / residencies
  • The Center for Land Use Interpretation, Wendover, Nevada, US, artist residency (04/10)
  • La Trobe University Postgraduate Research Scholarship (LTUPRS) and La Trobe University Full Fee Research Scholarship (LTUFFRS) from La Trobe University, Melbourne (03/11-08/15)
  • International Postgraduate Research Scholarship (IPRS) and the UTS President's (UTSP) scholarship funded by the University of Technology, Sydney, full funding for three years of doctoral research, Sydney, Australia (7/09-03/11)
  • The Gil Society, Akureyri, IS, artist residency (9-11/04)
  • Nordic Institute for Contemporary Arts, Suomenlinna, FI, New Media Air artist residency (02-05/04)
  • University of Colorado, Dept. of Art & Art History, Computer Committee, Technology Assistance grant (09/03)
  • Linnunlaulu Artists Residency, Helsinki, FI (8-12/00)
  • Ars Electronica, Open-X Project, Linz, AT, travel/project grant (09/98)
  • Ars Electronica, Open-X Project, Linz, AT, travel/project grant (09/97)
  • Polar Circuit, Tornio, FI, artist residency (5-7/97)
  • artnetweb/MIT, PORT Exhibition, project grant (3-4/96)
  • Arts Council of FI, Helsinki, travel grant (8-9/96)
  • US Embassy, USIS, Helsinki, FI, travel grant (8/96)
  • Nordic Institute for Contemporary Arts, Suomenlinna, FI, residency support (8-10/96)
  • MUUMediaBase, Helsinki, FI, studio support 08-10/96)
  • Art Node Foundation, Stockholm, Sweden, travel grant (8/96)
  • NORDPLUS stipend for guest lecturing at the University of Art and Design, Helsinki, FI (2-5/95)
  • US Cultural center, USIS, Reykjavík, IS, program grant for Festival of American Video Art (10-11/94)
  • Icelandic College of Art, Reykjavík, IS, program grant for the Boxiganga Performance Troupe (10/94)
  • Icelandic Teachers Union, Reykjavík, IS, travel grant (8/94)
  • US Cultural center, USIS, Reykjavík, IS, grant for Visiting Artists (1/93)
  • NORDPLUS stipend for guest lecturing at the National College of Art and Design, Bergen, NO (8-10/92)
  • Photographers Forum Magazine, Award of Excellence (4/89)
  • Fine Arts Fellowship Award, University of Colorado Graduate School, travel grant (7/89)
  • Photographer's Forum Magazine Ninth Annual Photography Review, finalist (4/88)
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collections
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